The Squid's Ear Magazine


McPhee, Joe / Andre Jaume: Nuclear Family (Corbett vs. Dempsey)

In 1979 saxophonist/cornetist Joe McPhee met French reedist Andre Jaume in Paris to record this exceptional album of standards, drawing on works from Charles Mingus, Thelonious Monk, Duke and Ellington, and Ornette Coleman; melodic, poignant, emotional and insightful jazz.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Joe McPhee-alto saxophone, tenor saxophone, pocket cornet, cornet

Andre Jaume-alto saxophone, tenor saxophone, bass clarinet


Click an artist name above to see in-stock items for that artist.




UPC: B01N5KR6W3

Label: Corbett vs. Dempsey
Catalog ID: CvsDCD031
Squidco Product Code: 22705

Format: CD
Condition: New
Released: 2016
Country: USA
Packaging: Cardboard Gatefold
Recorded in Paris, France on December 15th, 1979.

Descriptions, Reviews, &c.

"Multi-instrumental master McPhee and his longtime colleague, French saxophonist and clarinetist Jaume, joined forces for this studio recording in 1979 that was prepared in its day but never released. It is primarily structured around pairs of tunes by Charles Mingus, Thelonious Monk, and Duke Ellington (or Billy Strayhorn), adding Ornette Coleman's "Lonely Woman" for good measure. The results are stunningly intimate and show the twosome's capacity for creative interplay at a fairly early stage in its unfolding. Mingus's "Pithecanthropus Erectus," which was performed by a larger group on Topology, gets pared down to its essential walking-bass-ness, while Monk's "Evidence" is taken apart, and solo spots by both men are riveting as one would expect. Part of CvsD's ongoing historical effort to unearth and reissue McPhee's important discography, this previously unknown recording will delight existing fans and positively magnetize new ones."-Corbett Vs. Dempsey



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.

His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.

In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.

In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."

-Joe McPhee Website (http://joemcphee.com/bio.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mainly known as a tenor player, French multi-instrumentalist André Jaume also excels on alto sax, flute, bass clarinet, and clarinet, his first instrument, and is one of the most emblematic figures of the French jazz scene. His warm and generous tone is his trademark and his career reflects his curiosity and open-mindedness. Classically trained, Jaume developed his interest for jazz going to dances where Sidney Bechet performed and listening to records. His interest quickly moved from Dixieland to more modern musicians, such as Charlie Parker, Duke Ellington, and John Coltrane. He attended the first French jazz school under the direction of Guy Longnon from 1966 to 1969. Social events of the late '60s and inroads made by free jazz encouraged him to find his own path rather than mimicking American artists. After playing with Barre Phillips in the early '70s, he created a duo with percussionist Gerard Siracusa, which soon evolved as a trio with the addition of Raymond Boni on guitar. Later, he joined Jeff Gilson's orchestra from 1976 to 1979. During that time, Jaume met saxophonist Joe McPhee at a festival in Nancy (France) and a long friendship ensued, punctuated by several albums, in particular Old Eyes & Mysteries and Oleo & a Future Retrospective. In the early '80s, Jaume put together an octet to fulfill his ambition to compose for string instruments. Through his association with McPhee, the saxophonist gave his first concerts in the United States in 1985. Although an already well-seasoned musician, Jaume seized this opportunity to write and ask Jimmy Giuffre to study arrangement and composition. Giuffre's positive response resulted in yet another fruitful collaboration with a string of concerts and recordings. It was also Giuffre who encouraged Jaume to resume playing the clarinet. In the '90s, Jaume entered a prolific and diverse period carrying on projects with Charlie Mariano, John Medeski, Charlie Haden, and Barry Altschul, as well as collaborations with musicians from Indonesia or Guinea. He also formed a working trio with guitarist Rémi Charmasson and Randy Kaye, Jimmy Giuffre's former drummer. Jaume retired from his faculty position at the Avignon Conservatory in 2001, hoping to focus entirely on his music.

