A 46-member orchestra of electroacoustic improvisers performing live at St. George's Church in Lisbon in 2015, for an extended and dynamic tapestry of sound conducted by leader Ernesto Rodrigues, with an impressive list of artists familiar to those following the CS label.
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Label: Creative Sources
Catalog ID: cs358
Squidco Product Code: 22064
Packaging: Cardboard Gatefold
Recorded live at St. Georges Church in Lisbon, Portugal, on November 29th, 2015, by Andre Silva and Pedro Serrano.
Ernesto Rodrigues-conduction, harp
Maria da Rocha-violin
Maria do Mar-viola
Alvaro Rosso-double bass
Adam Pultz Melbye-double bass
Hernani Faustino-double bass
Adriano Orru-double bass
Joao Madeira-double bass
Miguel Ivo Cruz-viola da gamba
Emidio Buchinho-acoustic guitar
Abdul Moimeme-electric guitar
Paulo Duarte-electric guitar
Antonio Chaparreiro-electric guitar
Stephan Sieben-electric guitar
Guilherme Carmelo-baritone guitar
Bruno Parrinha-clarinet, alto clarinet
Ricardo Ribeiro-bass clarinet
Paulo Galao-bass clarinet
Luiz Rocha-bass clarinet
Albert Cirera-soprano, tenor saxophone
Nuno Torres-alto saxophone
Fala Mariam-alto trombone
Armando Pereira-toy piano
Manuel Guimaraes-church organ
Pedro Castello Lopes-percussion
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1. Apparent Magnitude 31:00
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sample the album:
"The Variable Geometry Orchestra is a large electroacoustic ensemble with a fluid, international membership spanning three generations. For this release, recorded in November 2015 at St. George's Church in Lisbon, Portugal, the group was made up of forty-six members. The thirty-one minute performance was conducted by VGO leader Ernesto Rodrigues.
Maneuvering a heterogeneous ensemble of this size in a way that maintains cohesion, a sense of movement and textural variety without undue clutter is a significant challenge. Rodrigues succeeds on these counts-helped in no small part by the accomplished improvisers he conducts-and the result is an integrated performance that nevertheless is constantly in flux.
The theory behind the ensemble's process seems to be to improvise an overall architecture by arranging complexes of sounds moving in relation to each other. In practice this means modulating the dynamics and density of the background to allow different instruments or instrumental combinations to shift to the foreground. One may, for example, hear reeds skittering over the top of quiet chords underscored by a rich foundation of low strings; pizzicato double basses and guitars outlining the upper and lower boundaries of the ensemble's aggregate compass; or brass exclamations over a simmering and thickening bed of soft-edged timbres. The collective sound is always engaging, as this version of the VGO benefits from a very rich palette of sound colors and a wide range running from double bass-no less than five of them-to flute."-Daniel Barbiero, AMN Reviews
At The Squid's Ear!
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• Show Bio for Adam Pultz Melbye
"Adam Pultz Melbye is a Double bassist who also plays electronics, and is a composer. Born in Ribe, Denmark in 1981. Currently living in Berlin. Working mainly in the field of improvisation and structured sound, Adam has toured Europe, the US and Japan, performing solo concerts, in duo with dancer Akemi Nagao, the orchestras Toggle, Jitter, Angel, Flamingo as well as with musicians such as Pat Thomas, Mark Sanders, Evan Parker, Paul Lovens, Yasuhiro Yoshigaki and Michiyo Yagi. Playing electronics, Adam performs in the duo Toggle (with Mads Emil Nielsen) and Ouroboros with Chris Heenan and Michael Vorfeld. Appears on 25+ albums. Initiator of the release platform Noema."-Adam Pultz Melbye Website (http://www.adampultz.com/biography/)
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• Show Bio for Hernani Faustino
"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.
Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.
Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
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• Show Bio for Albert Cirera
"Saxophonist, renowned for his vigorous sound, melodic and abrupt phrasing, and great versatility in terms of musical styles, collaborates in numerous projects of the most diverse nature, from the most classic to the most contemporary and risky jazz, even in some of them closer to pop National or song author.
