Members of Eddie Prevost's weekly improvisation workshops, violinist Jennifer Allum and cellist Ute Kanngiesser, recorded these 3 improvisations, running the gamut from spacious harmonics to vigorously weaving dialog, in 3 rooms of St Augustine's Bell Tower in London.
AMM (Eddie Prevost on percussion and John Tilbury on piano(+)) performing a 1 hour, 1 minute and 1 second live concert at the 2012 Festival of Traditional and Avant-Garde Music in Lublin, Poland in a beautiful melding of unconventional approaches to improvisation.
A sound work about freedom, choice and politics, performed at Arika's Festival Episode 4 "Freedom is a Constant Struggle" in Glasgow, 2013, from the duo of Mattin (computer and feedback) and written with Lebanese philosopher Ray Brassier.
Using sopranino, sorano and decayed tenor saxophone, Mark Brown recorded these unusual improvisations, generating a huge variety of sounds and tones, and then constructing those recordings into this curious and captivating 40 minute work.
Six unorthodox sketches for acoustic violin, focusing on advanced techniques and preparations including a plastic peg, a spring, and a nail file, from London based Angharad Davies, recording live improvisations at Goldsmiths University.
Balancing jazz and contemporary music, the Swiss trio of Christoph Gallio (saxes), Silvan Jeger (double bass) and David Meier (drums), continues the history of this touring band that started in 1989, here in their 8th release of excellent modern jazz.
The final of 4 volumes documenting a series of concerts Eddie Prevost organised at the Network Theatre in London, trio sessions featuring the finest modern free improvising saxophonists, here with Bertrand Denzler on sax and bassist John Edwards accompanying.
A curious and remarkably enjoyable collection of works from Jorrit Dijkstra (sax, lyricon and electronics) in a quintet with Phillip Greenlief (reeds), Kyle Bruckman (double reeds & electronics), Frank Gratkowski (reeds), and Jon Raskin (sax & electronics).
Guitarist Marc Ducret completes his "Tower" series with a 12-piece ensemble including all musicians from the 4 Tower volumes, includi> ng Tim Berne, Tom Rainey, Matthias Mahler, &c. in 2 CDs of two concerts from their 2012 tour; innovative and astoundingly great modern jazz.
UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.
Recorded live, this collaboration of saxophonist Daniel Erdmann and drummer Samuel Rohrer with Vincent Courtois on cello, and Frank Mobus on guitar, blends jazz, rock, and chamber approaches in beautifully panoramic improvisation of subtle yet capricious intent.
A live recording made in April 2014 at Mike Reed's Constellation in Chicago of pianist Karayorgis Quintet with Dave Rempis (sax), Keefe Jackson (reeds), Nate McBride (bass) and Frank Rosaly (drums), bridging post-bop and avant jazz in sophisticated and lyrical ways.
In celebration of the late and legendary free jazz bassist Peter Kowald's 70th birthday, Jazzwerkstatt has compiled this magnificent 4 CD box set, alphabetically presenting 143 published recordings, with a 208 page book of texts, indexes, photos and drawings.
During his residency in Vienna as part of Johannes Heuer's "Vor Anker", Kuchen recorded these curious solo works using saxophone and preparations, 6 pieces of understated intent using unconventional approaches rewarding the active listener.
Two double bass players--Joelle Leandre and Michael Duch--performed as a duo live in at nyMusikk in Oslo, then recorded this album of freely improvised bass interactions the next day in the studio at Gramolna in Trondheim; dark and commanding explorations of deep strings.
3 recordings from 3 live concerts in 3 London boroughs, including the 2012 Freedom of the City Festival, bringing together master improvisers Evan Parker (saxophone), Eddie Prevost (Percussion) and Sebastian Lexer (piano) for unpredictable and exhilarating dialog.
"This live recording at the Logos Foundation in Ghent presents the performance of another interesting live-impro trio using a massive dose of electronic filters and sounds: Dafna Naphatali (voice, live processing) and Hans Tammen (endan...
The summer 2014 issue of Canada's premiere new music magazine and accompanying CD, with articles on Isaiah Ceccarelli, Petra Glynt, Erin Sexton, Caduc, Chiyoko Szlavnics, Louis Andriessen, Gil Delindro, plus reviews, listings, &c. &c.
Skull Defekts member and a part of Ocean Of Silver And Blood, Joachim Nordwal is captured in a 2008 concert in Oslo for this 17 minute lo-fi set of textured sound work, a grainy drone of howling sound.
"The duet of Ernesto Rodrigues and Jorge Valente was once named Orquestra Vermelha (the Portuguese name for Red Orchestra). The reasons for this choice - let it be remembered that it was thus the espionage network set up by the Soviet s...
The 1st official recording of ea-improv trio The Sealed Knot (Burkhard Beins (percussion), Rhodri Davies (harp) and Mark Wastell (violincello)) is this live concert from All Angels Church, London in 2000, part of a series of collaborations between London and Berlin improvisers.
Listed as one of The Wire's Top 10 Improvised Music Records in 2003, this reissue of The Sealed Knots Meniscus release presents two live 2001 concerts in the UK from the subtlely sophisticated trio of UK & Berlin artists Mark Wastell, Burkhard Beins, and Rhodri Davies.