-All Music, Alain Drouot (http://www.allmusic.com/artist/andr%C3%A9-jaume-mn0000024120/biography)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Pithecanthropus Erectus 4:23

2. Self-Portrait In Three Colors 3:12

3. Evidence 8:37

4. Rue St. Jaume 6:07

5. Blue Monk 7:46

6. Chelsea Bridge 4:03

7. Come Sunday 4:39

8. Nuclear 13:25

9. Lonely Woman 4:14

Related Categories of Interest:

Improvised Music
Jazz
Duo Recordings
NY Downtown & Jazz/Improv
Joe McPhee
European Improvisation and Experimental Forms
Melodic and Lyrical Jazz
Staff Picks & Recommended Items

Search for other titles on the label:
Corbett vs. Dempsey.


Recommended & Related Releases:
McPhee, Joe / Mette Rasmussen / Dennis Tyfus
Oblique Strategies [VINYL]
(Black Truffle)
An unrestrained album of free jazz, unorthodox electronic excursions and vocal irascibility as legendary tenor saxophonist Joe McPhee joins the Bazuinschal duo of alto saxophonist Mette Rasmussen and percussionist & electronic manipulator Dennis Tyfus (Ultra Eczema) for this singularly unusual 2018 concert at Het Bos, in Antwerp, Belgium; magnificently indescribable!
McPhee, Joe Quartet +1 Kirk Knuffke
Keep The Dream Up
(Listen! Foundation (Fundacja Sluchaj!))
Long a fan of his music, NY trumpeter Kirk Knuffke joined with saxophonist Joe McPhee and his quartet of Christof Knoche (bass clarinet), Michael Bisio (bass) and Jay Rosen (drums), following Knuffke's wife's advice to "keep the dream up" as the quintet recorded a series of exceptional collective improvisations, one Knuffke compositions and at Knuffke's request, a poem/"Invocation" from McPhee.
McPhee / Edwards / Kugel
Existential Moments
(Not Two)
The 3rd album from the touring trio of Joe McPhee on trumpet & tenor sax, John Edwards on double bass and Klaus Kugel on drums, following their previous NotTwo releases A Night In Alchemia and Journey To Parazzar, here captured live at FreeJazzSaar 2019, in Saarbrucken, Germany for a boisterously exciting set of three collective improvisations, including a tip of the hat to Charles Gayle.
Survival Unit III (McPhee / Lonberg-Holm / Zerang)
The Art of Flight: For Alvin Fielder [VINYL + DOWNLOAD]
(Astral Spirits)
A fully acoustic set of creative free improvisation from the Survival Unit III trio of Fred Lonberg-Holm on cello, Joe McPhee on tenor saxophone & pocket trumpet and Michael Zerang on percussion, performing at the 2018 The Instigation Festival in New Orleans in a set of concerts that also was drummer Alvin Fielder's last concert, to whom this album is dedicated.
A Pride of Lions (McPhee / Lazro / Abrams / Seguron / Taylor)
No Questions - No Answers
(RogueArt)
The 3rd meeting of the transatlantic quintet of Joe McPhee on alto & soprano saxophones and pocket trumpet, Daunik Lazro on tenor & baritone saxophones, Joshua Abrams on double bass & guembri, Guillaume Seguron on double bass and Chad Taylor on drums & mbira is heard in this exceptional 2018 concert at the International Jazzfestival Saalfelden in Salzburg, Austria.
McPhee, Joe / Evan Parker
Sweet Nothings (For Milford Graves)
(Corbett vs. Dempsey)
A confluence of masterful playing through two soprano & two tenor saxophones plus one pocket cornet, as Evan Parker and Joe McPhee perform live in 2003 at the Chicago Cultural Center as part of the Empty Bottle Festival of Jazz & Improvised Music, weaving lines with intricately relaxed confidence and coming together for beautiful moments of lyrical connection.
Brotzmann, Peter Chicago Tentet
Ultraman vs. Alien Metron [SINGLE SIDED VINYL]
(Corbett vs. Dempsey)
Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee.
McPhee, Joe / Michael Bisio / Fred Lonberg-Holm / Juma Sultan
The Sweet Spot
