The trio of Belgian reedist Joachim Badenhorst, French-Japanese violist Frantz Loriot, and French-German bassist Pascal Niggenkemper formed the Baloni trio in Brooklyn in 2008, presenting a blend of chamber and free jazz; reserved to frenetic playing that consistently surprises.

A 2 CD Compilation of Banabila tracks released between 1999 and 2008, taken from his work on the Dutch label Steamin' Soundworks, and from his soundtrack and television work, with conspirators including Frank Van Der Kooij, Eric Vloeimans, Yasar Saka, Anton Goudsmit, Zenial, &c.

Saxophonist Tim Berne in his 3rd ECM album, leading his NY band Snakeoil, now a quintet with guitarist Ryan Ferreira joining pianist Matt Mitchell, clarinetist Oscar Noriega, and percussionist Ches Smith, for intricate, dynamic and sophisticated modern jazz.

Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions.

The 2nd release from Italian composer/performer Alessandro Bosetti and Australian pianist Chris Abrahams (The Necks), a very intimate album of sonic explorations that spans improvised fragments and original renditions of compositions like Steve Lacy's "Esteem" with Bosetti's lyrics.

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Since working together in Thermal, saxophonist John Butcher and The Ex guitarist Andy Moor have collaborated in live performance, here recording in a cathedral in Berne, Switzerland in 2013, using its natural reverb to augment their impeccably paced and inspired dialog.

1999 release of the trio of John Butcher on soprano & tenor sax, Phil Durrant on violin, and John Russell on guitar, meticulous improvisation using outrageous technique, "unorthodox thematic development and off-center interplay which at times is odd and surreal".

A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices), one an improv from Durham in 2013, the other a graphic score from Newcastle, 2014.

Improvising harpist Rhodri Davies in a solo career retrospective box set with 4 LPs (+ download codes) in screenprinted heavy card sleeves with artwork by Jean Luc Guionnet, plus curated flyers, posters, a booklet written by Rhodri Davies, an essay by David Toop, &c. &c.

Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.

An excellent reissue of reedist/drummer/pianist Milo Fine, bringing together material released on Hat Hut in 1976 & '7 ("Hah!" & "The Constant Extension Of Inescapable Tradition") plus his never-issued '78 album "When I Was Five Years Old, I Predicted Your Whole Life".

Three exquisite electro-acoustic compositions by the New York-based duo of Anne Guthrie (french horn, electronics, recordings) and Billy Gomberg (bass guitar, recordings), using a combination of field recordings, electronics and improvisations on French horn and bass guitar.

Deconstructed sounds from Ralf Wehowsky (RLW) on electronics & Johannes Frisch on double bass, citing Ornette Coleman's "Free Jazz" album as an (abstract?) influence, using noise, glitch, acoustics and jump-cut compositional styles that surprise but won't make you want to dance.

Pianist Satoko Fujii's large ensemble blending masterful Japanese and Euro players like Kazuhisa Uchihashi, Natsuka Tamura with Matthias Schubert, Gebhard Ullmann, &c., with Fujii's compositions amazingly flexible frameworks that lend themselves to great soloing and ensemble playing.

Pianist Satoko Fujii's Tobira ("door") expands the original trio configuration of Todd Nicholson on bass and Takashi Itani on drums, with trumpeter/husband Natsuki Tamura, playing inventive free improvisation with sophistication in melodic heads and superb soloing.

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound.

The first release from the German free improvising trio of pianist Georg Graewe, bassist Marcio Mattos, and drummer Michael Vatcher, playing Graewe's rich and intricate spontaneous compositions that ebb and flow effortlessly into each other.

The pairing of eccentric sound artist Jeph Jerman with Quakebasket label leader/percussionist Tim Barnes, using unidentifiable sound sources, field recordings, and the occasional acoustic instrument to create unique, curious and absorbing environments.

Natsuki Tamura & Christian Pruvost on trumpets, Satoko Fuji on piano and Peter Orins on drums for a quartet where all members are active compositional contributors, creating a powerful ensemble sound with strong soloing using modern creative techniques; excellent!

Yannis Kyriakides and Andy Moor's exploration and mining of the rich and mysterious terrain of Greek rebetika music from early 20th century, using a combination and juxtaposition of rebetika elements with their own distinct sonic explorations.

Using "recordings" and "devices", this is the first release from the long-standing collaboration of Eric La Casa and Taku Umani, 15 untitled tracks of curious and subtly discursive sound work recorded in a diverse set of locations.

Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.

Composer & pianist Marcin Masecki wrote this work, inspired by Frederic Rzewski and presenting variations on the Chilean song "El pueblo unido jamas sera vencido" (The town united will never be defeated) and invited pianist Piotr Nowicki to perform it for this recording.

Surprisingly the first solo album from bassist Marcio Mattos, an important member of the London free improv and jazz scenes since the 70's, here presenting recordings from late 90s and 2000's, and a live recording at St. Mary's Old Church in Stoke Newington, 2010.

Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.

Jamie Newton works with sound using guitar, keyboards, field recordings, processing, and Kyoto croquet, here in a contemplative set of works merging drone and thick noise with indistinct rhythms and layers of concrete sounds.

Tonewheel organ meditations along with feedback and sound forms using processed guitar, keyboards and field recordings from sound artist Jamie Newton, 2 slowly evolving tonal works sandwiching three more turbulent pieces in a journey of drone, noise and reflection.

