The Squid's Ear Magazine


Monteiro, Alfredo Costa : Anatomy of Inner Place (Monotype)

Organized sound compositions using recordings from Monteiro's home environment, compositing acoustic sound without adding electronic effects processing.
 

Price: $11.70



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Alfredo Costa Monteiro-field recordings, sound composition


Click an artist name above to see in-stock items for that artist.




UPC: 5908310927039

Label: Monotype
Catalog ID: mono 016 / ast #0029
Squidco Product Code: 11820

Format: CD
Condition: New
Released: 2007
Country: Poland
Packaging: Jewel Tray
Recorded at Monteiro's home in the Winter of 2008. Mixed in January and February, 2007 in Barcelona.

Descriptions, Reviews, &c.

"The title Anatomy of Inner Place hints that Monteiro might be continuing his bodily self-examination on the MonotypeRec release but, in fact, the recording is an exploration of his domestic environment, with every sound source originating from home and used as it was recorded with no electronic effects or processing except for dynamics. No identification of origins is provided for the four untitled sections so the listener can only speculate as to what's producing a specific sound. For all one knows, it's the rhythmic whirr of a fridge that appears in part one, and the vaporous flow of amplified steam that accounts for the billowing drone and muffled blasts in part two. A consistent alternation between episodes of high-volume intensity and microsound simmer characterizes part three while insectile thrum rises above steely emissions in part four. To Monteiro's credit, he shapes his "industrial drone" material with care and resists the impulse to lacerate the listener with the type of ear-shredding moments to which less disciplined practitioners might fall prey."-Textura



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Textura.org

Artist Biographies

"Alfredo Costa Monteiro was born in 1964 in Porto (Portugal)

Lives and works in Barcelona, Spain.

He studied sculpture/installation at the fine art school in Paris with Christian Boltanski.In 1992, he moved to Barcelona. Since then, his work stands somewhere between visual arts, visual poetry and sound. His installations and sound pieces, all of a low-fi character, have in common an interest for unstable processes, raw materials and gestures, where the manipulation of objects as instruments or instruments as objects has a strong phenomenological aspect.

From 1998 to 2006, he was member of espai 22a, an independent collective for contemporary art. From 2001 to 2006, he was also member of IBA col.lectiu d'improvisació

In sound poetry, he performs in solo polyglot and noise pieces ( portuguese, french and spanish), where sound establishes a different semantics.

Ongoing sound projects: Cremaster (with Ferran Fages), i treni inerti (with Ruth Barberán), Atolón (with Ferran Fages and Ruth Barberán), Astero (with Juan Matos Capote), 300 basses (with Jonas Kocher and Luca Venitucci) and duos with Pascal Battus, Tim Olive and Michel Doneda.

He has given workshops at Hangar (Barcelona, Spain), ESDI (Barcelona, Spain), Janácek Academy of Music and Performing Arts (Brno, Czech Republic), Arteleku (San Sebastián, Spain), Facultad de Bellas Artes, (Pontevedra, Spain), ESAD (Caldas da Rainha, Portugal), Crossroads during John Cage's Year, (Lublin, Poland) among others.

He has toured in Canada, Japan and Europe."

-Alfredo Costa Monteiro Website (http://www.costamonteiro.net/index.php?/bio/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Track 01 4:37

2. Track 02 14:44

3. Track 03 11:26

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Field Recordings
Sound, Noise, &c.
Last Copy of Items that will not be restocked...

Search for other titles on the label:
Monotype.


Recommended & Related Releases:
Monteiro, Alfredo Costa
Um Em Um
(Monotype)
An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.
Monteiro, Alfredo Costa
Um Em Um
(Monotype)
An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.
Cremaster / Komora A
split [7-inch VINYL]
(Monotype)
A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).
Cremaster / Komora A
split [7-inch VINYL]
(Monotype)
A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).
Aerea
I Treni Inerti
(Creative Sources)
Other Recommended Releases:
Monteiro, Alfredo Costa
Abstand
(Hitorri)
Contrasting motion and static notes, Portuguese sound artist living in Barcelona, Alfredo Costa Monteiro uses a combination of two wind instruments--accordion and melodica--and the harmonic differences between their natural textures to create beautiful ebbs and swells of consonance and dissonance, applying feedback tuned to one or the other instrument to create subtle beat frequencies.
Fages, Ferran / Alfredo Costa Monteiro / Ruth Barberan
Istmo
(Creative Sources)
The second album from the trio of Ferran Fages (acoustic turntable), Ruth Barberan (trumpet), and Alfredo Costa Monteiro (accordion) expands on their first "Atolon" album with these two recordings of intense electroacoustic improvisation, a mixture of ritual, controlled chaos, mysterious and often disruptively provocative sound, and other inexplicable evolutions.
Monteiro, Alfredo Costa / Miguel A. Garcia
Aq'Ab'Al
(Mikroton Recordings)
Audio experimenters Alfredo Costa Monteiro and Miguel A. Garcia join forces in an album titled after "Aq'ab'al", the Mayan Astrology Sign about polar opposites--dawn and dusk, hot and cold, black and white--which represents renewal and change, through a series of opposing audio events, forceful sounds of texture, feedback, and intervention.
Monteiro, Alfredo Costa
Um Em Um
(Monotype)
An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.
Buttner, Gregory
Pochen
(Herbal International)
Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.
Newton, Jamie
Driving Nails Into Fog
(3acreTract(s))
Jamie Newton works with sound using guitar, keyboards, field recordings, processing, and Kyoto croquet, here in a contemplative set of works merging drone and thick noise with indistinct rhythms and layers of concrete sounds.
Mirt
Khmer & Siam Recordings
(SAAMLENG)
Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.
Various Artists
To Live And Shave In L.A. - The Grief That Shrieked To Multiply [3 CDs + Download]
(Monotype)
TLASILA was an experimental music collective founded in 1990 by composer Tom Smith; this 3 CD + download releases finds a massive cast of artists restructuring the improvisations from the "Noon and Eternity" album into a massive 240 minute work.



Customers Who Bought This Item Also Bought:
Abrahams, Chris / Magda Mayas
Gardener
(Relative Pitch)
"Four hands on one piano" from the duo of pianist Chris Abrahams (The Necks) and Magda Mayas, both improvising in Berlin at the Vivaldi Saal performance space using their piano, harpsichord, and harmonium.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC