"During the composing and recording process of these two works, Dunn revisited various spots and dimensions of an Albertan childhood that seemed smeared out and ghostly. The impact of these feelings and sightings wander prominently into...

Bassist and composer Trevor Dunn with found soundtracks to films by Peter Bolte, Cameron Vale and Holly S. Neuberg, with players Chris Speed, Kenny Wollesen, Rob Burger, &c.

A graphic score by percussionist, phono and electroacoustic artist Bruno Duplant interpreted two times with a trio including Pedro Chambel on microphone & objects and Jamie Drouin on suitcase modular and radio.

Three extended improvisations documenting the first meeting of an exciting and unexpected electro-acoustic quartet with a unique sound and instrumentation.

A 2 CD retrospective on experimental sound sculptor Max Eastley's work, expanding on his LP with David Toop, and presenting tracks with George Lewis, Peter Cusak, &c., plus soundtracks for two Simon Reynell films.

The duo of sound sculptor Max Eastley and electric harpist Rhodri Davies in an unedited recording performing live at South Hill Park Arts Centre in Bracknell, UK.

Upper Manhattan's ecstatic blues- and Bailey-influenced acousto-electric improvising band in a 3" release of exultant, exotic and unusual music.

Formed in 2010, Israeli trio EFT of Ido Bukelman (guitar), Daniel Davidovsky (electronics) and Offer Bymel (drums) create a resilient hybridization of genres and musical approaches, incorporating free jazz, improvisation, noise and modern electronic music.

The 4th release by EKG (Bruckmann/Karel) presents live electroacoustic recordings extracted and restructured by Bruckman, emphasizing the electronic nature of their work.

Underground drone, guitar and electronic artist Brian McKenzie in two extended works of beautifully building sound, the first primarily electronic and building, the second melodic and spacious using gorgeous guitar riffs.

A heavy, lo-fi, monster drone set recorded in concert at iDEALFEST, Fylkingen, Stockholm from the duo of Ideal Label head Joachim Nordwall & electronic artist Leif Elggren, using electric hair clippers and analogue synthesiser yielding a thick yet detailed performance.

A slowly-unfolding and wonderful work of unusual acoustic and electronic sound from the Argentinian trio of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects & electronics), and Samuel Sahlieh (synth, electric bass & tapes).

The Ember quartet's 2nd release recorded during the 2008 Ahornfelder Festival in Leipzig, an amazing live/studio album of distinct and clearly separated structured improvisations.

Crazy LP of hyper cut-up strange sounds from this Canadian duo, who play their music live without overdubs or multitracking.

Composed by Roger Eno. CD includes tracks for solo piano. All pieces are executed with the usual class of a trio -Orio Odori, Damiano Puliti and Alessandra Garosi- who are proving to be the most fresh and original interpreters of new pos...

The trio of Carl Michael von Hausswolff, Jason Lescalleet, and Joachim Nordwall use extreme electronics with an industrial bent and processed field recordings in this dark yet riveting release.

Lowercase free improvisation from the duo of Sabine Ercklentz and Andrea Neumann performing on trumpet and a specially designed amplified piano frame, recording 5 detailed and mysteriously constructed works using space and structure in intriguing sound work.

The trio of Ergo (Brett Sroka/Carl Maguire/Shawn Baltazor) blend atmospheric electronics with jazz in music that recalls Miles' "In a Silent Way" or Hancock's Mwandishi period.

An active set of recordings from eRikm in duo with drummer Martin Brandlmayr, the latter keeping both players' feet on the ground while the former introduces and intervenes with unusual sonic elements, disruptive and lyrical, an enjoyably complex and unpredictable set.

Using the language of Russian Futurist poet Khlebnikov's Zaoum, saxophonist Michel Doneda and electronicist ErikM take us on a ride with sliding, breaking of rhythmical lines, sudden transformations, textures, and inexplicable sound.

An experimental sound and voice duet featuring eRikm and Natacha Muslera: extreme, convulsive and immersive sounds that alternately surprises and seduces in brutal and beautiful ways.

A mixed work for ensemble revolving around the sequences of video and electronic composition, showing a series of Chilean and Argentine landscapes and cityscapes.

