The Turkish free improvising quartet Konstrukt of Korhan Futaci (sax and woodwinds), Berke Can Ozcan (drums), Barlas Tan Ozemek (electric bass) and Umut Caglar (electric guitar and etc.) met British pianist Alexander Hawkins at London's Cafe OTO in 2015 to record this captivating and unpredictable set of electric free improv.

A musique concrete compositions written in 1967 by Luc Ferrari used for a television program by C. Caspari, using recordings Ferrari made in 1966 at an exhibition of Jean Tinguely's frantically moving sculptures; plus a 1964 soundtrack to a 33 minute black-and-white film by Jean Barral.

Heavy free jazz in the 3rd release from the trio of Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on bass, and Paal Nilssen-Love on drums, covering an eclectic set of punk and free jazz titles including covers of Yeah Yeah Yeahs, The Sonics, White Stripes, Norman Howard and Brotzmann; thick and sick free improvisation.

The 2nd volume in Sun Ra's "Discipline" series was recorded during the same sessions as 1972's Impulse release "Space Is the Place", with Sun Ra on electronic keyboards and Moog, and a large band including Marshall Allen, John Gilmore, Danny Davis, Akh Tal Ebah, June Tyson, &c.

Getting down to the atomic, elementary nature of his work, electroacoustic explorer Jason Kahn dedicates each side of this double LP release to his interests in percussion, electronics, environmental recording and voice, constructing unique compositions that reveal the strong and recognizable methodology that drives him in his work.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

The two parts of "Spuren" from Swiss percussionist Christian Wolfarth cover each side in an album of concentrative timbre and strategy, evoking continuous sounds that are diverted into unexpected avenues, drawing the listener into trance-like states with rich resonance, tone, and malleable rhythms, then surprising with unforseen audio twists.

Albert Ayler's first ESP album from 1975 in a trio with bassist Gary Peacock and drummer Sunny Murray, a live album captured at the Cellar Cafe, in New York City, New York, on June 14th, 1964, showing Ayler future-facing free playing in now classic compositions including "Spirits", "Prophecy", and two variations of "Ghosts".

Recorded during their 2016 US tour, Peron and Werner "Zappi" Diermaier used ever-changing ensembles from different locations on the tour to make these recordings, mated with Peron's field recordings, to blend rhythm, noise, spoken word, strong rock and blues hooks, and experimental/industrial elements; another great, eclectic Faust release!

Composer, sound engineer and teacher, Jaap Vink recorded these compositions at The Institute of Sonology in Utrecht, Holland, from 1968-1985, using electronic sources, feedback networks with configurations of analog tape recorders (delay lines), filters, and modulators to create these impressive and forward-thinking textural and drone compositions.

Percussionist Peter Conradin Zumthor presents a stunning debut solo album, capturing one of the truly independent voices in the Swiss musical landscape in a 7-part contiguous work recorded at Radio Studio 1 in Zurich with a great feeling for form, distances and dynamics, as an incredibly focused, virtuosic, creative and deeply felt story is told.

Saxophonist Martin Kuchen's amazing 9-piece Angles ensemble returns for an album titled for the grief of those who disappear due to war, crime and oppression, music that celebrates the tense balance in the challenge to confront and lead away from darkness and tyranny.

The 20th anniversary of director Reinhold Friedl's Zeitkratzer ensemble, who have reinterpreted in surprising ways the music of a far-ranging and eclectic set of composers and performers, as they take on the innovative electronic rock band Kraftwerk in six interpretations from their first two albums.

Urgent and inspired free jazz from the Swedish/UK trio of Martin Kuchen on tenor and soprano sax, flute and retardophone, Johan Berthling on double bass, and Steve Noble on drums and percussion, recording a series of "Gate" improvisations, anguished laments of power and pulchritude.

Two versatile and innovative improvisers, Mats Gustafsson on saxophones and Christof Kurzmann on electronics and voice, extracted improvisations recorded in the studio to create the 7 parts of this rich, pulse-based and intensely understated work about Falling and Failing.

The 35 poems found on Fortner Anderson's "Solitary Pleasures", performed with Michel F Cote, Sam Shalabi and Alexandre St-Onge, speak of the obsessions, phantasies and encounters of Anderson's life.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Jason Kahn developed these graphic scores, commissioned by the 2012 now NOW Festival in Australia, to push these specific players into situations outside of their comfort zone, as heard in this double LP which includes copies of the score plus notes and interviews.

