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© 2002-2017, Squidco LLC


Tsahar, Assif and the Zoanthropic Orchestra: Embracing the Void (Hopscotch Records)

Tsahar's 60-minute suite with his NY heavyweights Zoanthropic Orchestra is a sort of self-portrait in sound, drawing on auditory memories from his childhood on.
 

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product information:


UPC: 0695269600926

Label: Hopscotch Records
Catalog ID: Hop 09
Squidco Product Code: 11913

Format: CD
Condition: New
Released: 2001
Country: USA
Packaging: Cardstock Gatefold Sleeve
Recorded live at the Knitting Factory, February 5, 2001 by Sascha Von-oertzen. Mastered by Assif Tsahar.


Personnel:

Assif Tsahar-conduction, tenor sax

Curtis Huselbring-trombone

Steve Swell-trombone

Reut Regev-trombone

Antoine Brye-trumpet

Matt Lavell-trumpet

Taylor Ho Bynum-trumpet

Oscar Nuriega-bass clarinet, alto sax

Ori Kaplan-alto sax

Aaron Stewart-tenor sax

Alex Harding-baritone sax

Craig Taborn-piano

Tom Abbs-bass

Andrew Barker-drums

Highlight an artist name or instrument above
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track listing:


1. Embracing The Void, Pt. 1 - July 1975 7:23

2. Embracing The Void, Pt. 2 - February 1987 5:08

3. Embracing The Void, Pt. 3 - March 1982 5:00

4. Embracing The Void, Pt. 4 - October 1988 4:56

5. Embracing The Void, Pt. 5 - April 1984 8:50

6. Embracing The Void, Pt. 6 - September 1993 4:20

7. Embracing The Void, Pt. 7 - December 1989 4:36

8. Embracing The Void, Pt. 8 - Novermber 2000 6:42

9. Embracing The Void, Pt. 9 - August 2001 5:33

10. Embracing The Void, Pt. 10 - May 1988 3:17
sample the album:








descriptions, reviews, &c.

"On his first few releases, in duos and trios with Susie Ibarra and William Parker, Assif Tsahar proved himself a talented tenor man. More recently, he is showing his composing side, and a strong side it is. His string-heavy New York Underground Orchestra played a beautiful set at this year's Vision Festival with the leader conducting; that performance has been set to disc on another recent Hopscotch release.

The Zoanthropic Orchestra is a longer-standing ensemble than the string orchestra, and on Embracing the Void it shows a stronger hand from the composer. Tsahar's 60-minute suite is, as suggested by his liner notes, a sort of self-portrait in sound, drawing on auditory memories from his childhood to recent years. The notes are brief reminiscences, more snapshot than storyline, but they suggest a lifetime of listening. The 14-piece band delivers a strong performance, and while individual soloists are credited, this is an ensemble record. Tsahar's charts owe a spiritual debt to Charles Mingus (another composer of portraits). As with Mingus' large ensemble work, the interplay under the solos is often as exciting as the solos themselves. The group had played for over a year before recording this, their first disc, and it shows in their shared communication.

That said, there's plenty of talent contained within. Curtis Hasselbring, Steve Swell and Reut Regev make for a powerful trombone section and the excellent Taylor Baynum Ho is one of the three trumpets. Ori Kaplan, Alex Harding and the leader are in the five-horn sax section, backed up by the always-solid Tom Abbs on bass and ever mindful drummer Andrew Barker. Rounding out the rhythm section is pianist Craig Taborn, who delivers the strongest performances on the disc.

In the notes, Tsahar says that as an adolescent he was diagnosed with zoanthropy - the belief that one has turned into an animal. Whatever such a delusion might stem from, it does perhaps suggest an instinct and a zeal for living. As a player and as a composer, Tsahar shows passion. If that's animalistic, so be it."-Kurt Gottschalk, All About Jazz


Get additional information at All About Jazz

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