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© 2002-2017, Squidco LLC


Beins / Dorner / Hayward / Krebs: Phosphor 2 (Potlatch)

Electro-acoustic improv from the Phosphor grouping, an amazing set of musicians who began working together in 2001 and have developed a complex and incredible form of interplay.
 

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product information:


UPC: 3491570000922

Label: Potlatch
Catalog ID: P109
Squidco Product Code: 12234

Format: CD
Condition: New
Released: 2009
Country: France
Packaging: Jewel tray, not sealed.
Recorded at Tesla, Berlin, September 27-29, 2006.


Personnel:

Burkhard Beins-percussion, objects, small electrics

Axel Dorner-trumpet, electronics

Robin Hayward-tuba

Annette Krebs-guitar, objects, electronics, tape

Andrea Neumann-inside piano, mixing board

Michael Renkel-prepared nylon string acoustic guitar via computer

Ignaz Schick-turntable, objects, bows

Highlight an artist name or instrument above
and click here to Search
track listing:


1. P7 8:49

2. P8 12:07

3. P9 8:32

4. P10 13:28

5. P11 13:58

6. P12 8:06
Related Categories of Interest:


Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
Staff Picks & Recommended Items
Free Improvisation
Turntablists
Septet recordings
Objects and Home-made Instruments

sample the album:








descriptions, reviews, &c.

"My abiding memory of Phosphor in concert at the Instants Chavirés outside Paris in May 2002 is the image of the musicians huddled together afterwards in earnest post-gig post mortem. Less-is-more Improv was a serious business, and the eight members of the Berlin based collective - Burkhard Beins (percussion/zither), Alessandro Bosetti (saxophone), Axel Dorner (trumpet/electronics), Robin Hayward (tuba), Annette Krebs (guitar/tapes), Andrea Neumann (inside piano/mixing board), Michael Renkel (guitar/computer) and Ignaz Schick (turntable) - were its leading exponents back then. Seven years later, this follow-up to Phosphor's 2001 debut is a good opportunity to assess how the same musicians - without Bosetti, who has since left Berlin - have evolved in the intervening years.

While some improvisors of the Malfatti/Sugimoto persuasion have continued down the quiet path, playing even less and allowing silence to play an ever greater role, Phosphor - the group, rather than the individual musicians playing solo - have opted to play more, using a wider range of sounds, all the while miraculously retaining the leisurely pace and textural clarity of their earlier music. The only thing austere and minimal about these six tracks is the generic album and track titling; the music is as colourful and crystalline as the photograph that adorns the cover (not phosphorus, but ascorbic acid). Barely a minute into P7, Renkel's nylon string guitar is scribbling all over a sonic space bustling with activity. Dorner's pitchless machine gun splatter, Hayward's rubbery flapping, Krebs's scrumpled steel wool and the hiss of Beins's drums swept by polystyrene blocks are all instantly recognisable, but there's a real sense of teamwork here, a rare and welcome example of seven improvisors playing together without trampling each other to death. The pacing and precision is impeccable; this is music making of the highest order, marking not a break with but an extension of a rich tradition of European free improvisation."-Dan Warburton


Artist Biographies:

"Burkhard Beins, born 1964 in Lower Saxony, lives in Berlin since 1995. As a composer/performer working in the fields of experimental music and sound art he is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers and has conceived several sound installations.

Since the late 1980's he is performing at internationally renowned venues and festivals throughout Europe, America, Australia and Asia as diverse as the LMC Festival (London), Int. Ferienkurse (Darmstadt), SKIF (St. Petersburg), Musiktage (Donaueschingen), Musique Action (Nancy), Choppa Festival (Singapore), Cave 12 (Geneva), The Now now (Sydney), ZKM (Karlsruhe), Kaleidophon (Ulrichsberg), Kid Ailack Music Hall (Tokyo), Gaudeamus Festival (Amsterdam), Liquid Architecture (Australia), Meteo (Mulhouse), Taktlos (CH), Berghain (Berlin), Konfrontationen (Nickelsdorf), Serralves (Porto), Wien Modern (Vienna), MoMA (New York), New Music Festival (Hanoi), Irtijal (Beirut), or Maerzmusik (Berlin).

Alongside his solo work he is a member of the ensembles Polwechsel, Activity Center, The Sealed Knot, Perlonex, Sawt Out, Trio Sowari, Tree, Junk Orbit, Fracture Mechanics, and Splitter Orchester and also works with composers/musicans such as Sven-Åke Johansson, Andrea Neumann, Keith Rowe, Axel Dörner, Tarek Atoui, John Tilbury, or Charlemagne Palestine.

Burkhard Beins gives workshops based on his graphic score system Adapt/Oppose, has published several articles on music theory, and is a co-editor of the book "Echtzeitmusik Berlin - Self-Defining a Scene" as well as the curator of a follow-up 3CD compilation featuring the Berlin Echtzeitmusik scene. Meanwhile he has released more than 50 CDs and LPs on labels like Zarek, Erstwhile, 2:13 Music, Hat Hut, Potlatch, Absinth, alt.vinyl, God Records, Mikroton, or Confront."

-Burkhard Beins Website (http://www.burkhardbeins.de/cv.html)
6/13/2017

"Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German jazz musician (trumpet and piano) and composer.

