Andy Moor (guitar) and Yannis Kyriakides (computer) reimagine their favorite rebetika songs, a type of urban Greek folk music with a blues feel, in a set of 9 mesmerizing and eclectic pieces.

The result of three improvisation sessions held in 2003 from these frequent collaborators.

Composer and electronic artist Yannis Kyriakides combines conventional instruments with technology in ten pieces for small groupings that span over thirteen years of his work in this 2 CD set.

Three recent sound works by Yannis Kyriakides using source material highlighting specific vocal traditions - Turkish pop music, Cypriot epic song, and Baroque opera - making extensive use of other forms of speech and vocal acts.

Hubsch, Lehn, Zoubek & Hautzinger's approach to improvised music is driven by a mixture of mechanically and electronically generated sounds forming a vividly structured architecture of layers and sonic landscapes.

Eric La Casa and Cedric Peyronnet collected sounds in a triangular area in the north of the Creuse departement, France, giving the landscape a sonic corporeality by each initiating a sound work based on a specific site, which the other composer expanded upon.

Site specific recordings made for two live performances in Le Havre and Liege (2010) by sound artists Eric La Casa and Cedric Peyronnet, one disc each of sound sculpted from the same field recordings, but with vastly different results.

A concept album for their Inscape project: onsite installations with strategically placed microphones mixed in real time to create complex and intriguing sound sculptures.

Using "recordings" and "devices", this is the first release from the long-standing collaboration of Eric La Casa and Taku Umani, 15 untitled tracks of curious and subtly discursive sound work recorded in a diverse set of locations.

Early recordings from Lab Coast (Chris Dadge and David Laing) from an odd session of improvisation recorded to cassette and restored for the band's debut release.

Paletuvier, or "mangrove", is part of a color series where Labrosse, Lauzier and Tanguay use close-miked acoustic instruments to create an ecosystem of sound in subtle and rich interplay.

Diane Labrosse is on sampler with Martin Tetreault on turntables in this abstract release of electronic improvisation.

Using improvisation, interactive listening and radical exploration, electronic artists Diane Labrosse and Michel F. Cote play with constructing and deconstructing 11 pieces.

Using a minimal mixture of electronic and sound material, Ikue Mori, Martin Tetreault, and Diane Labrosse collage raw noises and spatial elements into elaborate sound clusters.

Four sessions of music mostly against the Vietnam War - all featuring Steve Lacy and Irene Aebi, in sextet, trio, and quintet with associates including Enrico Rava, Karl Berger, Kent Carter, Richard Tietelbaum, &c.

A collection of fifty-five short stories or texts, and fifty-five brief musical works to accompany them, composed by a momentary collective of eighteen musicians including John Butcher, Andy Moor, Yannis Kyriakides, Francisco Lopez, Machinefabriek, Gabriel Paiuk, &c.

The second in Lambkin and Lescalleet's planned trilogy for erstwhile, rich and varied sonic worlds made from microphones, devices, synths and loops - recommended!

Recorded at Graham Lambkin house, the duo treated the entire building and surrounding grounds as a studio in "musical settings for common environments and domestic situations".

An incredible and twisted journey in sound from sonic explorers Graham Lambkin and Jason Lescalleet, who alternately hypnotize and startle the listeners in a series of "photographs" documenting their personal histories in sound.

Duo improvisations on pieces composed by clarinetist Pierre Langevin and percussionist Pierre Tanguay, using unusual instruments such as bagpipes, jaw-harps, accordions, etc.

Koto and gu zheng player Brett in duos with some of our favorite and most important improvisers: Anthony Braxton; Jim O'Rourke; Gino Robair; John Shiurba; Loren Connors; Gino Robair; &c.

Kook is the duo of Norweigan guitarists Stian Larsen and Erik Ahlsen creating a series of improvised soundscapes using their guitars and live electronics; absorbing music of unusual tone, texture, and direction.

Live recordings in Catherine & Henri's courtyard, Fresnes, France from this trio of understated and extended improvisers: Louis Laurain (trumpet); Rodophe Loubatiere (percussion); Yoann Durant (saxophones).

Four improvisers from Quebec and Norway playing prepared reeds, strings, and a broken turntable, an ea-improv release evoking the sonic and industrial world of sound.

The Canadian duo of reedist Philippe Lauzier and bassist Eric Normand freely improvise in sound environments that are both introspective and precarious, using subtle and aberrant approaches to playing that evoke unusual aspects of their instruments in oddly refined dialog.

Hong Kong composer Lee Ingrid in four pieces from subtle beauty to harsh power, including a duo for piano and accordion, a piece for vibrating amplified snare drums, a work for piano, electric guitar and percussion, and one for string quintet and vibraphone.

Berlin sound artist Hanno Leichtmann's modern version of minimal music with strong connections to dub, ambient and club music, recorded with the help of Kai Fagaschinski (clarinet), Sabine Ercklentz (trumpet), and Alex Stolze (violin).

A superb instrumental exploration of the American musical language - jazz, folk, gospel, rock, bluegrass, orchestral, electronic, minimalism and post-modernism, with improvised parts played by Jean Derome, Jacques Seguin, Guillaume Bourque and Yanik Cloutier.

Six unique, abstract pieces from the electroacoustic trio of Ayelet Lerman (viola), Wade Matthews (synthesis, field recordings), and Carmel Raz (violin)

The duo of Jean Derome and Rene Lussier on their third album of composition and improvisation that was recorded live with no overdubs.

Taking their name from the German Town Bad Fallingbostel, this album collects recordings from the 3 year collaboration of these two improvising sound artists: Gunnar Lettow on prepared bass guitar, electronics & objects; and Korhan Erel on computer & controllers.

Two powerful electro-acoustic improvisations by two of the most exciting voices from the current London improv scene.

Dazwischen means in-between, and these works by pianist, electronic artist and AMM associate Sebastian Lexer bridge the electronic, compositional, and free improv worlds with subtlety.

Moscow sound experimenter Phil Raymond, recording with computers and percussions, is resampled live by Moscow musician Kurt Liedwart on lloopp, electronics & percussion, to create these 5 darkly ambient tracks merging organized and improvised approaches.

A quiet quartet session intended for loud volume with Jacob Lindsay (reeds), Ava Mendoza (electric guitar), Damon Smith (7-string ergo-bass & lloopp), and Weasel Walter (percussion & bagpipe chanter), unusual tapestries of sound plus a recipe!

During Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro, Brazil, he was joined by Arto Lindsay performing on electric guitar and voice, recording these two impressive improvisations released on a 180 Gram 33/45 RPM record.

NY-based Arto Lindsay's diverse career includes No Wave band DNA, Ambitious Lovers with Peter Scherer, acclaimed Brazilian-tinged pop records, and improvising with a great set of Downtown NY players, much of which is presented in this excellent cross-section of his work to date.

Bassist and electronic artist Adam Linson brought this group together to explore new contexts at the intersection of jazz and computer music using real-time processing and interactive electronics.

Looper (Nikos Veliotis, Martin Kuchen and Ingar Zach) in Another Timbre's Silence and After series, layered and slowly moving sound work of great depth and subtlety.

The electroacoustic improvising trio Looper of Martin Kuchen (sax & pocket radio), Ingar Zach (percussion) and Nikos Vleiotis (cello & video) presenting four intense and extended works recorded in the studio.

The string duo Bobun celebrates ten years of creative collaboration with this six piece suite, a studio recording of diverse improvisations that runs the gamut from lowercase minimalism to dense and technically exuberant interaction.

Electronics and natural objects with a common love for the E Bow from this electroacoustic improvising trio recording at Middlesex University in 2009.

Pianist and accordionist Joao Lucas' music for Andresa Soares' choreography "It was a very abstract thing", structured acoustic improvisation with a slight electronic edge.

Composer Lucier's score instructs the players to go to an outside environment and record by any means the sound situations of those environments, then in performance re-create, solely by means of your voices, instruments and memory, those outside sound situations.

Continuing where La vie qui bat: Chevre left off, this is the second installment of the project from the duo of Pierre Tanguay and Rene Lussier where they take a journey though human nature.

The 3rd release from the duo of Chick Lyall (piano, violin, synthesizers, modules, computer) and David Garrett (drums, percussion, prepared piano, zither, electronics) in an inventive set of pieces that use a "kitchen-sink" approach to creating mesmerizing and inexplicable music.

