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Sicilian pianist Tommaso Vespo assembled the multinational sextet of Antonio Aiella (bass), Noel Taylor (clarinet), Antonio Longo (drums), Nicola Hein (guitar), Ricardo Teje (saxophone), and Tommaso Vespo (piano), blending lyrical jazz, chamber, and free improvisation.
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Catalog ID: CTYCD00107
Squidco Product Code: 22342
Country: Great Britain
Packaging: Cardboard Gatefold
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• Show Bio for Ricardo Tejero
"Ricardo Tejero: Born in Madrid. Saxophonist, clarinetist and composer.
Ricardo's work ranges through improvisation, his own compositions, jazz, African music, dance music and conduction of large orchestras. He also has developed and important activity as music educator, teaching sax and clarinet tuitions as well as leading music workshops.
Ricardo began playing alto saxophone in 1992. Initially self-taught he then studied with Wade Mathews. In 1998 he started playing improvised music under the guidance of Chefa Alonso at the same time as he was playing in different ad hoc bands doing Latin Music, jazz or Spanish Popular music. In the same year he formed, together with other musicians, his first improvisation ensemble SOPLATHAT, who played an active role in Madrid's improvisation scene of late 90's.
In 2001 Ricardo moved to Leeds (England) to study music. He graduated in Jazz and Contemporary Music at Leeds College Music in 2005, obtaining in 2007 a Masters Degree in Contemporary Music at Brunel University (London) under professors Richard Barret and Peter Wiegold.
Since he moved to Leeds he played and participated in many different groups and projects like the quintet NEEDS MUST ( Leeds ), a co operative project with drummer Neil Thomas and bassist James Paylor; LCM's DUKE ELLINGTON ORCHESTRA under Tony Faulkner; Omar Puente's LATIN BIG BAND; Sese Seko Mgamba Mandinga Band or played in different projects of LIMA ( Leeds Improvised Music Association ) with musicians like Dave Kayne, Mathew Bourne, Didrik Ingvaldsen, Ninon Foiret, Peter Fadnes or Christoff De Berzenac.
In 2005 Ricardo london went to London where he lived for almost a decade and maintained an active role in the London improvised music scene as well as working with other ad hoc projects, playing and collaborating with musicians from different countries. Some of the musicians he has worked with include John Edwards, Alex Ward, Javier Carmona, Dominic Lash, Dave Tucker, Mark Sanders, Veryan Weston, Niko Meinhold, Julian Bonequi, Alexander Hawkins, Steve Noble, Roland Ramanan, Giorgio Albanese, Roberto Sassi, Tony Marsh, Marcio Mattos, , Hannah Marshall, Frank Paul Schubert, Adrian Northover or Matthias Muller among others.
At present Ricardo lives again in his home town Madrid where he got involved in a number of projects not only in music but also working with dance and theater, colaborating with artists like Paloma Carrasco, Guillermo Bazzola, Sam Hall, Baldo Martinez, Eva Varela Lasheras or Jorge Sanchez. Ricardo also takes part in the colective Raras Musicas organising and promoting musical events.
He has played in festivals and venues of most European countries as well as Mexico, Chile, Brazil, Argentina, USA and Japan."-Ricardo Tejero Website (http://www.ricardotejero.com/index.htm)
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1. Ungeeignet 3:54
2. Mindel 7:09
3. Cubicle 10:39
4. Dystonie 6:25
5. Der Schonste Junge Im Dorf 8:52
6. C'aiu Iaddi 7:13
7. Cruce 5:33
8. Relleno De Liquido 6:37
sample the album:
"The Sicilian pianist, Tommaso Vespo, assembled the six musicians that play on Stones of Contention. He invited Spanish, English and German colleagues that he knew from the Berlin Improvisers Orchestra to come to Sicily and join up with himself and two local musicians.
Stones of Contention is the evocative title that Vespo entitled the result. The meaning is elusive. Does it refer to some ancient ritual, or to an archaic and long-forgotten conflict? Perhaps the 'stones' have some sort of mystic power or are they mere tokens of power, to be shuffled like dice? Above all - we would wish to know are they the subject or object of 'contention'? But we will never know the answer to this, because Tommaso Vespo himself does not know. 'Stones make sounds' is his cryptic explanation.
What we can say is that this is music that seems to seethe with unresolved undercurrents, as if some clandestine dispute is secretly encoded in sound. There is a sense of restlessness, of disruption, of things being tossed aside, of a discourse full of exclamations, shouts and whispers. There is an irascible quality that seems to persist throughout, like a nagging thought at the margins of a dream that never entirely resolves. Yet towards the end we hear a great clamour arising, a thunderous chorus of wild voices - on piano, drums, clarinet, saxophone, guitar and drums - all acclaiming, all contending, all shouting to an un-hearing heaven that this is their sound, this is their music, that these are the Stones of Contention."-Citystream
London & UK Improv & Related Scenes
European Improv, Free Jazz & Related
New in Improvised Music
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