"Patty Waters (born March 11, 1946) is a jazz vocalist best known for her free jazz recordings in the 1960s for the ESP-Disk label.

Waters was born in Iowa and started singing semi-professionally in high school. After school, she sang for the Jerry Gray Hotel Jazz Band. Her family moved to Denver and she started listening to Billie Holiday, whose life and singing had a profound influence on her.

In the early 1960s she followed the recommendation of friends to move to New York. Albert Ayler heard her in a dining club and introduced her to Bernard Stollman, the owner of the experimental jazz label ESP-Disk. Her most influential albums, Sings (1965) and College Tour (1966) were made for this label.

Her best known recording is a nearly fourteen minute version of the traditional song "Black Is the Colour (Of My True Love's Hair)" (from Sings), which is rendered in a haunting, anguished wail.

In the late 1960s, she spent time in Europe and then left the music world to raise her son (born in 1969) in California. Almost 30 years later she recorded the album Love Songs in 1996 and began performing in public again. This included reunion concerts with pianist Burton Greene at two music festivals in May 2003: Visions Festival in New York and Le Weekend in Stirling.

In 2004 she released You Thrill Me: A Musical Odyssey, a collection of rare and unissued recordings from the years 1962Ð1979. ESP-Disk reissued Sings and College Tour on a single CD (The Complete ESP-Disk Recordings) in 2006."

"Burton Greene (born June 14, 1937) is a free jazz pianist born in Chicago, Illinois, though most known for his work in New York City. He has explored a variety of genres, including avant-garde jazz and the Klezmer medium.

Greene rose to popularity during the 1960s on New York's free jazz scene, gigging with well-known musicians which included Alan Silva and Marion Brown, among a host of others. With Alan Silva he formed the Free Form Improvisation Ensemble in 1963. He joined Bill Dixon's and Cecil Taylor's Jazz Composers Guild in 1964, and also played with a number of other artists, including Rashied Ali, Albert Ayler, Gato Barbieri, Byard Lancaster, Sam Rivers, Patty Waters, and others. During this time, he recorded two albums under his own name for ESP-Disk.

He moved to Europe in 1969, first to Paris. Since then he has been living in Amsterdam and played with such Dutch musicians as Maarten Altena and Willem Breuker. During the late 1980s he began exploring the Klezmer tradition in his groups Klezmokum (along with Perry Robinson), Klez-thetics, and a more recent group called Klez-Edge with vocalist Marek Balata. Klez-Edge has a recent recording Ancestors, Mindreles, NaGila Monsters (2008) out on John Zorn's Tzadik label. A duet with Perry Robinson, also on the Tzadik label, Two Voices in the Desert was released in January 2009.

Since the mid-1990s Greene has often performed and recorded in New York and along the East Coast. Greene's recent performance and recorded groups based in New York include a duet with bassist Mark Dresser; a quartet with trumpeter Roy Campbell, Lou Grassi and Adam Lane; a trio with Ed and George Schuller on bass and drums (recorded on the CIMP label); and a quintet with the Schuller brothers, Russ Nolan on saxes and flute and Paul Smoker on trumpet. His autobiography written over 20 years, Memoirs of a Musical Pesty-Mystic, was published in 2001 (Cadence Jazz Books)."

"Bassist/composer Mario Pavone has collaborated with both legendary innovators and today's most respected young musicians to consistently define the cutting edge of jazz for the past 40 years. He has anchored the trios of Paul Bley (1968-72), Bill Dixon (1980's), and the late Thomas Chapin (1990-97), and co-led a variety of notable ensembles with Anthony Braxton, Wadada Leo Smith, Marty Ehrlich, and Michael Musillami. His list of sidemen past and present includes Steven Bernstein, Gerald Cleaver, Dave Douglas, Peter Madsen, Tony Malaby, Joshua Redman, George Schuller, Michael Sarin, Craig Taborn, and Matt Wilson among many others. And, unlike most artists whose careers span five decades, his most recent recordings are his most widely acclaimed, appearing on best-of-the-year lists from Slate.com, AllAboutJazz.com, AllAboutJazz-New York, Coda, the Village Voice , and the New York Times among others.

