Ensemble leader and tuba player Carl Ludwig Hubsch created this musical concept inspired by the guitar player Keith Rowe, exploring one static sound in the ensemble, maintaining it and in the same time interacting with utmost care and openness for any necessary change, in a 22-piece ensemble of exceptional players.

Taking two of Montreal's most vital musicians, guitarist Rene Lussier and clarinetist Robert Lepage, and joining them with the far-ranging string quartet Le Quatuor Bozzini for a stunning album that merges chamber music, noise music, and improvisation without leaving behind melody, intention and direction; magnificent!

Spring 2016 issue of Canada's premier music magazine, including a 10-track CD of musicians featured in this issue's magazine. Contents include: articles on Craig Aalders' el8dEra 3m; , Eighty-five scores celebrate Pauline Oliveros; Toronto label All-Set! Editions; Thin Edge New Music Collective; electronic composer John Mills-Cockell; and much more!

Albert Ayler's first ESP album from 1975 in a trio with bassist Gary Peacock and drummer Sunny Murray, a live album captured at the Cellar Cafe, in New York City, New York, on June 14th, 1964, showing Ayler future-facing free playing in now classic compositions including "Spirits", "Prophecy", and two variations of "Ghosts".

Two live recordings at Theatre au Clain, in Poitiers, France and at le Bistrot, in Bayonne, from the free improvising quartet of Christiane Bopp on trombone, Jean-Marc Foussat on synth & voice, Jean-Luc Petit on bass clarinet and sopranino sax, and Makoto Sato on drums, for submersive interchanges blending electronics and acoustics in remarkable ways.

"Recorded (and released) one year after Konrad Bauer's Disques Victo debut Toronto Tone, a solo-trombone-with-electronics affair, Three Wheels: Four Directions features his favorite trio at the time. Bauer, bassist Peter Kowald, and dru...

"Sombre is an unlikely pairing yielding unexpected results. The classically trained harpist Helene Breschand meets the maverick avant rock guitarist Jean-Francois Pauvros. She plays an electro-acoustic harp, which -- unlike Zeena Parkin...

"Music for Three Rivers presents four improvisations (totaling 45 minutes) from British pianist Chris Burn's performance at the Festival International de Musique Actuelle de Victoriaville in May 1996, as well as five studio recordings f...

"This set by longtime collaborators Dave Burrell and David Murray (playing exclusively tenor sax here) was recorded at the Victoriaville Festival in Quebec in 1991. The live sound is good, the performances exceptional (even by their sta...

"Even though Canadian saxophonist Paul Cram has led his orchestra for years, first in Toronto and then Halifax, Campin Out is the first recording by this ensemble since the 1987 LP Beyond Benghazi. One cannot accuse Cram of being too pr...

"Taken from a 1987 solo date at Quebec's venerable Festival Musique Actuelle, Labyrinths finds avant garde jazz pianist Marilyn Crispell balancing Cecil Taylor's cataclysmic and staunchly free piano style with her own melodic and spacio...

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"The album title, Moment de Bonheur, is rather trite, but the concert was marvelous and the recording preserves all of its intensity and charm. This was a first meeting between Jean Derome (flutes, alto sax) and Louis Sclavis (clarinets...

"This trio allies the spirited lightness of the Italian scene with the pastoral feel of the Swiss. Italian bassist Daniele Patumi and Swiss pianist John Wolf Brennan already played together in Pago Libre, an ensemble sharing a lot of af...

"Three traditions, three musics? Hardly. This trio of improvisers -- Michel Doneda, soprano saxophone; Benat Achary, vocals, percussion; Kazue Sawai, koto -- forgoes all pretenses of speaking a universal language or separate ones, but i...

"Even for the avant-garde fan acquainted with the Far East Side Band's first CD, Caverns, Urban Archaeology cannot fail to surprise. The group's blend of Oriental and Occidental instruments and music forms provides quite a change of sce...

Recorded during their 2016 US tour, Peron and Werner "Zappi" Diermaier used ever-changing ensembles from different locations on the tour to make these recordings, mated with Peron's field recordings, to blend rhythm, noise, spoken word, strong rock and blues hooks, and experimental/industrial elements; another great, eclectic Faust release!

"The first completely solo Charles Gayle recording was recorded during a break in the Victoriaville Festival in 1994. Gayle went into a Montreal studio and played tenor on three tracks and bass clarinet on one, and preached while acc...

"When Gianni Gebbia performed with his trio Terra Arsa at the Festival International de Musique Actuelle de Victoriaville in May 1997, he was already well-established in the Italian new jazz scene. His style draws from Coltranian jazz, ...

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"Prior to the release of this CD, Mexican flutist/pianist Roberto Morales Manzanares was virtually unknown in North America. He met Japan-born violinist Mari Kimura when she played at Callejon del Ruido, a new music festival Manzanares ...

"Anamnesis: Ecumenical Mysteries was Yugoslavian saxophonist/composer Boris Kovac's first release out of Europe (on the Canadian label Disques Victo). It was also his first work recorded in Yugoslavia following the war that forced him t...

"Since the release of Sudori with his Sud Ensemble in 1995, Italian trumpeter Pino Minafra remained discreet as a leader, preferring to blend his voice among others in large-scale groups like the Italian Instabile Orchestra, Gianluigi T...

"Sudori is, simply put, an avant-jazz rollercoaster with blues, Dixieland, circus music, and free improvisation all tumbling in your stomach with strong Italian herbs and spices. Trumpeter Pino Minafra is accompanied by his Sud Ensemble...

"One of the greatest records to come out of Victo's (the record label of the Victoriaville Festival in Quebec) catalog is this 13-selection set by the Art Ensemble of Chicago multi-instrumentalist Roscoe Mitchell. Issued ion 1991, it co...

"In 1996, Thurston Moore was still mostly known for his work with the rock group Sonic Youth. In 1996, the Festival International de Musique Actuelle de Victoriaville was an established institution in the realm of serious experimental, ...

"Superb, simply superb, but also disorienting and disquieting: that's Happy Wretched Family, Non Credo's second album, seven years after Reluctant Hosts. The avant-pop format found on the first LP has evolved into twisted shards of pop ...

"Canadian baritone saxophonist Charles Papasoff has, with this recording, pulled off the heretofore unimaginable: pulled together a sextet comprised strictly of baritone players from Europe and North America and commissioned each member...

"Recorded live at Vancouver's Western Front in 1990, this solo recording by bassist extraordinaire Barre Phillips is a set of improvisations. They explore not only Mr. Phillips' more than considerable abilities as a musician, but the li...

"Noir is one of Canadian pianist Paul Plimley's best trio sessions. It was recorded in a Montreal studio over two days in October 1992. Longtime partner Lisle Ellis is on bass, more recent encounter Gregg Bendian on drums, and saxophoni...

"Vancouver pianist Paul Plimley and his comrades, bassist Lisle Ellis and drummer Scott Amendola, have issued a tough little gem of a recording in Safe-Crackers. Plimley's pianism ranges in voice from fierce avant-garde improvisation to...

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