A first-time collaboration between two American noise/sound artists, Tim Albro and Tyler Keen, using electronics, guitars and other lo- to medium-fi sounds and crackles to create well-paced stories in sound, apparently mysterious travelogues from city to city.
A melodic set of improvisations composed by bass clarinetist Chris Cundy, using approaches for songwriting to create compelling jazz compositions, in a band with Fyfe Dangerfield on piano, Mat Martin on guitar, Hannah Marshall on cello, Mark Sanders on drums and Dominic Lash on bass.
Saxophonist Pierre-Antoine Badaroux and double bassist Sebastien Beliah formed Ensemble Hodos in 2008 to perform the music of composers who wrote scores that include freedom and/or improvisation for the players, here performing the music of Philip Corner.
Using electronics, field recordings and spoken word, Graham Lambkin explores "Community" in abstract and literal ways, reflecting on society and describing aspects of community through spoken word and sound, a thought-provoking and complex work of organized sound.
A brilliant album of subtle and masterful improvisation recorded in 2012 at and using the reverb of the St. Peters church in Whitstable by soprano saxophonist Evan Parker with two percussionists: Toma Gouband on lithophone-based percussion and Mark Nauseef on metallophone-based percussion.
The 15th album from the UK based, saxophone heavy Remote Viewers led by David Petts, bridging compositions and improvisation with a rock sensibility, in a sextet that includes improv heavies Mark Sanders on drums and John Edwards on bass.
A journey in sound--drone, abrasive noise and subtle ambiance--in a well-paced example of non-idiomatic soundscape from the first meeting of Reed Evan Rosenberg on microphones, pedals, max, and voice, and Ethan Tripp on speakers, microphones, motors, junk.
Legendary pianist Veryan Weston set out across England in 2014 in search of tracker-action organs, which he tested for suitability for a planned trio album, where possible recording himself on the instrument, as heard in these seven recordings of unusual and impressive improvisations.
The title and album cover give no clue to David Grollman's actual intent in creating this layered work of ambient recordings and percussive sounds, using drums, percussion, percussive balloons, and voice recordings to create a uniquely opaque narrative of NYC.
The roots of Xenofox, the duo of electric guitarist Olaf Rupp and drummer Rudi Fischerlehner, performing at the 2014 Lydfestival in Aarhus, Denmark in an excursive set of free improv with a rock-oriented edge that ebbs and flows with power and technical skill.
Free improvisation from the German trio of Olaf Rupp (electric guitar), Matthias Muller (trombone), and Rudi Fischerlehner (drums), evolving pieces of intuitive music that plays below and above the surface in murky musics or confident collective improvisation.
Stream of consciousness improvisation in voice, violin harmonics, and unidentifiable percussive sounds, all over a NY neighborhood traffic drone, from the duo of violinist Natalia Steinbach and drummer/percussionist David Grollman, reporting from a strange dream.
The debut of Xenofox, the duo of Olaf Rupp on electric guitar and Rudi Fischerlehner on drum playing electric improv that ranges from critically dense to spacious and exploratory, blending rock and European Free Improv sensibilities into a moody and absorbing album.
Reissuing the debut album by vocalist Annette Peacock and pianist Paul Bley recorded during their first European tour in 1970, in a quartet with compatriots Mario Pavone on bass and Laurence Cook on drums, Bley using an early Moog synthesizer; unique and original avant jazz.
On the cover: English folk singer and underground music maven Shirley Collins; Ectoplasm Girls; Roy Montgomery; Fritz Welch; Tarek Atoui; plus: The Wire Tapper 42: 20 new tracks by Aluk Todolo, The Gaslamp Killer, Giorgio Moroser, Jah9, The Splitter Orchestra and more.
A beguiling and atmospheric work of overtones, harmonics, tonal and microtonal progressions from a trio of clarinetists (Hans Koch, Michael Thieke, and Paed Conca) with Japanese vocalist Maki Hachiya, an immaculately paced and exotic work of sound.
Goh Lee Kwang recorded these tracks from 2012-2015, a diverse set of pieces using sound, noise, field recordings, even guitar and rhythm to create unique audio environments, a succint and interesting reflection on the inquisitive nature of this audio explorers work.