Nate Wooley and Paul Lytton continue their collaborations, extending their new duo recordings with live tracks from The Stone in NYC with Ikue Mori, and at Chicago's Hideout with Ken Vandermark.

Master improvisers Joelle Leandre (double bass), Fred Frith (guitar), Alvin Curran (electronics, piano) and Urs Leimgruber (saxophones) in a new quartet for a live, abstract recording that moves at a fast past.

Deining, meaning "heave" or "commotion", is a long composition from the duo of Rutger Zuydervelt on sine tones and violinist Anne Bakker, who bows each string, sliding slowly from the lowest note to the highest and in reverse, creating an hallucination of shifting tones.

Originally released in 2008 on Sentient Recognition Archive, "Vloed" is a collection of (slightly edited) live performances, recorded between 2006-08 in Amsterdam and Den Haag.

The result of a three day series of concerts by Ken Vandermark's new project with electronicist Christoff Kurzmann, electric bassist Devin Hoff and drummer Tim Daisy, taking new directions by following the principles of "modular organization".

MTB continues to inspire, merging shake-your-ass jazz with experimental electracoustic elements, blending players from Chicago (reedist Ken Vandermark & drummer Tim Daisy) and Europe (bassist Jasper Stadhouders of Cactus truck & Christof Kurzmann on electronics).

MTB continues to inspire, merging shake-your-ass jazz with experimental electracoustic elements, blending players from Chicago (reedist Ken Vandermark & drummer Tim Daisy) and Europe (bassist Jasper Stadhouders of Cactus truck & Christof Kurzmann on electronics).

The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.

The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.

The electroacoustic quartet of Christof Kurzmann (electronics), Devin Hoff (bass), Ken Vandermark (reeds) and Tim Daisy (drums) performing live in Lisbon, an innovative and significant band developing new languages for improvisation.

A moody album of minimal improv, using space, innuendo, breath and a wonderful sense of darkness from the trio of Radu Malfatti (trombone), Kevin Drum (electronics) and Lucio Capece (bass clarinet & preparations), performing live at Q-O2 in Brussel, Belgium.

First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation.

The improvising duo of trombonist Radu Malfatti and electronics/sinewave artist Klaus Filip in two extended and beautiful works that investigate the edges of ultraminimalism.

Surreal sound experiments using poetry, noise and ambient music and an eclectic set of instruments to make bewildering and enjoyable compositions, recommended!

3 cassette set from French composers Lionel Marchetti & Jean-Baptiste Favory; one dedicated to Favory's early work; one a composition from Marchetti performed with Favory and reed/synth player Pierre Jacob; one a multitrack duo improvisation from Paris, 2011.

Paal Nilssen-Love with Lasse Marhaug, recorded and edited by Fe-mail/Spunk Hild Sofie Tafjord to create 6 fascinating free-form compositions of sound and texture.

Matta Gawa, the free rock duo comprised of guitarist Ed Ricart and drummer Samuel Lohman, uses an unconventional approach in creating energetic, improvised rock music that is unruly yet powerful.

Guitarist Luca Mauri (I/O) in a gorgeous record of solo guitar work, semi-ambient drones and effected works of beautiful tonal atmospheres.

The adaptive improvising/electro-acoustic trio of Maybe Monday in their 3rd release with guests Gerry Hemingway, Carla Kihlstedt, Ikue Mori, and Zeena Parkins.

Two weeks after the passing of his mother to cancer, cornetist Rob Mazurek and his Black Cube sextet recorded this profound album blending acoustic and electronics with intense spiritual and emotional energy, a fitting tribute that explores our connection to the next stage.

The 1st release from Andy Moor & Colin McLean since they disbanded Dog Faced Hermans 13 years ago, 3 years of live improvisations from Amsterdam's OT 301's Music Dance 301 sessions.

A live recording from the 2008 Kongsberg Jazzfestival of the duo of reedist Joe McPhee and drummer Paal Nilssen-Love, extraordinary playing from two masters, keeping their listeners on the edge of their seat in insanely great improvisation.

Percussionist Michel F Cote takes his Mecha Fixes Clocks ensemble (Philippe Lauzier-sax, Elwood Epps-trumpet, Jean Rene-sax, Pierre-Yves Martel-feedback, Bernard Falaise-guitar, Guillaume Dostaler-piano) on a compelling audio tour of air travel.