"Spirtual AM radio classics" and unusual plunder song structures from the "Dollson Family" (Jaren Blum aka Blanketship), colliding pop, prog, gospel, electronics and much more.

The 1st release on Jared Blum's, aka Blanketship's, Gigante Sound label, structured experimental sampled sound collage and abstract pop with many twists & disturbing surprises!

Jared Blum, aka Blanketship, in an eclectic album of strange audio collage, constructed songs with absurd twists in a Negativland or Plunderphonics mold.

Two EPs in one CD, 1st Blanketship's wonderful plunderphonic collage "The Sound of Fun...", and then a 35 minute work for People Like Us' WFMU radio show that ran in May 2008.

The live sound of Blue Sausage Infant, ranging from brutalist noise to textured drones, pounding neo-tribalism, krautrock-flavored psychedelia, or cut-ups of cultural artifacts.

Borful Tang, the outer inter-dimensional exile, in a 2 CD set of live collaged field recordings, instrument recordings and dusty vinyl found-sound.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

Improvisations and realisations of indeterminate scores by Michael Pisaro and John Cage from this trio originally brought together by a reading of Cardew's "Treatise".

A durational piece featuring saxophonist Seymour Wright, electronic artist Grundik Kasyansky (Grundik + Slava) & trumpeter Jamie Coleman, members of Eddie Prevost's improv workshop.

Two improvisations-one live, one without audience-by an Anglo-French trio of new voices from trombonist Forge, electronics artists Julian and cellist Papapostolou.

Intense and minimal electroacoustic improv from an incredible trio of saxophonist Gauguet, trumpeter Hautzinger, and analog synth player Lehn.

Clarinetist Ben Goldberg returns to his roots with this first new CD from his legendary band New Klezmer Trio (Greg Cohen, Kenny Wollesen) in almost ten years.

Drummer Gonzalez and his sons traveled to Warsaw to meet saxophonist Rodrigo Amado for this incredible live concert of original compositions plus Ornette's "Happy House".

A concept album for their Inscape project: onsite installations with strategically placed microphones mixed in real time to create complex and intriguing sound sculptures.

Dazwischen means in-between, and these works by pianist, electronic artist and AMM associate Sebastian Lexer bridge the electronic, compositional, and free improv worlds with subtlety.

Sections of complex deep sound work juxtaposed with stillness in this 43 minute epic of sophisticated industrial environments full of suspense and engaging darkness.

Vancouver's The Trio - drummer Jean Martin, guitarist Justin Haynes, trumpeter Kevin Turcotte - plays the music of...Dr. Seuss (The 5000 Fingers of Dr. T) and Rogers (Oklahoma).

Organized sound compositions using recordings from Monteiro's home environment, compositing acoustic sound without adding electronic effects processing.

Bassist Duboc's two part symphony with dual drummers and dual trumpeters is a journey that aims at the creative free improvisation of groups like the Art Ensemble, AACM, BAG, &c.

Dominic Cramp (Borful Tang, Vulcanus 68, Modular Set) in a futurist abstract blues instrumental record heavily influenced by classic soul and dub using samples and synthetics.

Pianist Tapscott with John Carter, Cecil McBee and Andrew Cyrille in a rare record of mostly original Tapscott compositions, significant music from a legendary player.

Remastered for its 10th anniversary, "Music for Children" takes the listener through Zorn's Torture Garden, Masada exotica, classical work, plus a new piece performed by Lou Reed!

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A fresh, enthusiastic and very pertinent vision of the big band model from this large orchestra with a diverse and uniquely European spirit, but globally identifiable as excellent jazz.

NY trumpeter Amir ElSaffar's Two Rivers Ensemble, exploring the juncture between jazz and music of the Middle East through sophisticated and lyrically stunning music, here focusing on revolution, civil war, and sectarian violence; a culture's struggle for survival.

West Coast jazz musicians Mears, Tiner, Kikuchi and Johnson in a fiery set of original compositions from shuffle swing to free jazz blowouts, liner notes by Leo Smith.

This NY trio create an alien landscape of strange sounds that ebb and flow between sparse instrumentation and dense layers of sound, experimental improv at its best!

Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Jean-Luc Guionnet creates a portrayal of Lake Annecy near his home as described through its geographical location, and heard in a series of snapshot field recording compositions that describe the environment, fauna, people and civilization that abound around it.