The Squid's Ear Magazine


Ensemble SuperMusique: Les porteuses d'O (Ambiances Magnetiques)

Montreal's superb ensemble of improvisers explore the integration of composed music with improvisation, here in 3 graphic scores from from Danielle Palardy Roger, Joane Hetu, and Lisa Cay Miller, allowing individual performers extensive freedom within fixed compositional frameworks leading to extraordinary and unexpected results, captured lived at Amphitheatre du Gesu in 2017.
 

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Personnel:



Cleo Palacio-Quintin-flutes

Jean Derome-alto saxophone, flute, objects

Joane Hetu-alto saxophone, voice

Ida Toninato-baritone saxophone

Scott Thomson-trombone

Guido Del Fabbro-violin

Jean Rene-alto

Remy Belanger de Beauport-cello, violin

Aaron Lumley-double bass

Bernard Falaise-electric guitar, effects

Alexandre St-Onge-electric bass, electronics

Isaiah Ceccarelli-drums

Danielle Palardy Roger-percussion

Lisa Cay Miller-chef invitee


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UPC: 771028123926

Label: Ambiances Magnetiques
Catalog ID: AM_239
Squidco Product Code: 25290

Format: CD
Condition: New
Released: 2017
Country: Canada
Packaging: Cardboard Gatefold
Recorded live at the Amphitheatre du Gesu, in Montreal, Canada, on April 6th, 2017, by Maxime Audet-Halde.

Descriptions, Reviews, &c.

"Since the Ensemble SuperMusique was founded, one of our main concerns has been to explore improvisation and the way it could be integrated to (or even become an intergral part of) written music. Graphic scores has thus seemed to us as a most suitable working tool. Indeed, graphic scores allow the musicians to follow more or less elaborate paths to either freely improvise, originally interpret sets of instructions or play written music.

This album features three compositions using graphic scores to attain the same goal: to offer the musicians involved as much freedom as possible within a very precise framework. Each one of these compositions presents the musicians with very different options and frameworks, from the broadest to the narrowest.

Danielle Palardy Roger's composition is a journey through time. The drawn elements of her graphic score bear an apparent similarity to traditionally notated music, but they cannot be precisely read by the players, thus retaining the composition's variable and subjective distinctiveness.

In Joane Hetu's composition, the players are required as well to follow a very detailed temporal journey in which contrasting moods follow each other. All instructions are provided by words, drawings and colors; the musicians then constantly navigate between more "fixed" and more "blurry" sections.

Finally, Lisa Cay Miller's composition works on two different levels. At first visually presented as a checkerboard on which the players move, it incorporates at the same time traditionally notated phrases. Musicians must then switch from free improvised sections to precisely notated rhythmic patterns.

Les porteuses d'O (The Water Carriers) features three composers who are actively involved in musique actuelle and improvised music's creation and distribution: Lisa Cay Miller, with NOW Society in Vancouver; Joane Hetu and Danielle Palardy Roger, with SuperMusique in Montreal.

Les porteuses d'O seemed a very proper title indeed. Not only because it makes a direct reference to Lisa Cay Miller's composition, but also because it admirably depicts three women who, with all their strenght and determination, have been carrying on their shoulders (and still do) whatever it needs to sustain and develop new and creative music. This compositions have been commissioned and premiered thanks to Productions SuperMusique and Le Vivier - Carrefour des musiques nouvelles in Montreal. Our sincere thanks to all the musicians involved for their unrelenting commitment."-Ambiances Magnetiques



"Founded in 1998, the ever-changing Ensemble SuperMusique is one of the few Canadian ensembles entirely devoted to "musique actuelle" and free improvisation. Different composers/musicians from the ensemble itself alternate as leader of the band, but very rarely conduct the ensemble orchestra-style. The repertoire of the Ensemble SuperMusique comprises works by leading "musique actuelle" and improv stalwart composers from both the Canadian and international scenes.