Although a long career in jazz awaited him, Pavone never received formal music training and didn't seriously encounter jazz until his freshman year at the University of Connecticut in 1958. Growing up in Waterbury, Connecticut, he developed a fondness for black R&B vocal groups, as well as the 1940's movie music he heard as a child, but a college friend's jazz record collection-and seeing John Coltrane one fateful night at the Village Vanguard in 1961-set him on the musical path. With legendary guitarist/fellow Waterbury native Joe Diorio's encouragement, Pavone rented a bass in the summer of 1964 and began plucking out the percussive sound that would become his trademark.

He was playing professionally by 1965, though his full-time job was putting his Industrial Engineering degree to work for major corporations. Upon hearing the news about Coltrane's death in 1967, he left his briefcase on his desk, got in the car, and drove to the funeral, where he decided on the spot to dedicate the rest of his life to music. He toured Europe with Paul Bley in 1968, and performed on the pianist's recording, Canada (Radio Canada), with Barry Altschul. Soon after he met vibraphonist/composer Bobby Naughton, among others, and became a part of New York's early 70's loft scene with groups like Bill Dixon's Orchestra of the Streets. By 1975, he was a founding member of the New Haven, Connecticut-based Creative Music Improvisers Forum (CMIF), with Naughton, Wadada Leo Smith, Gerry Hemingway, Wes Brown, Reverend Dwight Andrews and others, which produced concerts and recordings that gave musicians more control over their own music.

In 1980, Pavone began an 18-year musical relationship with Thomas Chapin, which would lead to a number of collaborations, most notably Chapin's seminal trio with drummer Michael Sarin. Around the same time, Pavone recorded his first titles as a leader, 1979's Digit and 1981's Shodo on his own Alacra label, crediting Naughton and Smith with motivating him to write his own music and teaching him about open-ended composition. Since Chapin's untimely death in 1998, Pavone has recorded exclusively with his own bands, with the exception of his son Michael's 2001 debut, Trio (Playscape). His discography now features 25 recordings as a leader/co-leader, including his acclaimed 2006 release, Deez to Blues, on Playscape Recordings, the label he has called home since 1999. In addition to his ongoing activities as a bandleader, Pavone's artwork and photography have graced the covers of dozens of recordings since the mid 90's, and he currently serves as an educator, administrator and board member for the Litchfield Jazz Festival and Litchfield Summer Jazz Camp in Litchfield, Connecticut."

"Barry Altschul (born January 6, 1943, New York City)[1] is a free jazz and hard bop drummer who gained fame in the late 1960s with the pianists Paul Bley and Chick Corea.

Altschul, having initially taught himself to play drums, studied with Charlie Persip during the 1960s. In the latter part of the decade, he performed with Paul Bley. In 1969 he joined with Chick Corea, Dave Holland and Anthony Braxton to form the group Circle. At the time, he made use of a high-pitched Gretsch kit with add-on drums and percussion instruments, which he integrated seamlessly in a whirlwind of sound.

In the 1970s Altschul worked extensively with Anthony Braxton's quartet featuring Kenny Wheeler, Dave Holland, and George Lewis. Braxton, signed to Arista Records, was able to secure a large enough budget to tour with a collection of dozens of percussion instruments, strings and winds. In addition to his participation in ensembles featuring avant-garde musicians, Altschul performed with Lee Konitz, Art Pepper and other "straight ahead" jazz performers.

Altschul also made albums as a leader, but after the mid-1980s he was rarely seen in concert or on record, spending much of his time in Europe. Since the 2000s, he has become more visible, with two sideman appearances on the CIMP label with the FAB trio (with Billy Bang and Joe Fonda), the Jon Irabagon Trio recording "Foxy", and the bassist Adam Lane. Altschul has played or recorded with many musicians, including Roswell Rudd, Dave Liebman, Barre Phillips, Denis Levaillant, Andrew Hill, Sonny Criss, Hampton Hawes, and Lee Konitz."-Wikipedia