The Squid's Ear Magazine
Squidco Harvest Sale!
Friday through Sunday Save 10%-15% on all new items!




Jordan, Kidd / Joel Futterman / Alvin Fielder: Spirits (Silkheart)

The long-running trio of saxophonist Kidd Jordan, pianist Joel Futterman and drummer Alvin Fielder, established in 1994 and together until Fielder's passing in 2018, are heard in this incredible 1997 studio recording from New Orleans, 7 collective tracks that start as an invocation and then build in intensity & excitement with a strong spiritual connection; profound.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Kidd Jordan-tenor saxophone

Joel Futterman-piano, curved soprano saxophone, indian fute

Alvin Fielder-drums


Click an artist name above to see in-stock items for that artist.




UPC: 3760131275018

Label: Silkheart
Catalog ID: SHCD-162
Squidco Product Code: 28634

Format: CD
Condition: New
Released: 2020
Country: USA
Packaging: Digipack
Recorded at Sound Services Recording Studio, in New Orleans, Louisiana, on April 26th, 1997, by Mark Hewitt.

Descriptions, Reviews, &c.

The long-running trio of saxophonist Kidd Jordan, pianist Joel Futterman and drummer Alvin Fielder, established in 1994 and together until Fielder's passing in 2018, are heard in this incredible 1997 studio recording from New Orleans. The 7 collective improvisations on this album start start with an "Opening" and then build in intensity and excitement with a strong spiritual connection between the trio's members. This is exemplary free jazz, the members of this bass-less trio urging each other on in long runs that diverge and converge with enthusiasm, pausing for pensive moments, and then propelled again with astonishing technical skill and creative drive. Futterman also performs on a curved soprano Indian flute, in dialog with Jordan as Fielder punctuates their distinctive languages. The album is a revelation of this trio's skill early in their trajectory. Ass listeners we are fortunate that this recording has been released after being spirited away for so many years. Profound.



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Edward "Kidd" Jordan (born May 5, 1935) is an American jazz saxophonist and music educator from New Orleans, Louisiana.

After completing a music degree at Southern University in Baton Rouge, he relocated to New Orleans. He taught at Southern University at New Orleans from 1974 to 2006.

Jordan was born in Crowley, Louisiana, and was raised during the time when rice farming was the predominant economic activity in the area. Jordan has noted that the music in southwestern Louisiana was "strictly Zydeco and Blues from way around, and that's what I came up listening to." Zydeco musician Clifton Chenier hailed from the same area, as did tenor saxophonist Illinois Jacquet (whose music teacher also instructed Jordan).

Jordan's first instruments were C-melody and alto saxophones. While in high school, Jordan began performing "stock arrangements for three or four saxophones" with some older musicians, and immersed himself in the music of Charlie Parker. Jordan read transcribed solos in Down Beat magazine but also learned Parker's music by ear. He credits Illinois Jacquet with first giving him the idea of playing free improvisation, but was more profoundly affected by the free jazz of Ornette Coleman (who had previously performed in the area with blues bands).

Jordan majored in music education at Southern University, attending the school at the same time as Alvin Batiste (his brother-in-law). He originally planned to become a classical alto saxophonist. He moved to New Orleans in 1955, and began playing frequent R&B gigs with musicians such as Guitar Slim, Ray Charles, Big Maybelle, Big Joe Turner, Chuck Willis (with George Adams on baritone) and Choker Campbell. Jordan has described these gigs as being "satisfying for me, because there was a feeling that you'd get from dealing with that. I've played with some of the great female vocalists, from Gladys Knight to Aretha Franklin, or Big Maybelle, Little Esther, Lena Horne, and there's an aesthetic in dealing with those people that a whole lot of people don't get to. And the aesthetic from the Blues is a part of the thing that I want to have in my playing. I don't care how out it gets."

Jordan performs on tenor, baritone, soprano, alto, C-melody and sopranino saxophones, as well as contrabass and bass clarinets. He has indicated a preference for playing "outside" music (for example, free improvisation) on tenor, because he closely associates the alto with his earlier study of classical repertoire, tone, and technique. Jordan has performed and recorded with a wide selection of musicians in styles ranging from R&B to avant-garde jazz, including Ray Charles, Stevie Wonder, R.E.M., William Parker, Alvin Fielder, Archie Shepp, Fred Anderson, Ornette Coleman, Ellis Marsalis, Cannonball Adderley, Ed Blackwell, and Cecil Taylor. In 2008 he was awarded a lifetime recognition honor by the Vision Festival.

