Mitchell, Roscoe & Nicole Mitchell's Black Earth Ensemble
Three Compositions - Live At Sant'anna Arresi
Composer Roscoe Mitchell prepared two compositions with space for improvisation, as well as a Cards composition in which the musicians received six cards with written material that were then arranged in any order and played at any tempo.
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Catalog ID: ROG-043
Squidco Product Code: 17063
Packaging: Digipack - 3 panel
Recorded live on August 30th, 2009 at Piazza del Nuraghe, Sant'Anna Arresi, Sardinia, Italy.
Roscoe Mitchell-composition, conduction
Nicole Mitchell-flutes, piccolo
David Boykin-tenor saxophone
Greg Ward-alto saxophone
Joshua Abrams-double bass
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1. Quintet #1 for Eleven 25:43
2. Cards for Orchestra 14:15
3. Quintet #9 for Eleven 19:21
Related Categories of Interest:
Chicago Jazz & Improvisation
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sample the album:
"Despite the compositions' respective demands, Nicole Mitchell and Black Earth Ensemble fully and vividly represented Roscoe Mitchell's varied means of creating chemistry between written and improvised materials. At every turn in the program, they played with a palpable sense of familiarity and ease with the composer's vernacular and methods. They sounded like they've been playing this music every night for a long time."-Bill Shoemaker, from the liner notes
• Show Bio for Nicole Mitchell
"Nicole Mitchell (b. 1967) is a creative flutist, composer, bandleader and educator. As the founder of Black Earth Ensemble, Black Earth Strings, Ice Crystal and Sonic Projections, Mitchell has been repeatedly awarded by DownBeat Critics Poll and the Jazz Journalists Association as "Top Flutist of the Year" for the last four years (2010-2014). Mitchell's music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop and African percussion through albums such as Black Unstoppable (Delmark, 2007), Awakening (Delmark, 2011), and Xenogenesis Suite: A Tribute to Octavia Butler (Firehouse 12, 2008), which received commissioning support from Chamber Music America's New Jazz Works.
Mitchell formerly served as the first woman president of Chicago's Association for the Advancement of Creative Musicians (AACM), and has been a member since 1995. In recognition of her impact within the Chicago music and arts education communities, she was named "Chicagoan of the Year" in 2006 by the Chicago Tribune. With her ensembles, as a featured flutist and composer, Mitchell has been a highlight at festivals and art venues throughout Europe, the U.S. and Canada.
Ms. Mitchell is a recipient of the prestigious Alpert Award in the Arts (2011) and has been commissioned by Chicago's Museum of Contemporary Art, the Ravinia Festival, the Chicago Jazz Festival, International Contemporary Ensemble (ICE), the Chicago Sinfonietta Orchestra and Maggio Fiorentino Chamber Orchestra (Florence, Italy). In 2009, she created Honoring Grace: Michelle Obama for the Jazz Institute of Chicago. She has been a faculty member at the Vancouver Creative Music Institute, the Sherwood Flute Institute, Banff International Jazz Workshop and the University of Illinois, Chicago. Her work has been featured on National Public Radio, and in magazines including Ebony, Downbeat, JazzIz, Jazz Times, Jazz Wise, and American Legacy.
Nicole MItchell is currently a Professor of Music, teaching in "Integrated Composition, Improvisation and Technology," (ICIT) a new and expansively-minded graduate program at the University of California, Irvine. In November 2014, ICIT was approved for the unleashing of a new MA/PhD program, which will be offered starting fall 2015. Mitchell's recent composition, Flight for Freedom for Creative Flute and Orchestra, a Tribute to Harriet Tubman, premiered with the Chicago Composers' Orchestra in December 2011 and was presented again with CCO in May 2014. She was also commisisoned by Chicago Sinfonietta for Harambee: Road to Victory, for Solo Flute, Choir and Orchestra in January 2012. Her latest commission was from the French Ministry of Culture and the Royaumont Foundation in October 2014, which supported the development and French tour of Beyond Black - a collaboration with kora master Ballake Sissoko, Black Earth Ensemble and friends. Currently Mitchell is preparing her next commission supported by the French American Jazz Exchange, entitled Moments of Fatherhood, featuring Black Earth Ensemble and the Parisian chamber group L'Ensemble Laborintus, to premiere at the Sons d'hiver Jazz Festival in late January 2015.