He began his musical training at the age of six with the violin as his main instrument. A few years later, by the hand of Professor Alfons Carrascosa, will change this by the tenor sax. After years of classical training at the Music School of Igualada and many others in modern music schools in Barcelona, he continues his formative career at the Catalan School of Music where he receives classes from Eladio Reinon, Xavi Figarola, Dani Pérez, Agustí Fernández among others. He also moved to The Hague (Holland) to study for a year at the Royal Conservatory of the Hague with John Ruocco, graduating finally in 2007. During these years he also receives advice from Tony Malaby, Ellery Eskelin, Bill Mchenry, Perico Sambeat ..
Since 2011 leads su propio quartet Albert Cirera & Tres Tambor forming part también en proyectos as Duot, Agusti Fernandez Liquid Trio / Quintet, Free Art Ensemble, Landspace, Javier Galiana & the Spice berberechos, Wooookam, Triot, IED'8, Nelson Projecte, Free Orchestra Association, Esther Condal, El Petit de Cal Eril, etc, receiving with some of them prizes such as the AMJM (Association of Jazz Musicians and Modern Music of Catalonia) in 2011 to the best jazz group with Duot and also, That same year, the Enderrock prize of the critic to the best disc of jazz by "Vol.2 Mode Joe" of Nelson Project.
He has played and continues to do so with musicians like Joe Morris, David Mengual, Joe Smith, Agustí Fernandez, Johannes Nästesjö, Massa Kamaguchi, Carlos Zingaro, Ulrich Mitzlaf, Dani Perez, Jaume Llombart, RJ Miller, David Soler, Celeste Alias, Alessandra Patrucco, Marc Egea, Tom Chant, Pablo Rega, Vasco Trilla, Olle Vikstrom, Julian Sánchez, Sonia Sanchez, etc., in various clubs and other jazz venues in the Iberian peninsula, Belgium, Hungary, Italy and Portugal as well as in festivals Jazz of Barcelona, Vic, Tarrasa, Egido, Girona, Granollers, Banyoles, Lleida, Ibiza, Ezcaray, Sant Juan Evangelista, Hurta BCN color, Hanoi, Ho Chi Minh, Skodra, Hungary), Noth Sea Jazz (Holland), Rocella Jonica (Italy) and Minde (Portugal).
He currently resides in Lisbon where he integrates into the eclectic music scene by playing and building new projects with musicians such as Hernani Faustino, Miguel Mira, Luis Vicente, Vasco Furtado, Fededico Pascucci, Marcelo Dos Reis, Marco Franco, Big Band Reunion, Francisco Andrade, Joao Lencastre or Gabriel Ferrandini."-Albert Cirera Website (http://www.albertcirera.com/)
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• Show Bio for Luis Vicente
"Luis first picked up a trumpet when he decided to participate in a Philarmonic Association. Later he had private classes with Tomás Pimentel.He attended the Escola de Jazz Luís Villas Boas/ Hot Club de Portugal, where he had the chance to study with João Moreira, Tomás Pimentel, Vasco Mendonça, Afonso Pais, Filipe Melo, Bruno Santos e André Fernandes. During these years, he also participated in workshop with musicians such as Evan Parker, Chris Speed, Mário Laginha, David Binney, Jesse Davis, Julian Arguelles, Ohad Talmor, André Fernandes, Pedro Madaleno e Phil Grenadier.
He already played in dozens of venues and festivals in Portugal and across Europe. He performed and recorded with Carlos Zingaro, Wilbert De Joode, Akira Sakata, Johannes Bauer, Oori Shalev, Jorrit Dijkstra, Kaido Yutaka, Jasper Stadhouders, Giovanni Di Domenico, Mary Oliver, Nuno Rebelo, Jonathan Hafner, André Fernandes, Joost Buis, Marco Franco, Steve Heather, Mette Rasmussen, John Dikeman, Roberto Negro, João Lobo, Hugo Antunes, Valentin Ceccaldi, Seppe Gebruers, José Ernesto Rodrigues, Onno Govaert, Rodrigo Amado, Tó Trips, Luís Lopes, Federico Pascucci, Théo Ceccaldi.
Currently he plays his own tunes in trio and quartet and is a member of : Vicente|Marjamaki; Clocks& Clouds; Fail Better!; Twenty One 4tet; Deux Maisons; Chamber 4; W.A.S?; Jasper Stadhouders' International Improv Esnsemble."-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
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