An unconventional blend of instruments creates different, but captivating, sounds and structures by 4tet, a quartet of Chinese musician Jing (pipa, guqin) and Swiss jazz and free improvisers Wintsch, Oester, and Pfammatter.
A burning release mixing free improv and ea forms from the trio of Jean-Marc Foussat (analog Synth), Noel Akchote (guitar) and Roger Turner (drums), recorded in Poitiers at Le Confort Moderne during a recent European tour.
NY bassist Jason Anastasoff composes map-based works using graphic & traditional notation, plus interpreted spoken work, peformed with Sean Ali (bass), Brad Henkel (trumpet), Nathaniel Morgan (sax), Owen Stewart-Robertson (guitar) and Jacob Wick (trumpet).
Cornetist Berman's band with Jeb Bishop (trombone), Guillermo Gregorio (clarinet), Jason Stein (bass clarinet), Keefe Jackson (sax), Jason Adasiewicz (vibes), Joshua Abrams (bass) & Frank Rosaly (drums) mixing new and standard compositions.
Ben Owen (electronics), Barry Chabala (guitar) and Dominic Lash premier Wandelweiser founder Antoine Beuger's work "s'approcher s'eloigner s'absenter" recorded at erstwhile's AMPLIFY 2011 at The Stone, NYC.
NY bassist Michael Bisio and pianist Matthew Shipp continue their collaborations from their trio work with Whit Dickey in this duo release recorded in the studio, beautiful and amazing telepathic communication.
The Brooklyn trio of Buckminster - Brad Henkel (trumpet), Nathaniel Morgan (alto sax) and Peter Hanson (reeds & winds) - in a superbly charming release of improvisation, spoken dialog, and quirky discourse.
Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.
Israeli pianist Maya Dunietz comes together with British free improvisers John Edwards (bass) and Steve Noble (drums) for a trio record of creative and informed playing, a marvel of power and inventiveness.
Chicago clarinetist James Falzone's longstanding Allos Musica ensemble with oud player Ronnie Malley and Tim Mulvenna on hand drums and percussion, playing collective improvisations inspired by Arabic musical forms.
An eclectic collection of compositions from clarinetist James Falzone based on his longstanding interest in semiotics, performed with improvisers Katherine Young, Amy Cimini (Architeuthis Walks on Land), Tim Mulvenna, Kevin Davis and Brian Dibble.
Six distinct "phases" of entrancing drones performed on an unprepared but slightly damaged harmonium by French improviser Monsieur Favriou, demonstrating the timbral range of the pedal-pumped reed organ.
One composition each from Downtown NY guitarist Dustin Carlson and trumpeter Brad Henkel, building works that use minimal development, advanced techniques, and spoken word that yields surprising and cathartic performances.
Canada's songwriting Hobson's Choice has developed into a tightly knit ensemble embracing elements of jazz, chamber, and singer-songwriter traditions, with sound-worlds ranging from midnight deep-woods marimba ballads to sunny cicada-sung anthems.
Referencing the work of French artist and composer Yves Klein, this large group of Creative Sources regulars perform the 4 part Monochrome Bleu Sans Titre, a subtle and rich work of acoustic and electronic improvisation.
Klang's 4th release takes the quartet of James Falzone (clarinet), Tim Daisy (drums), Jason Roebke (bass) & Jason Adasiewicz (vibes) into more abstract territory in works inspired by aesthetics such as graffiti, pavement, iron work, &c.
Chicago's innovative Klang quartet's with James Falzone (clarinet), Jason Adasiewicz (vibes), Jason Roebke (bass) and Tim Daisy (drums) + guests in their 3rd recording, an album paying respect to Benny Goodman on his 100th birthday.
The debut recording by Chicago-based clarinetist/composer James Falzone's quartet, KLANG with vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy, drawing on influences including Jimmy Giuffre's early small groups.
Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.
London's Remote Viewers in their 13th release, quoting W.H. Auden in an album of excellent structured improvisation with David Petts, Caroline Kraabel, Sue Lynch & Adrian Northover (saxes), John Edwards (bass & drums), and Rosa Lynch (keys and percussion).
11 short works and a longer "suite" from the duo of Israeli clarinetist Harold Rubin and German bassist Alexander Frangenheim, with electric bassist Mark Smulian making the group a trio on three tracks.
Taking a hard edge on Downtown NY playing, this limited release presents two extended studio improvisations from the trio of trumpeter Brad Henkel, baritone guitarist Dustin Carlson, and drummer Booker Stardrum.
The New York duo Swirm of Brad Henkel (trumpet) and David Grollman (percussion) in a unique blend of virtuosic free improvisation, subtle sound exploration, and performance art, here adding free vocalist Laurie Amat for 6 compositions named by color.
NY composer and synthesizer player Weston Minissali developed the graphics scores for these two pieces that cross melodic passages with extended techniques and tones, performed in a trio with trumpeters Brad Henkel & Jacob Wick.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
The idea for this CD was to set up a dialogue of two completely different styles - Joomi's contemporary music approach to composition and improvisation, versus Guerino's free jazz - creating a shared improvisation for two pianos.
Frank Rosaly uses drums, percussion, and electronics as the core of improvised source material that he segments, orchestrates, and arranges into a sound program before editing and ultimately dividing the material down to two channels.
Japanese saxophonist Masayoshi Urabe, known for his intense physical approach to the instrument, joined by Teruhisa Nanbu of Aural Fit on drums and percussion, in a work inspired by "Night on the Galactic Railroad" by Kenji Miyazawa.
Compositions for synthesizers, electric harp, tabletop guitar, accordion, alto saxophone, percussion and voices performed by Joane Hetu, Diane Labrosse, Zeena PArkins, Danielle Palardy Roger, and Tenko.
Two unusual takes on string instruments in a split 7" release with two pieces each from New Yorkers Joey Molinaro on electric violin & viola + percussion & voice; and Valerie Kuehne on cello and voice.
Performing on solo electric & acoustic guitars, oud, charango and synthesizer, NYC guitarist Ken Silverman dedicates this album to musicians such as T-Bone Walker, Hamza El Din, Jimmy Page, Robert Fripp, &c.
The fifth installment of the District of Noise series featuring a diverse set of experimental noise and electronic artists from the Washington DC area released as part of the 2012 Sonic Circuits Festival.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
A collection of 8 synth-driven ambient cosmic voyages from Romannis Motte using Roland JX8P, Roland RS-5, Alexis QS7, Alexis Micron, Korg PE1000, Crumar DS-2, iPad running NanoStudio, Korg iMS20, 0-iPolySix, Access Virus A.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Appalachian guitarist Killick Hinds reunites with West Coast guitarist Henry Kaiser for their second album of sophisticated string interactions, using vast technical skills and creative intent to present an enjoyable and diverse set of textures and styles.