In his performances and recordings his music is entirely improvised: "Everything you hear on my albums is improvised." he explains. "It's collective improvisation, but there are no tunes. I tried writing down ideas a long time ago but I don't do that anymore.".

The French Ministry of Culture recognized Jordan as a Knight (Chevalier) of the Ordre des Arts et des Lettres in 1985. The French government bestowed him with their highest artistic award for his impetus as a visionary educator and performer.

Jordan taught Donald Harrison and Branford Marsalis while the two were teenagers, and was an instructor at New Orleans Center for Creative Arts (NOCCA). As an instructor of jazz studies at Southern University at New Orleans, Jordan encouraged his students to pursue new approaches to traditional musical forms. One of Jordan's students was trombonist Charles Joseph, who would go on to co-found the Dirty Dozen Brass Band. Jordan composed "Kidd Jordan's Second Line" for the Dirty Dozen Brass Band prior to their first European appearance in 1982, and has also performed with the band.

In 2006, Jordan lost his home and most of his possessions during the aftermath of Hurricane Katrina. A few weeks after the hurricane, he recorded the album Palm of Soul in Brooklyn with William Parker and Hamid Drake. Jordan has since returned to New Orleans. In 2011, the television series Treme featured a track from Palm of Soul, "Last of the Chicken Wings." Jordan later made a brief appearance in Treme."

-Wikipedia (https://en.wikipedia.org/wiki/Kidd_Jordan)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joel Futterman, Piano and Indian Flute

Determined to push the limits of the piano to techniques never heard in jazz, Joel began a 25-year regimen of practicing 8-10 hours a day. During this period, he developed a three-hand technique based on completely autonomous playing between the hands. With more than 70 recordings, he is considered one of the most innovative yet enigmatic new music pianists.

Known for his spirited, highly imaginative, and innovative piano technique, Joel Futterman is an internationally recognized veteran pioneer into the frontiers of spontaneous, improvised music. He is considered one of the foremost inventive and adventurous artists shaping the creative, progressive music scene today. Futterman continuously pushes the limits of the piano as he explores new musical horizons. He has performed across North America and Europe including at such noted music festivals as the Tampere Jazz Festival in Finland, the Vision Festival in New York, the New Orleans Jazz & Heritage Festival, and the Guelph Festival in Canada. He has performed with such notable jazz innovators as Jimmy Lyons, Rahsaan Roland Kirk, Paul Murphy, Joseph Jarman, Richard Davis, William Parker, Alvin Fielder, and Hal Russell; as well as Edward 'Kidd' Jordan, with whom he has had a highly productive association. For many years, Futterman has also played the Indian Wooden Flute.

Joel Futterman was born in Chicago, IL. He grew up and lived in Chicago until 1972. Joel had piano lessons from about age 9-11, then continued playing on his own, eventually studying theory and harmony with Alan Swain. Joel met Clarence (Gene) Shaw when he was 18 and studied with Clarence for two years. Clarence was an important influence at the time. One night Clarence invited Joel to his home for a party. He introduced Joel to Charles Mingus. Joel recalls that Mingus gripped his hand firmly and stared up at the ceiling.

Joel attended University of Illinois in Chicago obtaining a (B.S.). Herman Finer, professor of political science, was a profound influence and encouraged Joel to pursue his creative endeavors.

While Joel was in college, his mother passed away and he isolated himself and began practicing 12 to 16 hours a day. Practicing was the only comfort for him at this time.

Joel attended Northeastern University in Chicago and worked on an MS in Education. He was nine hours short of receiving the degree when he decided to leave Chicago. Joel did receive an MS in Education with an endorsement in Reading at Old Dominion University in 1975.

