A musical theatre in 3 acts using texts, songs, free improvisation and compositional textures, "an evocation of the fusion between opposite forces-tight and flexible, male and female".
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Label: Ambiances Magnetiques
Catalog ID: AM 208
Squidco Product Code: 15577
Condition: Sale (New)
Packaging: Cardstock gatefold foldover
Recorded in Montreal, CA on March 16th, 17th and 18th, 2006 by Bernard Grenon.
Joane Hetu-alto saxophone, voice
Melanie Auclair-cello, voice
Guido Del Frabbo-violin, voice
Jean Derome-alto saxophone, flutes, voice
Claire Gignac-flutes, voice
Normand Guilbeault-doublebass, voice
Diane Labrosse-sampler, voice
Danieele Palardy Roger-percussion, voice
Pieere Tanguay-drums, voice
Nemo Venba-trumpet, voice
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1. Filature: Chaîne: Tisser Pour Toi 1: A 1:53
2. Filature: Chaîne: Chacun Son Fil 2:37
3. Filature: Chaîne: Lin / Filature: Chaîne: Tisser Pour Toi 1: B 3:30
4. Filature: Chaîne: Laine 6:15
5. Filature: Chaîne: Coton 2:08
6. Filature: Chaîne: Armure / Soie 2:25
7. Filature: Chaîne: Je Suis Solide 1 4:19
8. Filature: Trame: Rugueux / Soyeux / Vaporeux 2:55
9. Filature: Trame: Faire Tapisserie 1 1:08
10. Filature: Trame: Je Suis Si Cassante / Velours / Perlées 3:01
11. Filature: Trame: Fibres Inconnues / Bobinage 1:53
12. Filature: Trame: Tisser Pour Toi 2 / Ouateux 3:08
13. Filature: Trame: Bouclés / Texturés 2:18
14. Filature: Trame: Pelote 2:27
15. Filature: Trame: Laineux / Chiffonnés / Brillant 2:30
16. Filature: Trame: Fibre / Navette 2:47
17. Filature: Motif: Tisser Pour Toi 3: A 2:12
18. Filature: Motif: Faire Tapisserie 2 1:13
19. Filature: Motif: Le Collier 2:20
20. Filature: Motif: On Attache 0:54
21. Filature: Motif: Je Suis Solide 2 3:04
22. Filature: Motif: Collier Riff 3:43
23. Filature: Motif: Elle Travaille 6:07
24. Filature: Motif: L'habit De L'empereur 3:09
25. Filature: Motif: Le Tisserand 3:39
26. Filature: Motif: Tisser Pour Toi 3: B 1:56
27. Filature: Motif: Défilage 1:36
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"In another life, before becoming a musician, Joane Hétu was a weaver. She has decided to pour her knowledge of yarn and loom into her latest composition, thus giving herself a new musical challenge. The strong and noble yarns of the warp interwoven with the light, silky, shimmering yarns of the weft provide the starting point of Filature, a musical allegory that unveils creative patterns combining music, dance, video art and lighting. Ever since Castor et compagnie, up to her Tryptique d'hiver until La femme territoire, composer/musician Joane Hétu has been treating us to texture-rich and flavourful works, sonic and literary boldness, flirty songs and sweet melodies. With Filature, she delivers a work that reaffirms her unique approach to music. It features musique actuelle, texts, songs, bruitist textures and free improvisation, all coloured by her trademark touch: an evocation of the fusion between opposite forces-tight and flexible, male and female." -Actuelle CD
At The Squid's Ear!
• Show Bio for Joane Hetu
"Joane Hétu. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (alto saxophone, voice), Author/
It has been more than 30 years now since self-taught composer, vocalist and saxophonist Joane Hétu has been following her own highly distinctive path through the vast territory of creative, contemporary music. From her beginnings with song-based new-rock bands such as Wondeur Brass, Justine and Les Poules, Hétu turned to composition (the evocative triptych comprising Musique d'hiver, Filature and La femme territoire ou 21 fragments d'humus) and improvisation, more often than not combining both within her general approach to music. She has co-directed the Ensemble SuperMusique since its founding in 1998, as well as the weekly series Mercredimusics since 2002. More recently she gave birth to La chorale bruitiste Joker (2012). Joane Hétu was awarded the prestigious Freddie Stone Award in 2006."-ActuelleCD (http://www.actuellecd.com/en/bio/hetu_jo/)
^ Hide Bio for Joane Hetu
• Show Bio for Jean Derome
"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)
One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.
Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).
Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.
Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.
Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.
Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
^ Hide Bio for Jean Derome
• Show Bio for Diane Labrosse
"Diane Labrosse. Born Montréal, Québec, 1950. Residence: Montréal, Québec. Composer, Performer (sampler, accordion, voice).
Working mainly with electronic samplers, Diane Labrosse has a very personnal approach to sounds, exploring different textures and timbres and creating an abstract but evocative music. She is a regular on several different music scenes and has performed at internationally known festivals of musique actuelle, electronic, avant-garde and improvised music all over the world (Canada, USA, Europe, Japan, Australia).
Her most recent projects take different forms: Endangered Species, a sound and visual installation/performance based on obsolete objects such as rotary dial phones and ticking alarmclocks; Dactylotactiles, performance for 3 typewriters and live video (Sébastien Cliche); Petit Bestiaire, naïve songs for a quintet (texts by Guy Marchamps); Sagesse pratique, a series of miniature pieces based on proverbs and O.V.N.I., a sign language for an improvising orchestra of variable sizes.
As a composer, using conventionnal or graphic scores, she wrote for many different ensembles: Array Music and The Burdocks (Toronto), L'Ensemble SuperMusique and Espaces Sonores Illimités (Montréal), NOW Orchestra and 999 years of Music, (Vancouver). She also wrote for less conventionnal instruments, such as ship horns (Harbour Symphonies), train whistles, air bottles and toy pianos. She worked with director Robert Lepage and co-signed (with percussionist Michel F Côté) the music for two of his plays: La Géométrie des miracles and Zulu Time.
As sound designer, she created music for dance (Louise Bédard, Crystal Pite, Andrew Harwood, Marc Boivin, Deborah Dunn, Catherine Tardif, Harold Rhéaume, Richard Siegal), film (Montréal vu par..., Pendant que les arbres tombent, L'Entrevue, Plan de fuite) and radio (Le Navire Night, Les Décrocheurs d'étoiles) and theatre (Nuit d'orage, Je suis d'un would-be pays, Bliss, 38 Contes shakespiriens...).
She has created multimedia installations for Danish company Tura-ya-moya (in situ performances in an old chalk mine), and Scottish-based Theatre Cryptic (Wall of Secrets in situ installation for 20 speakers) as well as the Centre de Musique Canadienne (a sound garden playing ramdom sound tracks on surround speakers).
In 1980, she founded Productions SuperMémé/SuperMusique with Joane Hétu and Danielle P Roger. She remained Co-Artistic Director of this company presenting many concerts and events of innovative music from 1980 to 2008. With long-time colleagues Hétu and Roger she created the groups Wondeur Brass, Justine, and Les Poules. She collaborated with many musicians such as Jean Derome, Pierre Tanguay, Michel F Côté, Martin Tétreault, Ikue Mori, Philippe Lauzier.
Her discography comprises more than 50 recordings mostly recorded on Montreal based label Ambiances Magnétiques. She has received several grants from Canada Arts Council as well as Conseil des arts et des lettres du Québec."-ActuelleCD (http://www.actuellecd.com/en/bio/labrosse_di/)
^ Hide Bio for Diane Labrosse
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