Their compositions range from graphic scores to traditionally notated ones; in certain specific cases, they could even resort to orally transmitted instructions. The ensemble's musicians play a very important role both as performers and improvisers. Quite often, they receive specific instructions not to blend in the ensemble's sound; on the contrary, they are to be considered as soloists, and as such hired for their sonic specificity.

This musicians have developed over the years a significant understanding of "musique actuelle"'s specific musical idiom and as such have been widely recognized as accomplished masters."-Ensemble Supermusique website



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Cléo Palacio-Quintin. Born Leuven, Belgium, 1971, Residence: Montréal, Québec. Composer, Performer (hyper-flute).

Constantly seeking new means of expression and eager to create, the flutist-improviser-composer Cléo Palacio-Quintin takes part in many premieres as well as improvisational multidisciplinary performances, and composes instrumental and electroacoustic music for various ensembles and media works. Since 1999, she develops her hyper-flutes. Interfaced to a computer by means of electronic sensors, these augmented flutes enable her to compose interactive soundscapes, combining instrumental sound and electroacoustic music, sometimes even with video. Recipients of many prizes, awards and grants, she is the first woman to receive a Doctorate in electroacoustic composition from the Université de Montréal (2012) and is a collaborator at the Center for interdisciplinary research in Music Media and Technology (CIRMMT). Over the years her compositions have been performed in The Netherlands, Norway, Denmark, France, Germany, Italy, Belgium, Sweden, Switzerland, the UK, Canada and the USA, either by herself or various ensembles."

-AcutelleCD (http://www.actuellecd.com/en/bio/palacioquintin_cl/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joane Hétu. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (alto saxophone, voice), Author/

It has been more than 30 years now since self-taught composer, vocalist and saxophonist Joane Hétu has been following her own highly distinctive path through the vast territory of creative, contemporary music. From her beginnings with song-based new-rock bands such as Wondeur Brass, Justine and Les Poules, Hétu turned to composition (the evocative triptych comprising Musique d'hiver, Filature and La femme territoire ou 21 fragments d'humus) and improvisation, more often than not combining both within her general approach to music. She has co-directed the Ensemble SuperMusique since its founding in 1998, as well as the weekly series Mercredimusics since 2002. More recently she gave birth to La chorale bruitiste Joker (2012). Joane Hétu was awarded the prestigious Freddie Stone Award in 2006."

-ActuelleCD (http://www.actuellecd.com/en/bio/hetu_jo/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born Strasbourg, Bas-Rhin, France, 1981. Composer, performer (baritone saxophone).

Ida Toninato is a saxophonist whose solid technique allows him to rub shoulders with the great masters of the contemporary repertoire (Berio, Stockhausen, Grisey) while creating a new repertory with composers, both young and seasoned. To date, she has created a dozen works dedicated to him for baritone saxophone, his instrument of predilection. If mixed music (acoustic instrument with electronic processing in real time or delayed) is his main discipline, his lyricism and his passion also lend themselves to more classical influences ('poignant saxophone', Victor Swoboda , The Gazette, 7 January 2011, about New Work - La La Human Steps ), interdisciplinary collaborations and the exploratory bursts of improvised music. From 2010 to 2012 she joined the La La La Human Steps dance company for New Work's world tour, performing Gavin Bryars' original music on stage at prestigious theaters such as London's Sadler's Wells, the Kremlin Moscow and the Palais des Festivals in Cannes and the BBC studios in London. Back in Montreal, she signed the design and creation of Totem Contemporain 's first young audience show , which promotes composer Jean-François Laporte 's new musical instruments and sound generators. She then joined the Theater troupe L'instant for three weeks of performances at the Théâtre Denise-Pelletier in the play La Fête à Jean written by Pier-Luc Lasalle . She is currently collaborating with composers Giorgio Magnanensi , Gabriel Dufour-Laperrière and Serge Provost for the composition of new works for saxophone, electronic processing and video. She is a founding member of the ensemble La Machine , with contemporary consonances tinged with rock. She is preparing to complete her doctorate in performance at the University of Montreal and is a student researcher at CIRMMT in the field of extensive performative practices."