In 1972, Joel moved to Virginia, where he resides today, in a personal quest to develop his creative voice. His first album, CAFETERIA, was released in 1980 to considerable acclaim due to its originality. Since then, his recordings have included a number of jazz legends, such as Jimmy Lyons, Richard Davis, Hal Russell, William Parker and others. In 1994, photographer Michael Wilderman introduced Joel to Edward 'Kidd' Jordan, and since then Joel has enjoyed many rewarding musical collaborations with Kidd and drummer Alvin Fielder. Also, Joel Futterman has had a deep association with artist Ike Levin, founder of the Charles Lester Label."

-Joel Futterman Website (www.joelfutterman.com/about.htm)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Alvin Leroy Fielder, Jr. Born: November 23, 1935 in Meridian, Mississippi. Died January 5, 2019. Drums, Percussion, Composer. Father, Alvin Fielder Sr., studied coronet. Mother played piano and violin; grandmother played piano; mother's brother played clarinet. Brother, William, is Director of Jazz Studies, trumpeter, and trumpet instructor at Rutgers University.

At 13, Alvin Fielder began musical studies by joining Harris Senior High Band in Meridian, Mississippi, under leadership of Carlia "Duke" Otis. Alvin continued studies with Ed Blackwell while in New Orleans studying pharmacy at Xavier U. in 1952-53. After transferring to Texas Southern U. in Houston, TX, he continued course of study with Herb Brockstein as well as private lessons with George "Dude" Brown, Gene Ammons, drummer from Washington, DC, and Clarence Johnston, James Moody's drummer, from Boston, MA, whenever they came through Houston working. Alvin also had informal lessons with Jual Curtis and G.T. Hogan.

From 1954-56, Alvin worked with the "Pluma" Davis sextet, which included Don Wilkerson, Richard "Dicky Boy" Lillie, John Browning, Carl Lott, Cr., and many other Houston jazz luminaries. He backed such artists as Lowell Fulsom, Amos Milburn and other R&B artists with extended engagements in Houston. Alvin also made several studio dates for Duke records. He was also active on Houston jazz scene with Jimmy Harrison Quintet, John Browning quintet, and Eddie "Cleanhead" Vinson sextet.

From 1959 to 1968, Alvin was active in Chicago with: Sun Ra Arkestra 1960-61, Muhal Richard Abrams 1962-63, Roscoe Mitchell 1963-66, Eddie Harris and Kalaparusha 1965, co-op trio with Fred Anderson and Lester Lashley 1967-69. In between, he worked with John Stubblefield, Jack DeJohnette, "Scotty" Holt, Joseph Jarman, and other Chicago jazz musicians. Alvin is a charter member of AACM with Muhal Abrams, Roscoe Mitchell, Fred Anderson, Malachi Favors, Jodie Christian, Steve McCall, Phil Cohran, Thurman Barker, Ajaramu, Charles Clark, Christopher Gaddy, Freddy Berry, etc.

While in NY in 1962, Alvin played and rehearsed with Ernie Farrow, Bernard McKinney, Ray McKinney, Wilbur Ware, Vincent Pitts, Pat Patrick, George Scott and musicians associated with this era.

Alvin moved back to Mississippi in late 1968 to take over family pharmacy due to father's illness. With John Reese and Black Arts Music Society, Alvin was active in obtaining grants from NEA and Mississippi Arts Commission to bring musicians such as Roscoe Mitchell, John Stubblefield, Malachi Favors, Muhal Richard Abrams, Clifford Jordan and others to Mississippi.

Alvin worked extensively in early 1970s with Joe Jennings, alto saxophonist now in Atlanta, and Edward "Kidd" Jordan, multi-saxophonist from New Orleans, with whom he co-leads the Improvisational Arts quintet. One of the most important new music groups in the South, IAQ has included at various times Clyde Kerr, trumpet; Alvin Thomas, tenor saxophone; London Branch, Elton Herron, basses; Darryl Levine, piano; Kent Jordan, flute. Also worked with Dennis Gonzalez, trumpeter and multi-instrumentalist from Dallas, another leader on the new music scene in Dallas and TX.

Alvin also had a founding role in the nationally-acclaimed Louis "Satchmo" Armstrong Jazz Camp in New Orleans, LA. Alvin has been involved with this growing program since it began in 1995.