Pianist Mathias Landaeus leads his trio with Johnny Aman on bass and Jonas Holgersson on drums through five original pieces, a mazurka by Chopin, and Leonard Cohen's "Hallelujah", an eclectic take on the piano trio blending modern techniques with both traditional and creative compositions.

Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets and guitar.

Music teacher, student, and violinist Joey Molinaro offers two progressive recordings on one piece of wax that summarize his comprehensive approach to acoustic folk music, classical execution, and hardcore punk aesthetics.

Frank Rosaly uses drums, percussion, and electronics as the core of improvised source material that he segments, orchestrates, and arranges into a sound program before editing and ultimately dividing the material down to two channels.

Enigmatic Japanese legend Keiji Haino's 1981 debut album receives a fitting reissue in this metallic gold and silver jacket pressing, presenting the stark vocals, whispered and screamed, punctuating dark silences over intricate and sharp guitar figures that interweave, repeat, and stretch, trance-like, emerging from dark recesses; an essential piece of the Haino puzzle.

Collecting all four of Luc Ferrari's musique concrete masterpieces "Presque Rien" on LP for the first time, forward-thinking and well-considered work from one of the masters of electroacoustic music.

Acoustic instruments and feedback devices in old stone spaces, rich multi-layered music recorded during a residency in the Czech Republic by the trio of George Cremaschi (double bass and electronics), Irene Kepl (violin and electronics) and Petr Vrba (trumpet, clarinet and electronics).

Virtuosic French-based trombonist Mathias Forge and Brussels-based electroacoustic composer-turned improviser Olivier Toulemonde recording live in Sheffield, 2010.

Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets and guitar.

The trio of guitarist Halvorson, drummer Weasel and trumpeter Evans in music aptly described as "brisk, strange and articulate, presenting a dry and bizarre sense of humor and play".

A Scandinavian quartet drawing influence from the music of the Japanese shakuhachi, contemporary electronica, Scandinavian folk music, both European and American jazz traditions as well as tonal, atonal and microtonal composition.

The first spoken word LP by author, music journalist, poet, and head of Ecstatic Yod Records, Byron Coley, talking about underground cultural history in verse on Side A, and reading from his forthcoming novel, "Dominoes" on the B Side.

A split LP with each side featuring a 20 minute solo track from both brotherly halves of the acclaimed space guitar improvising band My Cat Is An Alien.

A 7" 6 song release of Mike Pride's "punk" vocal troupe Punkappella, with Dusan Hedl, Bojan Tmoazic, Rick Klaus Theis, and Jessica Pavone on vocals; double sided sleeve contains lyrics for these unusual vocal vignettes.

A young band comprised of Bryan Rogers (sax), Alban Bailly (guitar), Matt Engle (bass) and David Flaherty (drums) in a release that explores post rock, modern jazz, minimal and improvised music.

An hallucinogenic and commanding blending of improvisation, song, spoken word, and tonal/timbral music from double bassist Christian Meaas Svendsen's Filosofer, creating beautiful sonic environments out of which voice and message emerge and submerge, buoyed by a string quartet (two violins and two double basses), computers, turntables, synths and samplers.

This trio joins 3 disparate approaches to composition and improvisation--Japanese improviser Ayumi Tanaka, Oslo composer Johan Lindvall, and ECM artist Christian Wallumrod-developing the engaging material on this album by focusing on elements like tuning, register, intervals and dynamics, for an absorbing album of compatible and concentrative playing.

Known more for his double bass work, Christian Meaas Svendsen releases a stunningly beautiful album of unusually orchestrated pop songs with an 8-piece band of Nordic improvisers and performers, a dramatic album of tension and release which, despite lyrics in Norwegian, draws all listeners in through inventive and innovative musical structures.

Tenor saxophonist Albert Ayler leads the New York free improvising sextet of trumpeter Don Cherry, alto saxophonist John Tchicai, trombonist Roswell Rudd, bassist Gary Peacock and drummer Sunny Murray through two extended jams, which were used as the soundtrack for director Michael Snow's short film "New York Eye and Ear Control".

Free jazz saxophone and trumpet legend Joe McPhee explains that he considers Seattle his second home, performing regularly there since 1984; in 2010, after the passing of his own heroes, trumpeter Bill Dixon and saxophonist Fred Anderson, McPhee presented this tribute there as a solo "symphony" in a remarkable, heartfelt and absolutely impressive concert.

A much-needed reissue of Univers Zero's second album, "Heresie", originally released in 1979, here in its 2010 Cuneiform Records remix; a classic of chamber rock music in the Rock in Opposition approach, featuring heavy use of dissonance and dark, brooding, and extremely complex melodies, a classic and important record showing creative paths in rock music.

Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

A 7" limited vinyl picture disc made to celebrate legendary European Free Jazz bassist Barry Guy's 70th birthday, with Guy providing "acoustic sounds" along with his collaborating frogs, Wasserfrosch (Rana Esculenta) and Laubfrosch (Hyla Arborea), side A presenting Frogs & Barry Guy, and side B, Barry Guy & Frogs; quirkly and wonderful free improv.

The 7th album from the quartet of Netherlands guitarists Andy Moor and Terrie Hessels (The Ex) with Chicago free improvising multi-reedist Ken Vandermark and Netherlands drummer/percussionist Paal Nilssen-Love in an album balancing amazing energy with profound introspective moments in thrilling edge-of-your-seat improvisation - excellent!

Recorded and presented as part of Pauline Oliveros Foundation's New Vanguard Series in Kingston, NY in 2006, the unusual duo of Joe McPhee on b-flat and e-flat alto clarinets and synthesizer and Bryan Eubanks on open circuit electronics explores unusual dynamics and psychoacoustic intersections of both acoustic and electronic instruments.

A beautiful set of minimalist compositional drone from New York composer Phill Niblock, commissioned by the performers Natalia Pschenitschnikowa on bass flute and Erik Drescher on glissando flute, recorded at PIETHOPRAXIS, in Cologne, Germany by Marcus Schmickler, and in Berlin, Germany, by Thomas Ankersmit.

Inspired by the automatic water clock invented by Iraq inventor, engineer, and father of robotics, Badi' al-Zaman ibn al-Razzaz al-Jazari built in the 12th century, pianist Pat Thomas recorded these four exceptional improvisations of powerful solo piano with an unusual and inventive twist live at London's Cafe Oto in 2015.

A series of shorter works composed by Christian Wolff written to explore the process of practicing and working within specified limits, exercises for both the composer and the performers, recorded live in Berlin in 2000 by an ensemble directed by Peter Ablinger and including Wolff on piano & melodica, Robin Hayward on tuba, Anette Krebs on guitar, &c.

Saxophonist Jonas Kullhammar's Swedish quartet with Torbjorn Gulz (piano), Jonas Holgersson (drums) & Torbjorn Zetterberg (bass) with an album cover delivering the Beatles' iconic message that the quartet is disbanding, while delivering a rock solid album of superb modern jazz.

New York multi-reed and wind player Ned Rothenberg performing on the shakuhachi in orignal compositions performed with viola and spoken word in beautiful and nuanced performances.

The second astounding album from Chicago Flutist Nicole Mitchell on the FPE label, continuing her project in the sphere of Sun Ra and Afrofuturists, merging fiction, fantasy and sound in an electro-chamber octet, encompassing contemporary classical, globally oriented fusion, gospel, avant-rock, spoken word, and funk-inspired groove research.

Faust's 1st 1971 release, originally on the Recommended Record label as ReR 1, beautifully repressed on 180 gram virgin vinyl.

Sound composer and multi-disciplinary artist Alice Kemp's first full length vinyl album is a mysterious and beautifully paced release blending acoustic and electronic sources, field recordings, voice and inexplicable sound to create dream-like sonic environments, subtle and suggestive sound that contains clues of ritual, longing, and beauty.

Baritone saxophonist and flautist Pat Patrick was a member of Sun Ras's Arkestra for 35 years, and also played with Duke Ellington, Eric Dolphy, Thelonious Monk, and John Coltrane; in 1977 he assembled this 12-piece band with 8 baritone sax players, 4 of them doubling on flute, to present incredible versions of original work and modern standards.

Reinhold Friedl's Zeitkratzer ensemble and special guests, vocalists Svetlana Spajic, Dragana Tomic, and diple / gusle player Obrad Milic, explore the possibilities found in traditional Serbian songs from and about World War I, including the classic epic "Assassination In Sarajevo", and songs chosen specifically by Spajic and Tomic.

The insanely powerful work of this new trio--bass player Massimo Pupillo (Zu, Laniakea), drummer Alexandre Babel (Sudden Infant) and Caspar Brotzmann on guitar--captured live at Candy Bomber Studios, in Berlin for two monumental free improvisations of raw energy that blend noise rock, drone, and improvisation into something uniquely fearsome and wonderful.

Commissioned by Berlin's Maerzmusik Festival and premiered in 2014, Elliott Sharp's composition & soundscape is named after the Greek waking dream and inspired by John Cage, Sharp using a methodology to filter and process his musical manuscripts via Photoshop, which are interpreted through amplification of acoustic instruments by the Zeitkratzer ensemble.