The Edinburgh trio of Archibald (drums), Colin Stewart (bass) and Rebecca Sneddon (alto saxophone) play an experimental blend of doom metal and free jazz, with guests trumpeter Luc Klein and trombonist Patrick Darley, in an album that bridges heavy rock with melodic improv.
The NY duo of accordionist Andrea Parkins, using self-designed virtual instruments, field recordings, everyday objects and small instruments, and drummer Brian Chase, applying guitar pedals to his percussion, create fascinating sculpted works of electroacoustic improvisation.
Clarinetist Tom Jackson and pianist Keith Tippett have worked together since 2001, with bassist Ashley-John Long joining them in improvisation in 2009, adding violist Benedict Taylor that same year in London, here meeting in the studio for 4 subtle and expansive recordings.
Two versatile and innovative improvisers, Mats Gustafsson on saxophones and Christof Kurzmann on electronics and voice, extracted improvisations recorded in the studio to create the 7 parts of this rich, pulse-based and intensely understated work about Falling and Failing.
Spontaneous compositions of freely improvised music performed on piano, synth, whistles, electroacoustic guitar, percussion, live electronics and effects from this trio who hail from Moscow and Siberia, recording their unique and adventurous dialog in the studio.
Performing together since 2014, the free improvising trio of Yoni Silver on bass clarinet, Mark Sanders on drums, and Tom Wheatley on double bass are captured live at the Hundred Years Gallery in London, in 2015 for a dark and spacious journey in two large improvisations.
A rare studio album from the aggressive and influential free improv trio Borbetomagus of saxophonists Jim Sauter & Don Dietrich and guitarist Donald Miller, recorded in London in 2014, and described by Sauter himself as "unlike anything we've ever recorded before".
During the 80s, free jazz saxophonist Joe McPhee teamed up with French guitarist Raymond Boni to perform and release albums; this live concert at the University of Alabama is from that period, an excellent example instant composition inspired by Eric Dolphy.
Vancouver based cellist Peggy Lee leads the Film in Music project with a cast of superb improvisers including Dylan van der Schyff (drums), Torsten Muller (bass), Jesse Zubot (violin), &c, writing compositional drama for the 8 band members as as a basis for adventurous improv.
The 4th album in 14 years from this instrumental Vancouver 7-piece avant rock band exploring both heavy and beautiful sonic environments; the band shares members with The Tony Wilson 6Tet, Dark Blue World, Aeroplane Trio, with Drip Audio leader Jesse Zubot on violin.
Canada's premiere music magazine, with articles on The Sound Future of Virtual Reality; Roarke Menzies; Heidi Chan; Erin Gee; Eric Normand; Carmen Braden; Nick Dourado; plus a CD with recordings from Eric Normand, Carmen Braden, Erin Gee, Nick Dourado, Heidi Chan, and Plumes Ensemble.
Reissuing and remastering Braxton's outstanding radio concert for Radio DRS in Safranzunft, Basel in 1977 in a quintet with George Lewis on trombone, Muhal Richard Abrams on piano, Mark Helias on double bass, and Charles "Bobo" Shaw on drums.
Soprano Juliet Fraser performs Morton Feldman's late work for 3 voices, performed by 1 vocalist (originally Joan La Barbara) who performs with themself on tape, in a work that Feldman described as "lucious", "sexy", and "gorgeous", as heard in Fraser's beautiful rendering.
Melodic and texturally rich jazz from the trio of pianist Jackson Harrison with Ben Waples on double bass and brother James Waples on drums, a lyrical album of original compositions named for the process of coalescing a powder into a solid by heating it without liquefaction.
Fascinating works for doublebass from American composer James Tenney, 3 pieces for solo doublebass, and a large work for viola, cello, doublebass and tape delay system, performed by bassist Dario Calderone with William Lane on viola and Francesco Dillon on cello.
A half-hour work of non-narrative radio theater featuring music and text collage, as well as Terri Kapsalis on violin and John Corbett on analog synthesizer, commissioned and recorded in the Experimental Sound Studio, Chicago in 2000 for the Outer Ear Festival.
ICP Orchestra cellist/composer Tristan Honsinger wrote these sophisticated works combining free improv with mischievous songs in a band with Toshinori Kondo on trumpet, Sean Bergen on sax, Jean Jacques Avenel on bass, Michael Vatcher on drums and Tiziana Simona Vigni on voice.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.