The trio of Eric Revis on bass, Kris Davis on piano and Andrew Cyrille on drums recording in the studio in NYC, vital, introspective and sophisticated free trio work spanning generations in spontaneous compositions and one each from Monk, Jarrett, and Revis.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Clean Feed
Catalog ID: CF 277
Squidco Product Code: 17679
Packaging: Cardstock gatefold foldover
Recorded on April 12th, 2012
Highlight an artist name or instrument above
and click here to Search
1. Vadim 4:07
2. Egon 5:13
3. Gallop's Gallop 7:12
4. Sot Avast 6:16
5. For Bill Traylor 7:40
6. Prayer 4:40
7. St. Cyr 8:28
8. Harry Partch Laments the Dying of the Moon.. and then Laughs 3:09
9. Question 5:48
10. City of Asylum 6:38
NY Downtown & Jazz/Improv
Squidco's Clean Feed $12.00 Sale
sample the album:
"Can you tell when a straight-ahead jazz performance - live or recorded - is also an experimental one? No? We can: it happens when Eric Revis is involved, being this double bassist the not-enough-recognized link between Betty Carter and Peter Brotzmann. "City of Asylum" was born from an idea with improbable potential to become a reality - his thought was: what about if I start a trio with a free jazz veteran and a post-everything rising star, would that work? And what about if those roles are represented by Andrew Cyrille, Cecil Taylor's drummer from the mid-Sixties to the mid-Seventies and now an established, mainstream voice, and young Kris Davis, maybe the most expressive and surprisingly minimalistic of the present day creative pianists? Strange? Not so: since the first gathering a spark happened and this is a trio in continuous development. There's only three compositions played, by Thelonious Monk, Keith Jarrett and Revis himself; the rest are improvisations. So cohesive that it seems written note by note."-Clean Feed Records
• Show Bio for Kris Davis
"Pianist-composer Kris Davis has blossomed as one of the singular talents on the New York jazz scene, a deeply thoughtful, resolutely individual artist who offers "uncommon creative adventure," according to JazzTimes. The Vancouver-born, Brooklyn-residing Davis was dubbed one of the music's top up-and-comers in a 2012 New York Times article titled "New Pilots at the Keyboard," with the newspaper saying: "Over the past couple years in New York, one method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis." Reviewing one of the series of striking albums Davis has released over the past half-decade, the Chicago Sun-Times lauded the "sense of kaleidoscopic possibilities" in her playing and compositions.
Long favored by her peers and jazz fans in the know, Davis has earned high praise from no less than star pianist and MacArthur "Genius" Grant honoree Jason Moran, who included her in his Best of 2012 piece in Art Forum, writing: "A freethinking, gifted pianist on the scene, Davis lives in each note that she plays. Her range is impeccable; she tackles prepared piano, minimalism and jazz standards, all under one umbrella. I consider her an honorary descendant of Cecil Taylor and a welcome addition to the fold."
The newest album from Davis as a leader is Capricorn Climber (Clean Feed, 2013), with the pianist joined by kindred spirits Ingrid Laubrock (tenor saxophone), Mat Maneri (viola), Trevor Dunn (double-bass) and Tom Rainey (drums). Davis made her debut on record as a leader with Lifespan (Fresh Sound New Talent, 2003), followed by three progressively inventive and acclaimed albums for the Fresh Sound label: the quartet discs The Slightest Shift (2006) and Rye Eclipse (2008), then the trio set Good Citizen (2010). Davis's 2011 solo piano album on Clean Feed, Aeriol Piano, appeared on Best of the Year lists in The New York Times, JazzTimes and Art Forum. Davis wrote the extraordinary arrangements for saxophonist-composer Tony Malaby's nonet project Novela, with the album Novela released by Clean Feed in 2011 and appearing on Best of the Year lists in DownBeat and JazzTimes. The pianist is also part of the collaborative Paradoxical Frog with Laubrock and drummer Tyshawn Sorey; their eponymous 2011 album on Clean Feed was included on Best of the Year lists by National Public Radio, The New York Times and All About Jazz.
In addition to her work as a leader, Davis has performed with such top figures as Paul Motian, Bill Frisell, Tim Berne, John Hollenbeck, Michael Formanek and Mary Halvorson. Davis started playing piano at age 6, studying classical music through the Royal Conservatory in Canada and formulating her desire for a life in music by playing in the school jazz band at age 12. She earned a bachelor's degree in Jazz Piano from the University of Toronto and attended the Banff Centre for the Arts jazz program in 1997 and 2000. The pianist received a Canada Council grant to relocate to New York and study composition with Jim McNeely, then another to study extended piano techniques with Benoit Delbecq in Paris. She holds a master's in Classical Composition from the City College of New York, and she teaches at the School for Improvised Music.
The Jazz Gallery has given Davis a commissioning residency to write for her trio with Rainey and John Hébert to take place in May 2013, and the Shifting Foundation awarded her a grant to compose and record a large-ensemble project. About her art, JazzTimes has declared: "Davis draws you in so effortlessly that the brilliance of what she's doing doesn't hit you until the piece has slipped past." "-Kris Davis Website (http://krisdavis.net/bio/)
^ Hide Bio for Kris Davis
• Show Bio for Eric Revis
"One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has, over the past 15 years, become an important voice in jazz. Branford Marsalis states, "Eric's sound is the sound of doom; big, thick, percussive." Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brotzmann, Jeff "Tain" Watts, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby (the experimental trio he tri-leads with Orrin Evans and Nasheet Waits).
Manning the bass chair with Branford Marsalis' powerfully flexible quartet since 1997, Revis has also recorded four brilliant albums as a leader. 2004's Tales of the Stuttering Mime and 2009's Laughter's Necklace of Tears have both revealed his startling range as a musician and composer. Informed by his past but not tethered to it, a glimpse into the musical trajectory of this artist is indelibly clear on his latest release Parallax (Clean Feed ) and the soon to be released City of Asylum (Clean Feed).
"Tales of the Stuttering Mime was an amalgam of songs I'd been composing for quite some time," Revis explains. "Being that there were a lot of different influences at play, it required that I use various band configurations on almost every tune, which was great in that I had a very real connection to all of the musicians involved." With Laughter's Necklace of Tears the same conceptual construct was in place in terms of the confluence of musical influences, but the goal was to present it in a more cohesive fashion in terms of having one group navigate the songs for the record as opposed to five or six".
Conceptually improvisational and thematically broad, Parallax (Clean Feed) is timeless and borderless. The albums' approach is one of inclusion, extrapolation and exploration. Joined by Jason Moran, Ken Vandermark and Nasheet Waits, it is a true document of Revis' growth as a composer, bassist and sounding board. As on previous recordings, Revis' playing is personal and distinctive: his tone deep and woody, his execution, agile, melodic and clear. A musical polyglot, Revis is comfortable in any setting, any direction. His skills as a band leader and composer are equally profound and inspiring."-Eric Revis Website (https://ericrevis.com/about/bio/)
^ Hide Bio for Eric Revis
Search for other titles on the Clean Feed label.