(RogueArt)
Bringing together four masterful players into the studio in NYC--Joe McPhee on saxophones, Michael Bisio on double bass, Fred Lonberg-Holm on cello and Juma Sultan on percussion--for a set of with one composition each from McPhee, Sultan and Lonberg-Holm, two collective improvisations, Charlie Haden's "Human Being" and Henry Grimes "For Django".
McPhee, Joe / Michael Marcus / Jay Rosen / Warren Smith
Blue Reality Quartet!
(Mahakala Music)
Woodwind player Michael Marcus' duo with drummer Jay Rosen performed with fellow reedsman Joe McPhee and a 2nd drummer at the Jazzgalerie Nickelsdorf in 2018, the concept so appealing that he took it to the studio in New York, with Warren Smith handling the 2nd drum part and cementing this unusually orchestrated and elegantly passionate band as "The Blue Reality Quartet".
Amado, Rodrigo / This Is Our Language Quartet
Let The Free Be Men [VINYL]
(Trost Records)
Referencing Ornette Coleman in the group name, Portuguese tenor saxophonist engages three US free jazz players--legendary saxophonist and pocket trumpeter Joe McPhee, double bassist Kent Kessler and drummer Chris Corsano--for this 2017 concert at Jazzhouse in Copenhagen, Denmark, capturing four exemplary, at times explosive, and always tightly interactive collective improvisations.
Thing, The (Gustafsson / McPhee / Haker Flaten / Nilssen-Love)
She Knows...
(ezz-thetics by Hat Hut Records Ltd)
Named for a Don Cherry composition included on this album, the core trio of The Thing--Mats Gustafsson on reeds, Ingebrigt Haker Flaten on bass, and Paal Nilssen-Love on drums--is joined by saxophonist and pocket trumpter Joe McPhee, recording classic free jazz and harmolodic pieces by Don Cherry, Ornette Coleman, James Blood Ulmer, Frank Lowe, & Joe McPhee.
Lindsay, Arto / Joe McPhee / Ken Vandermark / Phil Sudderberg
Largest Afternoon
(Corbett vs. Dempsey)
Bringing together Chicago's long partnership of saxophonists Joe McPhee and Ken Vandermark with frequent Vandermark collaborator, drummer Phil Sudderberg, and New York guitarist Arto Lindsay, meeting on a winter afternoon in a Chicago studio to record these fifteen collective, freely improvised conversations of intense energy, unexpected twists and turns, and brilliant playing.
Alcorn, Susan / Joe McPhee / Ken Vandermark
Invitation To A Dream
(Astral Spirits)
An excellent album of informed free improvisation in the debut of this masterful trio of legendary musicians spread across the US--Joe McPhee on soprano sax & pocket trumpet [NY], Ken Vandermark on tenor sax & clarinet [Chicago], and Susan Alcorn on pedal steel guitar [Texas], a profound album from assertive to introspective playing in seven captivating collective improvisations.
Ellis, Lisle / Cauley / Robinson / Ruthier / Ochs / McPhee / Spearman
Elevations
(Les Disques Victo)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
1995 recordings of the superb saxophone trio of Evan Paker on tenor & soprano, Daunik Lazro on alto & baritone, and Joe McPhee on alto & soprano, plus alto clarinet and pocket trumpet, a group that went undocumented until this live concert tape at Willisau was discovered.
Universal Indians w/ Joe McPhee
Skullduggery [VINYL 2 LPs]
(Clean Feed)
The free improvising trio of John Dikeman on sax, Jon Rune Strom on bass, and Tollef Ostvang on drums, invites Joe McPhee on pocket trumpet and alto sax for a release of rugged free improv using unorthodox approaches and amazing dexterity in their playing.
McPhee, Joe
Alone Together: The Solo Ensemble Recordings 1974 & 1979
(Corbett vs. Dempsey)