-SMCQ (Translated by Google) (http://www.smcq.qc.ca/smcq/en/artistes/t/toninato_id/)
10/2/2024

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"Scott Thomson is an improvising trombonist and composer. He works extensively with singer and dance artist, Susanna Hood, and writes songs for her based on published authors' texts to be played in many contexts, from duo to octet and sometimes including Susanna' s choreography. Monicker (with Arthur Bull and Roger Turner), for example, exemplifies Scott's commitment to open improvisation. He co-founded the Association of Improvising Musicians Toronto (AIMToronto) in 2004 and served as a director until 2009, and co- directed the AIMToronto Orchestra, formed for a project with Anthony Braxton in 2007. In 2016, he convened the Montreal-Toronto Art Orchestra to play Roscoe Mitchell's music. He founded Somewhere There, a Toronto creative music venue that hosted 850 concerts during his tenure, 2007-10. Scott has composed a series of site- specific works, "cartographic compositions" for mobile musicians and audiences in unconventional performance contexts including, notably, the National Gallery of Canada and the Art Gallery of Ontario. Scott programs the Guelph Jazz Festival."

-Bug Incision (http://www.bugincision.com/events-2014.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Guido Del Fabbro. Born Montréal, Québec, 1980. Residence: Montréal, Québec. Composer, Performer (violin, electronics).

Born in Montréal, 1980, Guido Del Fabbro started violin lessons at age four. His taste for improvisation and composition first manifested itself around 1990; since then, he has taken several classes and workshops related to these fields. Del Fabbro is co-founder, creator and composer of Mouvement de Musique Présente, a large ensemble of up-and-coming musicians devoted to scored and improvised music. He is also a member of the groups Fanfare Pourpour, Rouge ciel and Concorde Crash. For 18 months, he toured North America with Gilles Ste-Croix's horse circus Cheval-Théâtre. As a performer, he has recorded a few soundtracks for film, television, theatre and dance. As a composer, he has written music for choreographers Élodie Lombardo (Blou take two, Gelsomina) and Séverine Lombardo (Les Accords d'elles). Del Fabbro released his first solo album, Carré de sable, in 2003, on Ambiances Magnétiques. He can be heard on the latest albums by Tomás Jensen and Loco Locass. He is an accompanying multi-instrumentalist in Pierre Lapointe's show La forêt des mal-aimés."

-ActuelleCD (http://www.actuellecd.com/en/bio/delfabbro_gu/)
10/2/2024

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"Jean René. Born Victoriaville, Québec, 1956. Residence: Montréal, Québec. Performer (viola), Conductor.

Jean René has a Bachelor's degree in composition from the Université de Montréal. He has studied viola and conducting; Raffi Armenian, Michel Longtin, and Bruno Guiranna were his professors. From 1991 to 2002, he was associate principal violist with l'Orchestre Métropolitain de Montréal. He still freelances with a number of ensembles. Since 1990 he has collaborated with many artists, including André Duchesne, Pierre Cartier, Jean Derome and René Lussier. He also headed the group from the Ensemble SuperMusique for the Symphony of the Millennium."

-ActuelleCD (http://www.actuellecd.com/en/bio/rene_je/)
10/2/2024

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"As a musician, Rémy Bélanger de Beauport is first and foremost a free-improv cellist. He plays piano for ballet classes, electric bass, guitar and drums for rock bands and vocals in different contexts. As a mathematician, he has taught college-level math. He also organizes events and gets himself involved in many causes.