The sepiasonic ensemble, originally created by Claudio Puntin, Insa Rudolph and Samuel Rohrer, documented here on Arjunamusic, in improvisations, songs and soundscapes blend voice, 3 flutes, reeds, electronics and song in sublime ways.
An album of solo percussion from authoritative European improvising percussionist Gunter "Baby" Sommer, 9 works of exhilarating rhythms performed on drums, tubular bells, hang, gongs, xylophone, an array of unusual percussion instruments, plus his voice.
Berlin's Squakk is the quartet of Michael Griener (drums), Rudi Mahall (bass clarinet, clarinet, baritone sax), Jan Roder (double bass), and Christof Thewes (trombone), performing free-bop that draws on jazz history transformed into the modern improvised language.
Combining composition & improvisation, percussionist Luis Tabuenca based each of these 9 pieces on a print from Goya's critical series "Los Caprichos", orchestrating with saxophone, cello, clarinets, piano, & voice, allowing freedom around determined structure.
Traw (Welsh for pitch or encompassing wholeness) is harpist and electronic artist Rhodri Davies with sampling and real-time processing artists Owen Martell, Richard Llewellyn, and Simon Proffitt, here in 6 pieces about water using layers of Davies' sonic output.
This long overdue re-issue celebrates the unique encounter of eleven like-minded musicians from Japan, England, Wales, Germany, Basque Country & Norway, brought together in the studio for one day only for this daytime recording session followed by an evening concert.
Recorded during their 2014 tour, Jorrit Dijkstra (sax), Pandelis Karayorgis (piano), Jeb Bishop (trombone), Mary Oliver (violin), Jason Roebke (bass) and Han Bennink (drums) recorded this new set of inspired Steve Lacy & Monks tunes primarily in Padova, Italy.
The 3rd volume from a series of concerts Eddie Prevost organised at the Network Theatre in London, trio sessions featuring the finest modern free improvising saxophonists, here with Jason Yarde on alto & soprano, and Oil Hayhurst rounding out the trio on double bass.
The 22nd edition of John Zorn's Masada intrepretations, "The Book of Angels" comes from guitarist Jon Madof blending Afro-pop stylings of the legendary Fela Kuti with the Jewish tradition in an 11 piece all-star band.
The French trio of saxophonist Bertrand Denzler, guitarist Jean-Sebastien Mariage and drummer Antonin Gerbal in two extended works beginning and ending on a sustained plateau while maintaining a constant state of anticipatory suspense using no electronics, treatments or effects.
Zorn's "Nova Express" quartet (Joey Baron-drums, Trevor Dunn-bass, John Medeski-piano, Kenny Wollesen-vibes) dedicates an album of lyrical contemporary jazz to poet Walt Whitman, a rich and beautiful album from some of Downtown NY's finest.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
A 4-part suite from oboe/english hornist Kyle Bruckman based on Thomas Pynchon's early novels, exhilarating jazz performed with Jason Stein (bass clarinet), Darren Johnston (trumpet), Jeb Bishop (trombone), Tim Daisy (drums), Jen Paulson (viola) and Anton Hatwich (bass).
Remembering Shaking Ray Levis' Dennis Palmer in a duo between percussionist Gino Robair and pianist Thollem McDonas on Rhodes and analog effects, a mind-bending display of technical brilliance and unexpected twists and turns, a fitting tribute to the late SRL keyboardist.
The Oakland-based Ton Trio II featuring Aram Shelton on alto saxophone, Scott Brown on bass, and Alex Vittum on drums, perform avant sophisticated jazz weaving through melody, rhythm, and texture while allowing for spacious improvisations.
Reedist Cory Wright's 5-piece Outfit from Oakland, CA, in an album featuring eight tracks of advanced compositions featuring remarkable improvising with Evan Francis (sax), Rob Ewing (trombone), Lisa Mezzacappa (bass), and Jordan Glenn (drums).
1997 studio recordings from the trio of drummer Hamid Drake (D), bassist Kent Kessler (K) and multi-reedist Ken Vandermark (V), superb free improvisation from the fertile Chicago scene during the early years of a project that now has nearly two decades of remarkable history.
Balancing South American pop influences with modern improvisation, Adrienne Pierluissi sings in English and Spanish over music developed by Ken Vandermark (reeds), Tim Daisy (drums), John Dereszynski (guitars), Nick Macri (bass), and Rick Reger (keys).
A set of songs by Adrienne Pierluissi in a chamber jazz setting with an excellent group of players including Ken Vandermark, Tim Daisy, Rick Reger, Nick Macri and John Dereszynski, joined by Tomeka Reid, Jen Paulson, and the voice of Joe McPhee.
Deerhoof guitarist John Dieterich meets ups with keyboardist Thollem McDonas in an unusual duo created from amplified piano and acoustic guitar and feedback, creating compelling and inventive music and sonic environments.
Nicole Mitchell explores the work of African-American writer Octavia Butler in a science fiction concept of intergalactic integration, achieved through 9 detailed pieces that balance improvisation, composition and song in unique and sophisticated ways.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.