Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.

Pieces in 4 movements - Snow; Never Cold; Gusts; Landscapes - performed by Ensemble SuperMusique: Joane Hetu, Jean Derome, Diane Labrosse, Pierre Tanguay, Scott Thomson & Alexandre St-Onge.

A highly unusual performance in 10 parts from cellist Honsinger and pre-existing media manipulist Simonini that falls between radio art, music theatre, and the inexplicable

"Blindfolded" manipulations by Labrosse of recordings from an amazing set of Montreal improvisers to create eight flashbacks to a bygone daily sonic life.

Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets and guitar.

California saxophonist Adnan Marquez-Borbon exploring improvisation and electro-acoustic manipulation in solo works with a divserse set of influences.

Saxophonist Rives with Wade Matthews on software synthesis and manipulated field recordings in a piece inspired by the story of Arethusa, a servant of the Greek goddess Artemis.

A four part suite bridging compositional and improvisational music from Portugese pocket trumpeter Sei Miguel in a quintet including Rafael Toral on modulated electronics.

Music teacher, student, and violinist Joey Molinaro offers two progressive recordings on one piece of wax that summarize his comprehensive approach to acoustic folk music, classical execution, and hardcore punk aesthetics.

Summer 2011 issue of Canada's premiere music magazine and CD, with articles and tracks from Gregory Oh, Grimes, Doldrums, The Vegetable Orchestra, Terri Hron, Miguel Azguime, Rachel Wadham, &c.

Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character.

An interesting mixture of sound and spoken word originally recorded as a DJ set by RLW for a birthday celebration that was remixed with help from Stephen Meixner.

Frank Rosaly uses drums, percussion, and electronics as the core of improvised source material that he segments, orchestrates, and arranges into a sound program before editing and ultimately dividing the material down to two channels.

British saxophonist Simon Rose uses extended and evocative techniques in this exceptional set of duos with Paul Stapleton, who plays a Bonsai Sound Sculpture, an assemblage of unusual electronic and acoustic components allowing a wide range of expression.

The Rova Saxophone Quartet performing compositions by Lindsay Cooper, Fred Frith, Barry Guy, and Larry Ochs, live in the studio in 1996.

Instant compositions from Elliot Sharp on guitar and electronics and Italian free improv vocalist Savoldelli, recorded before their live show at The Stone in Sept. 2008.

Montreal/Actuelle turntablist Martin Tetreault and Berlin turntablist Ignaz Shcick in two sets of recordings from two encounters in Belgium and Switzerland, 2006.

Five unique pieces from improvisers Birgit Ulher (trumpet, radio, speaker, objects) and Christoph Schiller (spinet, preperations) recorded in Hamburg with no post-production work.

An all-improvised transnational collaboration recorded in the studio and live at Les Instants Chavires in France, between Mike Ladd (vocals/synthi), Carol Robinson (clarinets/voice), Dave Randall (guitar) and Dirk Rothbrust (drum/percussion).

Solos for triggered guitar from midi and effects guitarist Jorgen Teller, 15 complex and conceptual works that balance clean and noisy guitar work in perplexing ways.

The trio of Jorrit Dijkstra, Paul Pallesen and Steve Heather, combining elements of free improvisation, minimalism, and the aesthetics of glitch electronics.

Trio Sowari's second recording, subtle interactions using a wide palette of sound and approaches, mixing electronics and acoustics in amazing improvisation.

A shared love of vintage analogue equipment, ear-splitting frequencies and the music of Scott Walker brought Franck Vigroux and Matthew Bourne together.

A reference to rays of sunlight that appear to radiate from a single point in the sky around dusk or dawn, as heard through a combination of acoustic guitar, objects and no-input mixing board.

Cellist Ulrich's Cargo Cult with Michael Bisio on bass and Rolf Sturm on guitar in their 4th release, here in an album of original compositions from all 3 members of the trio.

Lokomotive's "Labyrinths" with bassist Baretto at the top of his game in playing and scoring this driving and unorthodox set of pieces, performed with two of Portugal's most in-demand players.