Dörner studied piano in the Dutch town Arnhem (1988-89) and at the Music Academy in Cologne (1989-1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light in the "The Street Fighters Duo". At this time he also joined the ensembles "The Street Fighters Quartet" and "The Street Fighters Double Quartet" together with Matthias Schubert, Bruno Leicht, and Claudio Puntin. In addition the "Axel Dörner Quartet" was initiated (with Frank Gratkowski, Hans Schneider and Martin Blume). With saxophonist Matthias Petzold. he participated on the albums Lifelines and Psalmen Und Lobgesänge.

Dörner has resided in Berlin since 1994, and occurs in the most diverse settings like "The London Jazz Composers Orchestra" and with "Hedros" (together with Mats Gustafsson, Günter Christmann, Barry Guy and others). Since then he has contributed on more than 50 album recordings.

Dörner is distinguished mainly by his versatility. He bouth play the more traditional Bebop, just like he fits in to classic Free Jazz or electronic music. He playd with Otomo Yoshihide at the Donaueschinger Musiktage in 2005. Dörner play both solo concerts and collaborates with his trio "TOOT" (together with Phil Minton and Thomas Lehn) and "Die Anreicherung" with Christian Lillinger, Håvard Wiik and Jan Roder, and in Ken Vandermarks "Territory-Band". Dörner is an integral part of the Berlin scene of experimental new improvisational music. Dörner was given special attention for his interpretation of all compositions by Thelonious Monk, with the pianist Alexander von Schlippenbach and his own band "Die Enttäuschung" released on a three CD album (Monks Casino, Complete 2005)."-Wikipedia

-Wikipedia (https://en.wikipedia.org/wiki/Axel_D%C3%B6rner)
6/13/2017

"The tuba player and composer Robin Hayward was born in Brighton, England in 1969. He studied classical music at the University of Manchester and tuba at the Royal Northern College of Music, where he graduated in 1991. In following years he was active in the improvised and experimental music scenes in Manchester and London. Since 1998 he has been based in Berlin.

He has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve' in 1996, and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, partly out of a desire to visualise the harmonic space implicit within the microtonal tuba. In 2005 he founded the ensemble Zinc & Copper to explore brass chamber music from an experimental music perspective.

Robin Hayward has toured extensively both solo and in collaboration, and been featured in such festivals as Maerzmusik, Fri Resonans, Donaueschingen, TRANSIT festival, Ghent Festival of Flanders, Ostrava New Music Days, Sound Symposium, Kieler Tage für Neue Musik and Wien Modern. Collaborations include such musicians as Charles Curtis and Roberto Fabbriciani, along with composers such as Christian Wolff, Alvin Lucier and Eliane Radigue. His approach to the tuba has been documented in the solo releases Valve Division, States of Rushing, Nouveau Saxhorn Nouveau Basse and Rubble Master, along with numerous collaborative releases, such as with the microtonal tuba trio Microtub and the tuba and double bass duo Reidemeister Move. He has lectured at such institutions as Stuttgart Musikhochschule, the Sibelius Academy in Helsinki, UDK Berlin, Dartmouth College and Wesleyan University. He has also worked regularly with such orchestras as the Rundfunk-Sinfonieorchester Berlin and the Konzerthausorchester Berlin, and from 2002 to 2012 was a member of the new music ensemble KNM Berlin.

In 2012 the International Tuba and Euphonium Association (ITEA) presented him with the Clifford Bevan Award for Excellence in Research for his 2011 article on the history and development of the microtonal tuba. In 2016 he received the ITEA's Jim and Jamie Self Creative Award for his work with the microtonal tuba and Hayward Tuning Vine."

-Robin Hayward Website (http://www.robinhayward.de/eng/biography.php)
6/13/2017

"Born 1968 in Freiburg, grew up in Hamburg. Piano lessons since 1974. Studied piano at "Hochschule der Kunste" in Berlin. Since 1996 primarily active as improviser and composer in the areas of experimental and new music.

In the process of exploring the piano for new sound possibilities, she has reduced the instrument to strings, resonance board and metal frame. With the help of electronics to manipulate and amplify the sounds (sometimes to make parts of the sound audible which are inaudible without amplification), she has developed numerous new playing techniques, sounds, and ways of preparing the dismantled instrument. Because the original inside piano is very heavy, a piano builder (Bernd Bittmann, Berlin) constructed a new and lighter one for her.

She has worked intensively in the crossover area between composition and improvisation, and in the field between electronic and handmade sounds, with Berlin musicians such as Annette Krebs, Ignaz Schick, Axel Dörner, Robin Hayward and Burkhard Beins. She has composed for inside piano for interdisciplinary projects including film, dance, performance, etc."

-Improvised Music from Japan website (http://www.japanimprov.com/profiles/aneumann/)
6/13/2017

"Ignaz has breached the divide of free jazz and electro-acoustic music. Within the framework of the former, he is a formidible lyricist on Alto Saxophone - In the orchestra, and in his most well known projects he brings a stunning variety of sound using rotating surfaces and an array of unlikely objects to produce a potent mix of interactive, acoustically driven electronic music."

-Splitter Orchester Website (http://www.berlinsplitter.org/index.php?article_id=102)
6/13/2017

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