Recordings include Sound (1967) with Roscoe Mitchell Sextet, No Compromise (1983) with IAQ, The New New Orleans Music (1985) with New Music Jazz for Rounder, and Liquid Magic, Bannar, Namesake (all 1987) and Debenge-Debenge (1988) for Silkheart, (2006) Live at The Blue Monk, and (2004) Resolving Doors, The Joel Futterman, Alvin Fielder, Ike Levin Trio.

Appearances include Lincoln Center, Chicago; NO Jazz & Heritage Festival; Jazz Marathon '82 Festival, Holland; Moers Intl. New Jazz Festival, Germany 1982; Jazz Danes LA Drones Festival, France 1984; Northsea Jazz Festival, Netherlands 1984; Heinekin Jazz Festival, Netherlands 1988; Atlanta and Texas jazz festivals 1989; Festival Intl. de Louisiane 1991."

-Alvin Fielder Website (http://www.alvinfielder.com/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Opening 5:54

2. Serenity 8:53

3. Double Strike 15:00

4. Ripples 4:07

5. Start-Stop 7:34

6. Run-Stop 3:58

7. Start-Continue 14:15

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Collective Free Improvsation
Staff Picks & Recommended Items

Search for other titles on the label:
Silkheart.


Recommended & Related Releases:
Other Recommended Releases:
Futterman, Joel
Intervals 2
(Fundacja Sluchaj!)
Technically brilliant and creatively inventive, pianist Joel Futterman expands on his 2020 Listen! Foundation CD with a second three-part journey into his powerfully investigative approach to solo jazz improvisation, referencing a history of styles and techniques that display both a dynamo of intricate ability and a sensitivity to timing, space and melodic expression.
Jordan, Edward 'Kidd' / Joel Futterman / William Parker / Hamid Drake
A Tribute to Alvin Fielder (Live at Vision Festival XXIV)
(Mahakala Music)
Recorded at Vision Festival XXIV in June of 2019, legendary drummer Alvin Fielder's friends and long time partners Kidd Jordan on tenor saxophone, Joel Futterman on piano and William Parker on contrabass are joined by drummer/percussionist Hamid Drake for an emotional and potent swinging free jazz tribute to Fielder, who passed away in January of that year.
Fielder, Alvin / David Dove / Jason Jackson / Damon Smith
The Very Cup of Trembling
(Astral Spirits)
Five inventive, lively and informed collective improvisations plus one brief interlude from the quartet of Alvin Fielder on drums, David Dove on trombone, Jason Jackson on tenor & baritone saxophones and Damon Smith on double bass, recording in Texas three years after their excellent From-To-From, with titles provided courtesy of poet and scholar Fred Moten.
Futterman, Joel / Ike Levin Duo
The Present Gift
(IML Music)
A meeting in the studio in 2001 between frequent collaborators, pianist Joel Futterman, also performing on curved soprano saxophone & wooden Indian flute, and Chicago tenor saxophonist Ike Levin, also on bass clarinet and Brazilian Kalimba, beautifully capturing the extraordinary conversation of strongly articulated dialog between the two improvisers; impressive!
Futterman, Joel
Remembering Dolphy
(JDF Music)
Pianist Joel Futterman pays a tribute to late alto saxophonist Eric Dolphy through six Dolphy original compositions, plus one Mal Waldron track and two Futterman originals referencing Dolphy's well-known Blue Note record, "Out to Dinner" parts one & two, each track unedited with no overdubs and the album presented in the sequence in which it was recorded.
Jordan, Kidd / Joel Futterman / William Parker / Alvin Fielder
Live At The Guelph Jazz Festival 2011
(Creative Collective)
The 2011 Guelph Jazz Festival presented this quartet of legendary players--William Parker on bass, Alvin Fielder on drums & percussion, Joel Futterman on piano & flute, and Kidd Jordan on tenor saxophone--for an exemplary concert of jazz that uses free approaches to create melodic, inventive and soulful music, the expansive conversations sophisticated and wonderfully exhilarating.
Futterman / Levin / DuRoche
Timeless Memories
(JDF/CLM )
Bringing together exemplary jazz musicians from three cities--Virginia-based pianist Joel Futterman, Bary Area multi-reedist Ike Levin, and Portland, OR percussionist Tim DuRochse, for two sets of dynamic collective free jazz with a lyrical intent, joyfully spontaneous music that unfolds in ways that appear composed through the compatibility and familiarity of each artist.
Dopolarians (William Parker / Kidd Jordan / Alvin Fielder / Chad Fowler / Christopher Parker / Kelley Hurt)
Garden Party
(Mahakala Music)
Legendary players, drummer Alvin Fielder, bassist William Parker, and saxophonist Kidd Jordan joined younger generation players pianist Christopher Parker, vocalist Kelley Hurt, and saxophonist Chad Fowler in New Orleans to record this exceptional album of modern jazz compositions primarily from Fowler, plus a collective improvisation and a narrative from Hurt.
Parker, William
Conversations II Dialogues & Monologues [CD & BOOK]
(RogueArt)
The 2nd volume in New York free improvising basist William Parker's "Conversations" series, more than 500 pages with 32 interview between William Parker and artists including Marshall Allen, Tim Berne, Wadada Leo Smith, Mark Dresser, Henry Grimes, &c &c, plus a CD excerpting those interviews and punctuated with duos between Parker and saxophonist Kidd Jordan.
Gonzalez, Dennis Yells at Eels
Resurrection and Life
(Ayler)
Named for the miraculous recovery of drummer and AACM founder Alvin Fielder, who travelled to Dallas in 2010 to record with trumpeter Gonzalez and his sons bassist Aaron and vibraphonist Stefan, with Gaika James on trombone.
Hobbs, Jim Fully Celebrated Orchestra
Peace & Pig Grease
(Silkheart)
Jim Hobbs piano-less trio in an "emboldened program of muscular angularity Ornette-ish harmolodic lullaby and punk-rock deviousness."
Shipp, Matthew Quartet
Points
(Silkheart)