A mix of free jazz, rock, and avant-garde experimental music from clarinetist Francesco Chiapperini in a quartet with Gianluca Elia on tenor sax, Dario Trapani on electric guitar, and Anotonio Fusco on drums; lyrical modern jazz with a good dose of free chaos.

A unique 3CD-box from Umlaut Records putting in attention the musical collaborations between two of Sweden's most headstrong musicians: the pioneers Bengt "Frippe" Nordstrom and Sven-Ake Johansson.

A bizarre album of vocalizations, dictaphone recordings, and other phlegmatic and spittled output from the UK duo of Jon Marshall and Joe Murray, who appropriately name this strange album with the word "Incomprehension", a word which the 14 tracks of this CD live up to.

The four part "Monoceros" was recorded by saxophonist Evan Parker, here on soprano, in 1987, originally for the Incus label, here in a remastered form with Parker showing his masterful use of the extended techniques that have influenced a generation of players.

A freely improvised collaboration between Ahleuchatistas guitarist Shane Perlowin and trumpeter Jacob Wick, both using a contemplative approach of unusual and extended techniques while allowing space and tension to develop their deceptively rich dialog.

Composer Frank Perry presents some new and some old unreleased recordings of solos, duos and trios featuring world famous musicians such as Evan Parker, David Toop, Paul Lytton, Paul Lovens, Jin Hi Kim and Trevor Taylor.

A collection of materials for solo guitarist, written by Michael Pisaro and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences.

Two compositions from Eugeniusz Rudnik, and a large work from vocalist Maja S. K. Ratkje performed live at The Polish Radio Experimental Studio using Rudnik's samples, her voice, and her own concrete elements in a virtual "dialog" with the composer.

In 1987 the trio of John Butcher on tenor & soprano sax, Phil Durrant on violin & trombone, and John Russel on acoustic plectrum guitar, released this LP of free improvisations using superb forward-thinking dialog, remarkable 3 decades after its release!

A live recording of lyrical post-bop jazz from Swedish legend, tenor saxophnoist Nisse Standstrom, in a live recording from 2014 fronting a quintet of creative players Jonas Kullhammar on tenor sax, Leio Lindberg on piano, Kenji Rabson on bass, and Moussa Fadera on drums.

One of saxophonists Evan Parker's favorite recordings from the long-running trio led by pianist Alexander von Schlippenbach with drummer Paul Lytton, the powerhouse free improvised "Pakistani Pomade" alubm is reissued on 180 gram vinyl with its original cover.

A new composition by clarinetist and composer Magnus Granberg, the leader of the highly acclaimed ensemble Skogen, this time with a new, smaller group that includes percussionist Erik Carlsson, performing his beautiful, melancholic music.

A chamber opera by Joanna Halszka Sokolowska at Opera// REMIX at Komuna// Warszawa, using sung and spoken voice, piano, and a variety of tonal instruments to present an intriguing set of variations informed by numerological methods, scientific statistics, &c..

Interactive, muscular NY improvisation from guitarist Bruce Eisenbeil, electric bassist Tom Blancarte, and drummer Andrew Drury, extending Totem>'s intensity & group empathy while expanding their range of expression in compositions balancing free playing and mysterious soundwork.

Transmit revolves around the writing, drumming and guitar of Tony Buck, with the core line-up of Magda Mayas on keys, James Welburn on bass, and Brendan Doughety on drums, performing driving guitar, throbbing bass, chiming chords, swelling organ and propulsive drumming.

The 7th release from this exceptional Los Angeles experimental community rock band, featuring dual drums, dual guitars, and Fender Rhodes, instrumental music with unconventional rock structures of intricate and weaving lines and surprising twists and turns.

The 7th release from this exceptional Los Angeles experimental community rock band, featuring dual drums, dual guitars, and Fender Rhodes, instrumental music with unconventional rock structures of intricate and weaving lines and surprising twists and turns.

Based on the anthems of nations that have endured recent struggles, from the duo of Marcin Masecki on keys and Candelaria Saenz Valiente on vocals and percussion, embraceable songs with unusual structures paying tribute to the beautiful themes for each nation.

Outrageous sounds produced by a workshop orchestra directed by John Stevens - an SME-type improvisation; instrumental & vocal drones; a mechanically rhythmic yet unpredictable piece; and an all-out improv featuring non-vocal mouth sounds, vocal sounds & instruments.

1967 recordings from the duo of John Stevens (percussion) and Evan Parker (soprano & tenor sax), plus Peter Kowald making the group a trio on two tracks; seminal work from three incredibly influential players.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

An amazing collection of concepts described in John Steven's manual "Search and Reflect" and recorded in workshops and concerts primarily in the 70s, with participants including Trevor Watts, Evan Parker, Paul Rutherfod, Ian Brighton, Nigel Coombes, John Russell, Lindsay Cooper, &c.

With two trumpets, drums and piano, Kaze's 2nd release with Satoko Fujii, Natsuki Tamura, and Muzzix members Christian Pruvost and Peter Orins, hits like the album title, but surprises with contrasts from torrential power to beautiful melodic interplay.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Recorded live in an Australian National Park on a 15-day walk, saxophonist Jim Denley performs solo on the alto saxophone in response to and in conversation with the environment around him using the natural acoustics of this rugged and awe-inspiring region.