Taking song titles from the Arawak language, the Estamos Trio of Thollem McDonas (piano), Milo Tamez (drums) and Carmina Escobar (voice & electronics) brings together artists from the Mexican/U.S. border, creating beautiful creative works.

French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.

A double CD release of works from Italian composer Franco Evangelisti, who was specifically interested in scientific theories behind sound; recordings include work with David Tudor and Eberhard Blum.

An album of collaborative improvisational compositions for laptop and acoustic instrument, developed between laptop artist Sam Pluta, trumpeter Peter Evans and violinist Jim Altieri.

Two of NY's farthest reaching players - Peter Evans & Nate Wooley - both on amplified trumpet for an album crossing electroacoustic and improvisatory worlds in raw and exhiliarating abstraction.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

The trio of Sandy Ewen (guitar), Damon Smith (bass) and Weasel Walter (drums) in an album of alien technique and structural disruption, free improvisation using extended techniques in aggressive and astounding ways.

Houston based guitarist Sandy Ewen met BPA label leader, bassist Damon Smith to record these open-minded improvisations in the studio, with Smith also using 7 string electric upright bass, laptop, and field recordings played in real time.

Jazz cornetist Rob Mazurek with Nicole Mitchell, Matt Bauder, Jeb Bishop, Jason Adasiewicz, Jason Stein, Mike Reed, &c. &c., a unique and incredible orchestra of acoustic & electronic improvisation.

Jazz cornetist Rob Mazurek with Nicole Mitchell, Matt Bauder, Jeb Bishop, Jason Adasiewicz, Jason Stein, Mike Reed, &c. &c., a unique and incredible orchestra of acoustic & electronic improvisation.

Five improvisers from Germany, Italy, France and USA - Wendelin Buchler; David Fenech; Gino Robair; Argo Ulva; Ezramo - in a mix of weird pop, avanttrash, free improvised music, mediterranean folklore and noise drones.

Violinist Guido Del Fabbro in a 5-piece work with violin, voice, electronics and synthesizer, blending compositional and electroacoustic principles for an unusual, rich, and thoroughly modern album.

An evocative work of bleak electronic atmosphere and suffocating dread from sound artist Mike Connelly, best known for his membership in Hair Police and Wolf Eyes.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

A unique realisation of John Cage's 'Four6', plus two improvisations by Stephen Cornford (amplified piano), Patrick Farmer (turntable & electronics), Sarah Hughes (chorded zither), and Kostis Kilymis (electronics).

Presenting live recordings from the 2004 UK "Feedback: Order from Noise" tour, an ambitious presentation of artists including Alvin Lucier, Otomo Yoshihide, Knut Aufermann, Sarah Washington, Toshimaru Nakamura, & Nicolas Collins, performing solo, in duos, and as an ensemble.

A surreal and sophisticated work with a 9 piece electroacoustic ensemble composed by sampling and computer artist Roberto Fega, with audio interludes and vocal aberrations, plus text by Jennifer Scappettone.

A surreal and sophisticated work with a 9 piece electroacoustic ensemble composed by sampling and computer artist Roberto Fega, with audio interludes and vocal aberrations, plus text by Jennifer Scappettone.

Electronic improvisations from Formian reed & electronics artist Fega, a member of Taxonomy with Elio Martusciello, as well as IATO and IXEM, Pangolino Orchestra, &c.

The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.

Mixing backgrounds from impprov, electronics, composition, noise & contemporary performance, Fenaison explore texturally driven dynamic improvisations.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

Two volumes of work from French electroacoustic composer Luc Ferrari and his wife and closest collaborator, Brunhild Ferrari, 3 substantial pieces from Luc Ferrari, and the first release of 3 solo works from Brunhild Ferrari.

Unpublished work by the late electronic composer Ferrari, two pieces for tape and various instruments that incorporate improvisation; mysterious and sonically beautiful compositions.

Ferrari's 2nd disc for Mode presents 3 works, including one commissioned by Art Zoyd using taped environmental sounds; a work of serialism; and a work using field recordings from the Asian commercial center of Paris.

The Fessenden trio, also heard on Utech Records, blur the margins of electroacoustic improvised music in puzzling and illuminating ways.

Subtle and reflective improvisations with electronics, flutes and melodica from these two active women of the European improvisation scene.

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!