Among the first class of Doris Duke Artists (2012), Mitchell works to raise respect and integrity for the improvised flute, to contribute her innovative voice to the jazz legacy, and to continue the bold and exciting directions that the AACM has charted for decades. With contemporary ensembles of varying instrumentation and size (from solo to orchestra), Mitchell's mission is to celebrate the power of endless possibility by "creating visionary worlds through music that bridge the familiar and the unknown." She is endorsed by Powell flutes."-Nicole Mitchell Website (http://nicolemitchell.com/)
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• Show Bio for David Boykin
"David Boykin began studying music on the clarinet at the age of 21 in 1991 and first performed professionally in 1997. He has released 16 recordings as a leader; appeared as a featured guest on other prominent musician's recordings, such as Nicole Mitchell, Chad Taylor, Josh Abrams, and Mike Reed; performed at major international jazz festivals and smaller jazz venues locally and globally; and founded Sonic Healing Ministries, which is an organization dedicated to the spiritual evolution of humanity through music."
Awards and Grants: Individual Artist Program, Department of Cultural Affairs and Special Events, City of Chicago, 2015; Midwest Nexus Touring Exchange, Links Hall, Chicago 2015; Artist in Residence University of Chicago Department of Arts and Public Life 2013/2014; Galaxy Award, Chicago Modern Orchestra Project, 2011; Illinois Arts Council Fellowship For Music Composition, 2005; CAAP Grant, Chicago Department Of Cultural Affairs, 2005; Arts International Fund For US Artists Performing Abroad, 2002;CAAP Grant, Chicago Department Of Cultural Affairs, 2000"-David Boykin Website (http://davidboykin.com/bio.html)
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• Show Bio for Myra Melford
"For pianist, composer and Guggenheim fellow Myra Melford, the personal and the poetic have always been intimately and deeply connected. Raised outside Chicago in a house designed by the renowned architect Frank Lloyd Wright, Melford grew up literally surrounded by art. Where most of us find the beauty in our childhood homes through the memories and associations we make within its four walls, Melford saw early on that aesthetic expression could both be built from and be a structure for profound emotions.
Over the course of a career spanning more than two decades, Melford has taken that lesson to heart, crafting a singular sound world that harmonizes the intricate and the expressive, the meditative and the assertive, the cerebral and the playful. Drawing inspiration from a vast spectrum of cultural and spiritual traditions and artistic disciplines, she has found a "spark of recognition" in sources as diverse as the writings of the 13th-century Persian poet Rumi and the Uruguayan journalist Eduardo Galeano; the wisdom of Zen Buddhism and the Huichol Indians of Mexico; and the music of mentors like Jaki Byard, Don Pullen, and Henry Threadgill.
The latest incarnation of this ever-evolving cross-disciplinary dialogue is Language of Dreams, which will premiere in November 2013 at the Yerba Buena Center for the Arts. The multi-media work is inspired by Uruguayan writer Eduardo Galeano's Memory of Fire trilogy, a history of the Americas told through indigenous myths and the accounts of European colonizers. The piece will combine music for Melford's quintet Snowy Egret with narration by a multi-lingual actor, dance by Los Angeles-based choreographer Oguri, and video by Bay Area filmmaker David Szlasa.
While Language of Dreams is her most ambitious project to date, it is not the first time that Melford has constructed a piece from such a wealth of disciplines. In 2006, the Walker Arts Center premiered Knock on the Sky, a piece inspired by Albert Camus' essay "The Myth of Sisyphus" and Kobo Abe's novel Woman in the Dunes, in which Melford collaborated with New York City-based choreographer/dancer Dawn Akemi Saito and Austrian architect Michael Haberz.
Snowy Egret, Melford's latest working group, made its debut in 2012. The quintet comprises some of creative music's most inventive and individual voices: trumpeter Ron Miles, guitarist Liberty Ellman, bassist Stomu Takeishi, and drummer Tyshawn Sorey. Melford's spacious, contemplative, exploratory compositions have long attracted and almost demanded such forward-thinking artists. Her past ensembles have included Be Bread, with Cuong Vu, Ben Goldberg, Brandon Ross, Stomu Takeishi, and Matt Wilson; The Same River, Twice, with Dave Douglas, Chris Speed, Erik Friedlander, and Michael Sarin; Crush, with Takeishi, Vu, and Kenny Wolleson.
Melford also currently is one-third of the collective Trio M with bassist Mark Dresser and drummer Matt Wilson; their most recent CD, The Guest House, was one of 2012's most acclaimed releases. She also performs in the duo ::Dialogue:: with clarinetist Ben Goldberg and will release her first solo album in October 2013, a collection of work inspired by the paintings of the late visual artist Don Reich.