In 1979 Joe McPhee, working with CJR produced Craig Johnson, recorded this set of overdubbed recordings of himself performing on saxes, trumpet and flugelhorn over original compositions showcasing solo, duo, trio and quartet contexts, an album of virtual McPhee ensembles!
McPhee / Saft / Morris / Downs
Ticonderoga
(Clean Feed)
A burning spiritual session inspired by John Coltrane's "Live at the Village Vanguard Again" that began when Jamie Saft told Joe Morris about his deep admiration for Alice Coltrane's playing, adding McPhee and Downs as the perfect complement to realize this excellent album.
McPhee, Joe
Variations on a Blue Line / 'Round Midnight
(Corbett vs. Dempsey)
A much-needed reissue of McPhee's 1979 Hat Hut LP documenting his 1977 concert at Salle Ste Croix des Pelletiers, performing 3 original compositions and Monk's "Round Midnight" with incredible skill and inventiveness.
Morris, Joe
Perpetual Frontier The Properties of Free Music [BOOK]
(Riti Publishing)
Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.
Other Recommended Releases:
Lytton, Paul / Erhard Hirt
Borne on a Whim: Duets, 1981
(Corbett vs. Dempsey)
The first release from Corbett vs. Dempsey drawing on the Paul Lytton Archives, this recording of electronic & acoustic improvisation from UK percussionist Paul Lytton and German guitarist Erhard Hirt was recorded in Belgium in 1981 for the German Po Torch label, founded in 1976 by Paul Lovens & Paul Lytton to release forward-looking forms of free improvisation.
McPhee, Joe / John Edwards
Tell Me How Long Has Trane Been Gone (for James Baldwin And John Coltrane)
(Klanggalerie)
The incredible first meeting between legendary saxophonist Joe McPhee and double bassist John Edwards is this performance at the 2019 Artacts festival in Austria, a powerfully reflective free jazz concert with McPhee speaking & preaching about the loss of giants John Coltrane, Albert Ayler and James Baldwin, as they stand upon their shoulders through free music.
McPhee, Joe
Route 84 Quarantine Blues (Black Cross Solo Sessions 2)
(Corbett vs. Dempsey)
One of Corbett vs. Dempsey's Black Cross Solo Sessions, Joe McPhees approaches his album recorded during pandemic lockdown in his home through tenor sax, voice, water, objects and field recordings, the center of the album a cycle of compositions by Charles Mingus, alongside works by Carla Bley and influences by Joni Mitchell, and a virtual symphony of saxes on the title track.
Carl, Rudiger / Joel Grip / Sven-Ake Johansson
In Early November
(Corbett vs. Dempsey)
Two European Free Improvisation legends--Prussian clarinetist Rudiger Carl and Swedish drummer Sven-Ake Johansson--join with younger double bassist Joel Grip (Umlaut Records) for three improvised "Inflections" performed live at Au Topsi Pohl in Berlin, superb examples of the historical depth of free jazz across Europe and the continuing energy each new generation brings.
Berner, Palu / Michael Moore
Amulet [2 CDs]
(Ramboy)
More uncommon than than the sax/drum duo format, reedist Michael Moore performs on clarinet and Paul Berner on contrabass, releasing this double CD of intimately recorded duos, an eclectic mix of standards and original compositions in a lovely and engaging set of lyrical and succinct expression from two eloquent and passionate improvisers.
McPhee, Joe / Jen Clare Paulson / Brian Labycz
The Mystery J [VINYL]
(Corbett vs. Dempsey)
Taking its title from the rum-running yacht on which McPhee's father sailed from Nassau to Miami, this free electroaoustic improvised concert with Joe McPhee on pocket cornet & alto saxophone, Jen Clare Paulson on viola and Brian Labycz on electronics was captured live in 2014 at the Sugar Maple in Milwaukee, Wisconsin, during Okka Fest 6, released as CvsD's first vinyl LP.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC