The 4th Fanfare Pourpour perform a lively and inventive music joining jazz, rock, and orchestral forms, played by 20 musicians including Jean Derome, Damian Nisenson, Norman Guilbeault, Pierre Tanguay, &c.
The unusual cello duo format is explored by Mitzlaff and Mira in these experimental contemporary improvisations using acoustics and techniques mimicking live electronics to create a uniquely informed music.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).