A mixed work for ensemble revolving around the sequences of video and electronic composition, showing a series of Chilean and Argentine landscapes and cityscapes.

Taking song titles from the Arawak language, the Estamos Trio of Thollem McDonas (piano), Milo Tamez (drums) and Carmina Escobar (voice & electronics) brings together artists from the Mexican/U.S. border, creating beautiful creative works.

French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.

A double CD release of works from Italian composer Franco Evangelisti, who was specifically interested in scientific theories behind sound; recordings include work with David Tudor and Eberhard Blum.

An album of collaborative improvisational compositions for laptop and acoustic instrument, developed between laptop artist Sam Pluta, trumpeter Peter Evans and violinist Jim Altieri.

Two of NY's farthest reaching players - Peter Evans & Nate Wooley - both on amplified trumpet for an album crossing electroacoustic and improvisatory worlds in raw and exhiliarating abstraction.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

Houston based guitarist Sandy Ewen met BPA label leader, bassist Damon Smith to record these open-minded improvisations in the studio, with Smith also using 7 string electric upright bass, laptop, and field recordings played in real time.

Jazz cornetist Rob Mazurek with Nicole Mitchell, Matt Bauder, Jeb Bishop, Jason Adasiewicz, Jason Stein, Mike Reed, &c. &c., a unique and incredible orchestra of acoustic & electronic improvisation.

Five improvisers from Germany, Italy, France and USA - Wendelin Buchler; David Fenech; Gino Robair; Argo Ulva; Ezramo - in a mix of weird pop, avanttrash, free improvised music, mediterranean folklore and noise drones.

An evocative work of bleak electronic atmosphere and suffocating dread from sound artist Mike Connelly, best known for his membership in Hair Police and Wolf Eyes.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

Presenting live recordings from the 2004 UK "Feedback: Order from Noise" tour, an ambitious presentation of artists including Alvin Lucier, Otomo Yoshihide, Knut Aufermann, Sarah Washington, Toshimaru Nakamura, & Nicolas Collins, performing solo, in duos, and as an ensemble.

A surreal and sophisticated work with a 9 piece electroacoustic ensemble composed by sampling and computer artist Roberto Fega, with audio interludes and vocal aberrations, plus text by Jennifer Scappettone.

The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.

Mixing backgrounds from impprov, electronics, composition, noise & contemporary performance, Fenaison explore texturally driven dynamic improvisations.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

Two volumes of work from French electroacoustic composer Luc Ferrari and his wife and closest collaborator, Brunhild Ferrari, 3 substantial pieces from Luc Ferrari, and the first release of 3 solo works from Brunhild Ferrari.

Unpublished work by the late electronic composer Ferrari, two pieces for tape and various instruments that incorporate improvisation; mysterious and sonically beautiful compositions.

Ferrari's 2nd disc for Mode presents 3 works, including one commissioned by Art Zoyd using taped environmental sounds; a work of serialism; and a work using field recordings from the Asian commercial center of Paris.

The Fessenden trio, also heard on Utech Records, blur the margins of electroacoustic improvised music in puzzling and illuminating ways.

Subtle and reflective improvisations with electronics, flutes and melodica from these two active women of the European improvisation scene.

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!

The Swedish trio of Mats Gustafsson, Johan Berthling and Andreas Werliin collaborating with Australian guitarist Oren Ambarchi for an album of hypnotic, psychedelic rock'n'jazz exploration (CD has 1 track not included on the LP edition).

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

Electricity and metal trash object meet in a banging and sparking session of minimal improvisation from percussionist Elisabeth Flunger and electronic artist Tomas Tello.

American noise from 910 Noise Collective artists August Traeger and Ryan Lewis, a mix of harsh and atmospheric sound in an EP of wild, untamed and surprising sound work.

Two improvisations-one live, one without audience-by an Anglo-French trio of new voices from trombonist Forge, electronics artists Julian and cellist Papapostolou.

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

This very strange CD-ROM-enhanced recording combines 20 tracks of what can only be called deliciously weird music coupled with surreal visual images.

Three exquisite electro-acoustic compositions by the New York-based duo of Anne Guthrie (french horn, electronics, recordings) and Billy Gomberg (bass guitar, recordings), using a combination of field recordings, electronics and improvisations on French horn and bass guitar.

Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.

Reinhold Friedl performs on one of the last remaining of 150 Neo-Bechstein amplified Grand Pianos, using unusual recording techniques to find unexpected sonic aspects to the instrument, producing a dark ambient and industrial work of great intensity.

Deconstructed sounds from Ralf Wehowsky (RLW) on electronics & Johannes Frisch on double bass, citing Ornette Coleman's "Free Jazz" album as an (abstract?) influence, using noise, glitch, acoustics and jump-cut compositional styles that surprise but won't make you want to dance.

Helen Mirra uses the index of a W.G. Sebald's novel to create a mysterious, intriguing and fascinating audio world, performed by Mirra on printing press and acoustic guitar, and Fred Frith on rainsticks, mbira, charango, music box, voice, shoes and other objects.

Frith's 75 minute intense improvisatory journey work is a graphic structural model by which the most diverse types of musical events are linked together along a time line.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

In The Flirts, Fuhler manipulates sounds from turntables and mbiras, filtering them through an analogue synth, with Prins focusing on electronic noise-based music.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

The duo of Richard Barrett and Paul Obermayer in 12 studio tracks of semi-composed electronics, and a live improvised tribute to Karlheinz Stockhausen.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".

72 extractions of electroacoustic improvisation from saxophonist Christoph Gallio, and an accompanying DVD from director Beat Streuli, with music and sound coming from Dominique Girod (bass), Julian Sartorius (drums), Andrea Neumann (piano), and Ernst Thoma (synth).

2004 release of Lisbon double bassist Margarida Garcia on electric double bass, and electronic artist Barry Weisblat in a startling dialog of electronic burst and deep tones.

The trio of Miguel A. Garcia (electronics), Tomas Gris (objects) and Lee Noyes (piano) in a single extended and understated improvisation mixing acoustic and electronic sources, building and subsiding in its interesting journey.

Intense and minimal electroacoustic improv from an incredible trio of saxophonist Gauguet, trumpeter Hautzinger, and analog synth player Lehn.

Gburek composes with materials including prepared guitar, signal processor, electronics, turntables and field recordings to create these dynamic aural journeys.

Mysterious and intense works for electric guitar, signal processing, field recordings and voice from experimenter, improviser and audio researcher Gunnar Geisse.

A collaboration of NYC sound artist Gen Ken Montgomery (Generator) and West Coast sound improviser AMK (Anthony Michael King), in an extended work of electronic improvisation presented over two cassette sides, a varied program that never overloads its listeners.

"Termites" features sounds that audio artist Gen-Ken Montgomery recorded in Pennsylvania in a wood shed, and also sounds of a bike ride in Belieze, in a cassette with an amazing photograph of a termite home in Namibia by Uschi Huber.

Solo computer improvisations assembled into larger works exploring the relationship between self and group.

"Electro-acoustic Horrspiel" from Bill Gilonis (The Work, Hat Shoes) and Chantale LaPlante, fascinatingly filtered and personal sound collage work.