Customers Who Bought This Item Also Bought:
Adasiewicz, Jason
Roscoe Village: The Music of Roscoe Mitchell
(Corbett vs. Dempsey)
Originally commissioned to transcribe a few works as a surprise for Roscoe Mitchell's 2023 art exhibition at Corbett vs. Dempsey, vibraphonist Jason Adasiewicz expanded the project, recorded in his new home studio (dubbed "Hot Juice") to include 10 Mitchell compositions & favorite works, Adasiewicz performing solo as he brings new approaches to the important Mitchell song-book.
Brotzmann / Toyozumi
TRIANGLE, Live at OHM, 1987
(NoBusiness)
Never before issued, this stunning concert between long-time collaborators, Japanese drummer Sabu Toyozumi and German multi-reedist Peter Brötzmann performing on tenor saxophone and tarogato, was captured live at OHM, in Koiwa, Tokyo in 1987, in an energetic and enthusiastic free concert of impressive skill and expression, a vital addition to the discography of both.
Howard, Noah Quartet To
At Judson Hall Revisited
(ezz-thetics by Hat Hut Records Ltd)
Saxophonist Noah Howard's move from New Orleans to New York City brought him into the circle of early 60's free jazz players including Albert Ayler, joining Sun Ra's Arkestra, and performing at Slug's Saloon; this release reissues two ESP albums, his working band's 1966 Quartet album, and the extended and interestingly orchestrated sextet album, At Judson Hall.
New York Art Quartet
Revisited
(ezz-thetics by Hat Hut Records Ltd)
Evolving after a gig in 1963, saxophonist John Tchicai and trombonist Roswell Rudd developed the NYAQ from loft sessions, adding the creative drumming of Milford Graves and bassist Lewis Worrell; ESP was so impressed that they recorded their 1st 1965 album with an Amira Baraka recitation on one track; Reggie Workman then took over the bass chair for their subsequent Mohawk album on the Fontana label.
Fefer, Avram Quartet
Juba Lee
(Clean Feed)
From post/hard bop to African-influenced spiritual jazz, the 2nd release from saxophonist & clarinetist Avram Fefer's quartet with Marc Ribot on guitar, Eric Revis on bass and Chad Taylor on drums swings freely or finds introspective grooves in nine original Fefer compositions of rich melodies around unusual time signatures, yielding extraordinary soloing and group interplay.
Takagi, Mototeru / Kim Dae Hwan / Choi Sun Bae
Seishin - Seido
(NoBusiness)
A free jazz trio session from 1995 at Cafe Amores, in Hofu City, Japan from the trio of late tenor saxophonist Mototeru Takagi with Korean improvisers, late percussionist Kim Dae Hwan and Choi Sun Bae on trumpet, performing five thoughtful and expressive conversations with an often Ayler-esque flavor; inventive playing from lyrical charges to pointillistic interaction.
Thollem (w/ Alex Cline / Susan Alcorn)
Thollem's Astral Traveling Sessions
(Astral Spirits)
In 2019 pianist Thollem McDonas toured the US -- 12 months and 25 albums worth of recordings -- joining collaborators from a vast spectrum of improvisers and performers, this album presenting two such recordings: one a duo with drummer/percussionist Alex Cline from a live concert in Santa Monica; the other a duo with guitarist Susan Alcorn recorded in Baltimore.