Melford's musical evolution has long run in parallel with her spiritual search, a personal journey that has led her to Aikido, Siddha Yoga, and the wisdom traditions of the Huichol people of Mexico's central highlands. Sonically, that quest is expressed via her wide-ranging palette, which expands from the piano to the harmonium and electronic keyboards or to amplifying barely audible sounds in the piano's interior. Her playing can build from the blissful and lyrical to the intense and angular, with accents from Indian, African, Cuban and Middle Eastern musics or the cerebral abstraction of European and American jazz and classical experimentalism.
While Melford's music continually reaches toward a state of transcendence, it still remains deeply rooted in the blues traditions she heard growing up in the Chicago area. In 1978, she first encountered violinist Leroy Jenkins, her introduction to the AACM, whose boundary-free, adventurous approach to jazz remains an influence. She would go on to study with Jenkins, together forming the collective trio Equal Interest with multireedist Joseph Jarman in 1997.
Melford moved to the east coast in 1982 and began performing in New York City's thriving Downtown scene, making her recorded debut as a leader in 1990; she has since released more than twenty albums as a leader or co-leader and appeared on more than 40 releases as a side-person. In 2000, she spent a year in North India on a Fulbright scholarship, immersing herself in the region's classical, devotional, and folk music. Melford relocated to the west coast in 2004, joining the faculty of the University of California, Berkeley as an associate professor of contemporary improvised music. There, she engages students in the theory and practice of improvisation, employing diverse creative strategies.
Her work has earned Melford some of the highest accolades in her field. In 2013 alone, she was named a Guggenheim Fellow and received the Doris Duke Charitable Foundation's Performing Artist Award and a Doris Duke Residency to Build Demand for the Arts for her efforts to re-imagine the jazz program at San Francisco's Yerba Buena Center for the Arts. She was also the winner of the 2012 Alpert Award in the Arts for Music. She has been honored numerous times in DownBeat's Critics Poll since 1991 and was nominated by the Jazz Journalists Association as Pianist of the Year in 2008 and 2009 and Composer of the Year in 2004."-Myra Melford Website (http://www.myramelford.com/content/page/display/slug/biography)
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• Show Bio for Joshua Abrams
"Bassist, Composer Joshua Abrams has been in the thick of chicago's vibrant music scene for fifteen years, playing & recording as leader & sideman in projects across the genres. he co-founded the "back porch minimalist" band town & country (thrill jockey/box media) & with Matana Roberts & Chad Taylor the trio sticks & stones (thrill jockety/482 music). He has released four records under his own name as well as two under the moniker "reminder" that navigate the realms of jazz & improvisation, electro-acoustic composition, beatmaking, minimalism and field recordings (eremite/delmark/eastern developments/lucky kitchen). He has appeared on over 50 recordings including records by Fred Anderson, Hamid Drake & Bindu, Bonny "prince" Billy, Nicole Mitchell Black Earth Ensemble and Black Earth Strings, Sam Prekop, Mike Reed's Loose Assembly, Ernest Dawkins Chicago 12, Savath & Savalis, Prefuse 73, Rhys Chatham, Rob Mazurek, Tortoise, the Roots, Edith Frost, Mia Doi Todd, Diverse, Joan of Arc, Lorren Mazzacane Connors, David Grubbs, David Boykin, Chris Conelly, & the Cairo Gang. He has performed with Roscoe Mitchell, Bill Dixon, Von Freeman, Fred Anderson trio, John Tchicai, the Exploding Star Orchestra, Henry Grimes, Axel Dorner, Fred Lonberg-Holm, Peter Evans, Damo Suzuki, Wilbert de Joode, Jandek, Walter Wierbos, Tony Conrad, Bobby Broom, Sean Bergin, Nate Wooley, Craig Taborn, David Stakenas, Fred Hopkins, Rhys Chatham, Kurt Rosenwinkel, Neil Michael Hagerty, Lin Halliday, Raymond Strid, Douglas Ewart, Toumani Diabate, the Chicago Underground Orchestra, Ron Dewar, Baby d, Kevin Drumm, Terry x, Frederick Lvunquist, Jim o'Rourke, Kurt Vonnegut, & Earle Brown. When in chicago he plays weekly with Jeff Parker and John Herndon."-Nicole Mitchell Website (http://nicolemitchell.com/joshua-abrams)
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