Drummer Lucas Nggli rebuilds his Big Zoom band by filling out the rhythm section with bassist Barry Guy, and adding flutist Anne La Berge along with regulars trombonist Wogram and guitarist Schaufelberger.
An unusual sound work, the 3rd in a series made up of tracks of equal length with a different track length for each project, with sonic material made from home-built guitars & a quadrophonic amp setup.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
A work that pays homage to chilly northwest winds, sparkling winter light, the February moon, and the tedium and the exasperation of March , all of which allow the emotional excitement of winter to show through.
Two albums together. "Carrousel": The Paris based Theo Ceccaldi Trio crosses improv with chamber music in a string trio of lyrical, subtle and advanced improvisation. "Can You Smile": Ceccarelli expands his trio with bassist/free vocalist Joelle Leandre for rich, interactive improvisation.
A collection of 11 great songs by NY avant-garde jazz pianist Matthew Shipp, chosen from 10 different albums recorded between 2000 and 2012, outstanding tracks culled from more than a decade of innovative work.
Holy Abyss is a modern, tuneful and occasionally haunting electric jazz collaboration between guitarist Joel Harrison and bassist Lorenzo Feliciati, with Cuong Vu (trumpet), Roy Powell (keys) and Dan Weiss (drums).
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.