Mateen, Sabir (w/ Steve Swell / Matt Lavelle / Matthew Heyner / Michael Thompson)
Prophecies Come To Pass
(577 Records)
Saxophonist Sabir Mateen's NY based Shapes, Textures, and Sound Ensemble with Steve Swell on trombone, Matt Lavelle on trumpet, Matthew Heyner on bass and Michael T.A. Thompson on drums, run though a gamut of post-bop and collective, creative jazz forms with energy, incredible dexterity, and tremendous group interplay, a great example of the modern spirit of jazz.
Lobo, Joao (Lobo / Lobo / Kempeneer)
Simorgh
(Shhpuma)
Drummer Joao Lobo's trio with guitarist Norberto Lobo and double bassist Soet Kempeneer perform the drummer's dynamic compositions, along with one traditional works, a tight trio of highly interactive playing and a sense of familial interplay as the band weaves around Lobo's layered drumming and emphatic grooves, taking time for introspection among their energetic spontaneity.
Lencastre / Nuno / Faustino / Valinho
Anthropic Neglect
(Clean Feed)
Three heavy "Concept" pieces of electric jazz from the quartet of Lisbon saxophonist José Lencastre, electric bassist Felipe Zenicola (from Rio de Janeiro, Brazil), drummer João Valinho and Jorge Nuno, a guitarist generally associated with psychedelic rock, as the band slowly seethes through a brew that flirts with rock and 70s fusion in unique ways.
Oceans Roar 1000 Drums
[VINYL]
(Sacred Realism)
Their first proper vinyl release since forming in 2008, this studio album recorded in Berlin finds Berlin saxophonist and electronic artist Bryan Eubanks, double bassist Andrew Lafkas, and NY drummer & cymbal player Tod Capp in an extended and dark improvisation, with Catherine Lamb's "secondary rainbow synthesizer" interacting and filtering their work as a 4th member.
Toyozumi, Sabu / Rick Countryman / Simon Tan / Isla Antinero / Stella Ignacio
The Search for the Five Senses
(Sol Disk Records)
Recorded during Sabu Toyozumi's first collaboration with Rick Countryman in 2017, this album features music from the same nights that produced Jya-Ne and Center of Contradiction: 6 tracks from an August 11th quintet performance with voice and trombone, and electric bass; plus 2 tracks from the following night in a trio format with acoustic bass.
Toyozumi, Sabu / Simon Tan / Yong Yandsen / Rick Countryman
reAbstraction
(FMR)
Malaysian tenor saxophonist Yong Yandsen joins the working trio of Sabu Toyozumi, Simon Tan, and Rick Countryman for a lively set of performances, Sabu and Countryman having met Yandsen in Kuala Lumpur several times the previous year for unrelated projects, bringing confident familiarity to their improvisations, captured here as a trio and quartet from a 3-night engagement in Manila.
Jubileum Quartet (Leandre / Parker / Fermandez / Kaucic)
A UIS ?
(Not Two)
Celebrating 40 years of Zlatko Kaucic's professional career as a musician, the quartet of Joelle Leandre on acoustic bass, Evan Parker on tenor saxophone, Agusti Fernandez on piano, and Zlatko Kaucic on drums & objects are heard live at the 23th Cerkno Jazz Festival in 2018 for an extended and stunning set, from the most active to the most introspective of moments.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC