Saxophonist Rodrigo Amado in a quartet with 2/3's of Red Trio - bassist Hernani Faustino and drummer Gabriel Ferrandini - and guitarist Manuel Mota adding unusual angles to their exemplary blues-based free improvisation.

Savage noise jazz in a rare 7" from the early 90s by the trio of saxophonists Don Dietrich and Jim Sauter and electric guitarist Donald Miller, two live version of "Coelacanth" recorded a year apart.

Reissuing Peter Brotzmann's first album from 1967 on his own BRO label (subsequently reissued by FMP in 1972) in a trio with German bassist Peter Kowald and drummer Sven Ake Johansson.

The Chicago duo of Rob Mazurek and Chad Taylor on cornet, synth, electronics, bamboo flutes drums, mbira, guitar & balaphone, mixings bits of breakbeat and Afropop with jazz, ambient and electronica elements in unmistakable and compelling grooves.

The duo of NY-based pianist Tonino Miano and trumpeter Mirio Cosottini in a "voyage within where the musicians try to abandon preconceived notions of sound and let the past and the present collide to give us clues as to who we are".

Trumpeter Jacques Coursil's in duo with double bassist Alan Silva, frequently using the bow, recorded over two days at La Muse en Circuit, Alfortville, France; intimate and lyrical dialog from two old friends in 3 sessions for the late trumpeter Bill Dixon.

Restoring post-war Chicago jazz saxophonist George Davis' late 40s 78-rpm releases of bop and R&B numbers announced by Davis himself, swinging music rescued from obscurity to expand our knowledge of Chicago bop history.

A Record Store Day Release, a split 7" with Marc Ribot's Ceramic Dog (Ribot/Ismaily/Smith) on one side, and Deerfhoof with Marc Ribot on the other side.

The duo of French saxophonist Matthieu Donarier and Dutch pianist/prepared pianist Albert van Veenendaal (I Compani), beautifully paced and inventive dialog between two melodic players who embrace both improvisational and compositional styles.

NY doom jazz trio The Gate of Dan Peck (tuba, composition), Tom Blancarte (upright bass), and Brian Osborne (percussion) in an album of bleak landscapes of near-silence and massive, horrifying sound sculptures.

The second take of Boston area drummer Luther Grays' project Lawnmower with Jim Hobbs on sax, Kaethe Hostetter on violin and Winston Braman on electric bass, excellent jazz with unique instrumentation and a diversity of approaches.

Compiling 3 very limited solo LPs from Swedish saxophonist Mats Gustafsson, performing intimate and unusual renditions of the music of Duke Ellington, Albert & Donald Ayler, and the important post-bop baritone player Lars Gullin; liner notes by Robert Crumb.

A solo album from Louisville, KY percussionist and composer Nick Hennies, including "Settle" for vibraphone (3 players) and "Expenditures" for vibraphone & ensemble; extended and immersive works of a hypnotic and psychoacoustic nature.

Mikolaj Trzaska on saxophones & bass clarinet, Steve Swell on trombone, Per-Ake Holmlander on tuba, and Tim Daisy on drums, in lyrical free improvisation recordings from Chicago in 2011 & 2012; excellent, energetic and interactive modern jazz.

The first meetings of Jason Kahn (analog electronic) and Tim Olive (one-string magnetic pickup device) recording in a studio session in Kyoto, 2012 for four eventful and intricately structured works with a distinct developmental momentum.

A 2014 reissue of this 2006 release, adding a complete 10.5 minute version of "Kaleidoscope", and an amazing "Yes Medley", from the trio of drummer Yoshida Tatsuya, bassist Nasuno Mitsuru, and guitarist Kido Natsuki.

Bridging two generations between Chicago and France, "Sisters Where" is an inspired and freely improvised dialog from flutist Nicole Mitchell and double bassist Joelle Leandre, presenting six studio recordings of inventive and lyrical playing.

Since 1994 the duo of bassist Joelle Leandre and accordionist Pascal Contet have performed their "comprovised" chamber music together to critical acclaim, heard here in a live concert in Carre Bleu in Poitiers, 2012.

The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.

The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.

Australian/Polish double bassist Mike Majkowski, currently based in Berlin, in his 3rd solo release, a 45 RPM LP using tension and momentum alongside unusual techniques and intricate playing, showing concentration and physical power in 2 well-developed works.

An emotional solo concert performed at Chicago's Corbett vs. Dempsey gallery, an ode to Mazurek's mother a few months after her passing, on cornet, flutes, bells, books, maracas, apples, and little electronics, in a touching and beautiful celebration of her life.

The duo of pianist Tonino Miano and trumpeter Brian Groder, both NY based, in a sophisticated jazz duo that borrows from melodic, avant and compositional jazz forms in a strong and compelling dialog.

The duo of pianist Tonino Miano and trumpeter Brian Groder, both NY based, in a sophisticated jazz duo that borrows from melodic, avant and compositional jazz forms in a strong and compelling dialog.

Three groupings and three large works from Portugese trumpeter Sei Miguel, in bands including Rafael Toral, Erenesto Rodrigues, Nuno Tores, &c., performances of scores that he's written over the past 30 years that have never or have rarely been heard previously.

A companion to the "Sin Gas" release by the duo of saxophonist Mats Gustafsson and drummer Paal Nilssen-Love in a limted double 7", one track per side with Nilssen-Love playing congas, and Gustafsson on slide and bass saxophones.

Powerful duo playing from frequent collaborators, saxophonist Mats Gustafsson and drummer Paal Nilssen-Love (The Thing, Original Silence, Peter Brotzmann) in two extended studio improvisations of deeply emotional and technically incredible playing.

Powerful duo playing from frequent collaborators, saxophonist Mats Gustafsson and drummer Paal Nilssen-Love (The Thing, Original Silence, Peter Brotzmann) in three extended studio improvisations of deeply emotional and technically incredible playing.

A CD to complement the 2014 Japanese tour of PAK (Nonoko Yoshida on sax & Tatsuya Yoshida on drums) with NY bassist Ron Anderson, complex avant rock with strong melodic hooks and crazy technical prowess, highly recommended!

A superb modern jazz release from NY bassist Eric Revis with Chad Taylor (drums), Bill McHenry (sax) and Darius Jones (sax), plus special guest Branford Marsalis on two tracks.

Compositionally-based collective improvisations recorded in the studio in Switzerland from the duo of Ned Rothenberg performing on clarinet, bass clarinte, alto saxophone, and shakuhachi, and Peter A. Schimid on tubax, taragot, bassclarinet, contrabass clarinet.

Tsahar's 9-piece Brass Reeds Ensemble Herb Robertson, Chris Jonas, Rob Brown, Susie Ibarra, &c. is an ambitious and incredible undertaking of group improvisation.

Fourteen musicians perform drummer Dan Weiss' ambitious compositional project, a through-composed work featuring an ensemble with guitar, horns, voices, harp, piano, organ, bass and percussion, with players including Weiss, Matt Mitchell, Judith Berkson, David Binney, &c. &c.

A series of vignettes inspired by and dedicated to the Saami people living at the top of Fenno-Scandinavian peninsula from Chandra Shukla (Xambuka), in absorbing beats and effects, synthetic sound sculptures and exotic sound.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

Electric Bird Noise (Brian Lea McKenzie) goes back to his guitar roots for a challenging record built from dissonant chords, which McKenzie refers to as "elevator music for art galleries"; hypnotically jarring music creating a unique sonic tapestry.

Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.

A collection of fifty-five short stories or texts, and fifty-five brief musical works to accompany them, composed by a momentary collective of eighteen musicians including John Butcher, Andy Moor, Yannis Kyriakides, Francisco Lopez, Machinefabriek, Gabriel Paiuk, &c.

The amazing combination of Ex guitarists Terrie Ex and Andy Moor with drummer Paal Nilssen-love and Chicago saxophonist Ken Vandermark in their 5th release, a live album from Italy showing the aggressive and exuberantly determined band in excellent form.

Composer Lucier's score instructs the players to go to an outside environment and record by any means the sound situations of those environments, then in performance re-create, solely by means of your voices, instruments and memory, those outside sound situations.

New York reedist Chris Speed with his sax, bass and drums trio of Chris Tordini and Dave King, in a traditional mode performing original jazz numbers plus pieces by John Coltrane and Ornette Coleman, superb modern melodic jazz from 3 excellent players.

Electronics artist Bob Falesch in a duo with saxophonist Jack Wright, both using idiosyncratic approaches to their instruments for unexpected and often startling results, a unique album of unusual electroacoustic improvisation.

An open improvisation between 3 reed player - Bob Rainey on soprano sax, Jack Wright on various saxes, and Matt Ingalls on clarinet, with Tom Djll on trumpet & "whatever", unconventional dialog from four innovative players.

Two cellos (Fred Lonberg-Holm and Bob Marsh) and two saxophones (Bhob Rainey and Jack Wright) in a spirited improvisation session where no player is either soloist nor counterpoint, but instead are equal members in a unique and unusual dialog.

Concert recordings from live performances at Dickenson College in Carlisle, PA in 2009 and again in 2010 from saxophonist Jack Wright and drummer Johan Nystrom, both using extended and unusual techniques in a beautifully paced album of subtle and surprising free improvisation.

Four sessions of music mostly against the Vietnam War - all featuring Steve Lacy and Irene Aebi, in sextet, trio, and quintet with associates including Enrico Rava, Karl Berger, Kent Carter, Richard Tietelbaum, &c.

Three recent sound works by Yannis Kyriakides using source material highlighting specific vocal traditions - Turkish pop music, Cypriot epic song, and Baroque opera - making extensive use of other forms of speech and vocal acts.

Kinya Sogawa is one of the most outstanding shakuhachi performers in Japan today, and is also one of Japan's finest shakuhachi makers, here in an album of masterful performance on one of his own instruments.

Recording the first meeting of vocalist Carol Genetti, amplified snare drummer Jon Mueller, and saxophonist Jack Wright, performing at the Spare Room in Chicago, 2004, for two large, subtle, and rich improvisations in a uniquely voiced dialog.

Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.

Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.

Using free improvisation and tuba leader Dan Peck's compositions, the trio of Peck, Tom Blancarte on double bass and Brian Osborne on percussion ranges from bleak landscapes to horrifying sound sculptures, revealing the most raw aspects of organized sound.