The summer 2014 issue of Canada's premiere new music magazine and accompanying CD, with articles on Isaiah Ceccarelli, Petra Glynt, Erin Sexton, Caduc, Chiyoko Szlavnics, Louis Andriessen, Gil Delindro, plus reviews, listings, &c. &c.
#119 Summer 2014 [MAGAZINE + CD]
Released in: Canada
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Catalog ID: #119
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Format: MAGAZINE + CD
Jerusalem In My Heart (Radwan Ghazi Moumneh
Malena Szlam Salazar
Petra Glynt-Alexandra Mackenzie, using samples, recorded drums, voice, kazoo, and chimes
Erin Sexton-water, epsom salt, oscillators, electromagnetic amplifiers, copper wire, and nine-volt batteries
Edirol R-09HR audio recorder, Audio-Technica AT822 microphone, Cold Gold hydrophone, home-made microphone array, contact microphone
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Composed and performed by Jerusalem In My Heart (Radwan Ghazi Moumneh, Malena Szlam Salazar, and Jérémie Regnier) using buzuk, Analog Solutions Telemark synth, Oberheim two-voice synth and voice, and tape delay.
The track is a very intimate conversation between a person and god, and the conversation is a critique by the person of god and one of god's disciples. -Radwan Moumneh
Recorded and produced by Radwan Moumneh in Montreal. Mastered by Harris Newman. From the 2013 album Mo7it Al-Mo7it (Constellation Records, CST093). Licensed courtesy of Constellation Records.
2. Constellations I
Composed by Chiyoko Szlavnics for Eve Egoyan.
Performed by Eve Egoyan (solo piano & sine waves).
Recorded in concert by Paul Hodge at the Music Gallery in Toronto.
(The credits above apply to tracks 3 and 4.)3:19
3. Constellations II
Audio available on CD only.3:11
4. Constellations III
Audio available on CD only.3:15
5. Improvisation-Louis and Cristina
Performed by Louis Andriessen (piano) and Cristina Zavalloni (voice).
This improvisation was recorded during a program of free improvisation that was part of Andriessen at 70, a festival celebrating the music and ideas of Louis Andriessen and presented by Music On Main, April 3-8, 2009, in Vancouver.
Recorded in concert by Marc L'Esperance at Heritage Hall in Vancouver on April 7, 2009.
6. Solo IV
Composed and performed by Isaiah Ceccarelli (percussion).
This improvisation for solo percussion was recorded in concert by Antoine Polin at Chapelle Sainte-Anne in Tours, France, in March 2011.
7. Of This Land
Composed and performed by Petra Glynt (Alexandra Mackenzie), using samples, recorded drums, voice, kazoo, and chimes.
Released in June 2013 on the EP Of This Land (Healing Power Records, HPR 14).
8. For MA
Electrochemical improvisation by Erin Sexton, using water, epsom salt, oscillators, electromagnetic amplifiers, copper wire, and nine-volt batteries.
Using simple analog circuits, I experiment with salt solutions as signal processors, searching for links between the cosmic and the molecular through sound. Multiple wires converge in a single solution, creating fragile and chaotic feedback systems from which both noise and strange patterns emerge. The process of ions separating from molecules is sonified, creating a tactile link with matter, while changing both the colour and composition of the solution, which I then crystallize. -Erin Sexton
Recorded in the artist's studio in Montreal in April 2014.
9. Live in Silent Barn Audio available on CD only.
Live improvisation by Gil Delindro.
In this performance, I extended the variety of sounds I've been working with through my Canadian tour-mixing inputs from amplified ice cracking, water, feedback, sound sculptures, and field recordings. The several layers of sounds are processed and performed in real time, using the mixer as a main instrument-a new approach that brought me a strange acousmatic feeling while playing .
Recorded in concert at Silent Barn in Brooklyn, N.Y., on March 24, 2014.
10. The Night Paddler Audio available on CD only.
Composed and performed by Michael Trommer, using Edirol R-09HR audio recorder, Audio-Technica AT822 microphone, Cold Gold hydrophone, home-made microphone array, and contact microphone.
This piece consists of field recordings made during solo late-night paddles in the summer of 2013. The intense darkness and sonic filtering effects of the local landscape during these treks engendered what were striking and uncanny acousmatic experiences.
Recorded and composed at Big Bob Lake, Ontario, in Summer 2013.