Expanding their duo into a sextet with the addition of strings (Sara Parkins, Maggie Parkins), piano (Sylvie Courvoisier) and voice (Maja Ratkje), Ikue Mori and Zeena Parkins have created a compelling and varied soundscape inspired by fairy stories the world over.
Catalog ID: TZA-CD-4003
Squidco Product Code: 19212
Packaging: Digipack - 3 panel
Recorded at EastSide Sound in New York City, on October 18th and 19th, 2013, by Marc Urselli.
Zeena Parkins-acoustic harp, electric harp, celesta
Maja Solveig Kjelstrup Ratkje-voice, electronics
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1. Luminous Fairies 4:19
2. Goblin Spider 9:27
3. The Little Mermaid 3:01
4. The Snow Queen 2:22
5. Alice In Wonderland 5:11
6. Kaguya 4:07
7. Snow White 3:32
8. Hedgehog In The Fog 4:28
9. The Beauty And The Beast 6:55
10. Psyche And Cupid 3:20
11. The Ugly Duckling 2:25
12. Sleeping Beauty 1:30
Related Categories of Interest:
NY Downtown & Jazz/Improv
Unusual Vocal Forms
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sample the album:
"Expanding their duo into a sextet with the addition of strings, piano and voice, Ikue and Zeena have created a compelling and varied soundscape inspired by fairy stories the world over. Combining plucked and bowed strings, sinuous vocals, driving percussion and Ikue Mori's trademark electronics into a balanced and unified whole, Through the Looking Glass is a kaleidoscope of exotic and beautiful sonorties filled with drama, mystery and a modern orchestral sweep. Three years in the making, Through the Looking-glass is Phantom Orchard's most ambitious and accomplished production yet."-Tzadik
• Show Bio for Sylvie Courvoisier
"Sylvie Courvoisier is a pianist, composer and improviser. Born in Lausanne, Switzerland, Courvoisier moved to New York in 1998 and has lived in Brooklyn since that time.
Courvoisier has led several groups over the years and has recorded over 25 records as a leader or co-leader for different labels, notably ECM , Tzadik and Intakt Records and 30 cds as a sideperson. She has performed and recorded with John Zorn, Mark Feldman, Yusef Lateef, Ikue Mori, Tony Oxley, Tim Berne, Joey Baron, Joëlle Léandre, Herb Robertson, Butch Morris, Evan Parker, Mark Dresser, Ellery Eskelin, Lotte Anker, Fred Frith, Michel Godard, Tomazs Stanko among others. She has been commissioned to write music for concerts, radio, dance and theater. Since 1996, she has been touring widely with her own groups and as a side person in USA, Canada, Japan, Australia and Europe.
Currently, Courvoisier is the leader of her TRIO with Kenny Wollesen and Drew Gress. She performs regularly Solo and since 1997, in Duo with violinist Mark Feldman. She co-leads the Sylvie Courvoisier/Mark Feldman Quartet with Scott Colley and Billy Mintz. Since 2000, she has been a member of Mephista, an improvising collective trio with Ikue Mori and Susie Ibarra. She is currently playing and touring in different projects of John Zorn including Cobra and Masada Marathon. She is also playing in Erik Friedlander's Trio, Herb Robertson's Quintet and Nate Wooley's Quartet. Since 2010, she has been working as a pianist and composer for flamenco dancer Israel Galvan's project "la Curva" with more than 150 performances around the world.
Awards include Switzerland's 1996 Prix des jeunes créateurs; Zonta Club's 2000 Prix de la Création; Switzerland's 2010 Grand Prix de la Fondation Vaudoise de la Culture; 2013's NYFA (NewYork Foundation For the Art) Music/Sound Fellowship."-Sylvie Courvoisier Website (http://www.sylviecourvoisier.com/bio.htm)
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• Show Bio for Ikue Mori
"Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal NO WAVE band DNA, with fellow noise pioneers Arto Lindsay and Tim Wright. DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.
In the mid 80's Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style. Through out in 90's She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music. 1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust. Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.
In 2000 Ikue started using the laptop computer to expand on her already signature sound, thus broadening her scope of musical expression. 2000 commissioned by the KITCHEN ensemble, wrote and premired the piece "Aphorism" also awarded Civitella Ranieri Foundation Fellowship. 2003 commissioned by RELACHE Ensemble to write a piece for film In the Street and premired in Philadelphia. Started working with visual played by the music since 2004. In 2005 Awarded Alphert/Ucross Residency.
Ikue received a grant from the Foundation for Contemporary Arts in 2006. In 2007 the Tate Modern commissioned Ikue to create a live sound track for screenings of Maya Deren's silent films. In 2008 Ikue celebrated her 30th year in NY and performed at the Japan Society. Recent commissioners include the Montalvo Arts Center and SWR German radio program and Shajah Art foundation in UAE. Current working groups include MEPHISTA with Sylvie Courvoisier and Susie Ibarra, PHANTOM ORCHARD with Zeena Parkins, project with Koichi Makigami and various ensembles of John Zorn. New duo Twindrums project with YoshimiO workshop/lecture in various schools include University of Gothenburg, Dartmouth Collage, New England Conservatory, Mills Collage, Stanford University, The School of the Art Institute of Chicago"-Ikue Mori Website (http://www.ikuemori.com/bio.html)
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