Austrian avant-garde musician and multimedia artist Hermann Nitsch performed these powerful and mesmerizing solo organ drone works during the 2013 "Shut up and listen" festival in in the Jesuit church of Vienna, with mastering by Martin Siewert.

An album of spoken word and sound, Jean-Francois Pauvros reads from Tristan Tzara's "L'homme Approximatif" (The Approximate Man) over flutes from Chicago producer and flautist Jamal Moss, AKA Hieroglyphic Being, and Jean-Marc Foussat on synth and voice, a mysterious album of subtle insinuation with an intriguing underpinning of electroacoustic sound.

After a six year break, the Humcrush duo of Stale Storlokken on keys and Thomas Stronen on drums & electronics return with this studio album of rhythmic angularities and experimental sound worlds, drawing on their experiences with bands including Supersilent, Food, Elephant9, Time is a blind guide, Meadow and Motorpsycho.

Captured live at the 2016 Vilnius Jazz Festival, the free jazz trio of saxophonist Andrew Lamb and percussionists Warren Smith and Arkadijus Gotesmanas provide a unique orchestration, with the percussionists building rhythmic structures over which AACM alumni Lamb's powerful saxophone work emerges; a great album of solid exploratory free jazz.

A live concert at Amherst, Massachusetts in 2016 as part of the Magical Triangle Jazz Series from the quartet of legendary cornetist Bobby Bradford, Turkish saxophonist Hafez Modirzadeh on tenor, in-demand New York bassist Ken Filiano, and percussionist/drummer Royal Hartigan, the band performing two Bradford compositions, with one each from Filiano, Modirzadeh and Hartigan.

Double Bassist Mark Dresser, a mainstay of the Downtown NY scene as an improviser and composer, and also prominent on the US West Coast and as an international touring artist, releases a powerful album of distinctive solo playing, both technically and melodically, with 2 tracks caught live at the Umea Jazz Festival and others recorded at the University of California, San Diego.

Lithuanian reedist Liudas Mockunas in an unusual record of clarinet and saxophone improvisations, from solo work of powerful technique to pieces using water prepared instruments to create a wealth of bubbling and aberrant sound on the instrument, side A presenting the 7 part "Hydration Suite", Side B the 3 part "Rehydration", and "Dehydration".

A double 10" featuring unreleased and rare Sun Ra recordings, including a live track from Paris in 1983, two unreleased cuts from the "Disco 3000" concert tapes, a quartet session with Sun Ra on the Crumar Mainman synth, and three selections from the Sub-Underground series of Saturn LPs, including a ballad and new material from "Live at Temple" and "What's New".

The Thing with Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on electric and double bass, and Paal Nilssen-Love on drums and percussion, are joined by Downtown NY legend, guitarist James Blood Ulmer, for a live set at the Moldel International Jazz Festival in 2015 performing an exuberant and all-out impressive set of Ulmer composions.

Reissuing the debut album by vocalist Annette Peacock and pianist Paul Bley recorded during their first European tour in 1970, in a quartet with compatriots Mario Pavone on bass and Laurence Cook on drums, Bley using an early Moog synthesizer; unique and original avant jazz.

A double LP and the second release from the duo of Crys Cole and Oren Ambarchi, also romantic partners, as they explore their relationship through sound and voice, each side presenting a unique approach to their collaboration while maintaining a certain somnambulist feeling over rich guitar, organ work, and other unfathomable sound.

Talibam! with Matt Mottel on sax, Kevin Shea on drums, Matt Mottel on Fender Rhodes and synth and Ron Stabinsky on organ take inspiration from Herbie Hancock's 70's electronics, Miles Davis' "On the Corner" and Albert Ayler's New grass in compositions that transforms aspects of rhythm changes into a disciplined sequence, a new take on psychedelic jazz.

Talibam!'s 1st cinematic album of through-composed ecogothic geosonics, the "soundtrack to 2048's despotic nationalism and crumbling international infrastructure, underscoring an eco-mercantilistic tragedy and the desperate plundering of the last pristine landscape on Earth" from NY's duo of Matt Mottel on mini moog and synths, and Kevin Shea on drums, and midi mallet percussion.

A vinyl reissue of Pharoah Sanders' 1965 debut release on ESP, in a quintet with Jane Getz on piano, William Bennett on bass, Stan Foster on trumpet and Mavin Pattillo on percussion, decidedly a jazz album from this outside player known for his association with John Coltrane in his freeist moments, here bridging lyrical and avant worlds with powerful playing.