Originally from Québec City, Rémy's artistic practice as an experimental musician dates back to his teenage years. Influenced by Karlheinz Stockhausen and Nirvana, he publishes a first recording in 2003, with noise trio soda pop for a Déluge/Alterflow compilation. The same year, he releases an album as duo KL6 39E, on guitar, before switching over to the cello, starting the Fenaison trio with a first album on Ambiances Magnétiques in 2007.

Since then, he has been active in many long and short term projects: as a singer in Ensemble Partiel, he performs Stimmung, by Karlheinz Stockhausen; as a free-improv cellist, he plays in Le Veau / The Veal on Cuchabata Records (Faire l'amour aux banques, 2015) and is regularly invited to play one-off concerts. As the cellist in GGRIL (an improvisers' orchestra based in Rimouski, Québec) he is heard on Combines (Tour de bras, 2015) and has performed in France and Italy as part of a European tour in 2016. While living in Belring in 2015-2016, he formed string trio THUYA with bass player Klaus Kürvers and violinist Gerhard Uebele (Live @ the CLUB, Creative Sources Recordings, 2016) and joined the Berlin Improvisers' Orchestra. He has recently released a flexidisc Angenehmer Duft on Kohlenstoff Records and a solo album D'éclisses on Ambiances Magnétiques.

Rémy often works with dancers and choreographers, like Valerie Sabbah with whom he performs as Roméo & Juliette. He plays piano for ballet classes in various institutions such as L'École supérieure de ballet du Québec, L'École de danse de Québec and the Royal Academy of Dance, Berlin. For the Réseau d'enseignement de la danse, he composed and recorded, with percussionist Steve Hamel, music targeted for the teaching of Simonson Jazz dance in 2015.

Rémy has participated in several festivals as a free-improv cellist, Festival international de musique actuelle in Victoriaville, Francofolies in Montréal, Festival international de la littérature in Montréal, Festival des musiques de créations in Saguenay-Lac-Saint-Jean, Rencontres de musiques spontanées in Rimouski, Kunst und Kultur Forum in Berlin.

Rémy graduated in composition and music theory at McGill University, in mathematics at Université du Québec à Montréal and participates in improvisation masterclasses, perhaps more notably with Jean Derome, Lori Freedman, Fred Frith, Tristan Honsinger and Joëlle Léandre. He has earned scholarships and awards from McGill University in 2003, 2009 and 2010, the Coup de cœur SuperMusique in 2008 with Quintette de l'Halloween and the Prix culturel Rimouskois, pour la relève in 2013."

-Ambiances Magnetiques Website (http://www.actuellecd.com/en/bio/belangerdebeauport_re/)
10/2/2024

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"Aaron Lumley is an exploratory contrabassist and improvising musician. Lumley's solo bass music has been called "no-holds- barred, intense improvisation" (Glenn Hall, Exclaim) that "reaches lonesome heights of the highest mystic calibre" (Aaron Levin, Weird Canada)."

-Aaron Lumley Bandcamp Site (https://aaronlumley.bandcamp.com/track/medicine-wheels)
10/2/2024

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"Bernard Falaise. Born Montréal, Québec, 1965. Residence: Montréal, Québec. Composer, Performer (guitar).

Bernard Falaise was born in Montréal, where he currently lives. He plays electric guitar, composes and improvises - all with evident joy - for Miriodor, Klaxon Gueule, les Projectionnistes, Diesel and other groups. He has written for the Ensemble contemporain de Montréal (ECM), Quartango and the Isis Quartet, and has created music for exhibitions, television, the theatre and dance. Allergic to labels, Falaise explores acid rock, twelve-tone waltzes and industrial tangos with equal enthusiasm."

-ActuelleCD (http://www.actuellecd.com/en/bio/falaise_be/)
10/2/2024

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"Alexandre St-Onge. Born Montréal, Québec, 1976. Residence: Montréal, Québec. Composer, Performer (double bass).

Alexandre St-Onge is an audio artist, a musician/improviser (acoustic bass, bass, voice and electronics) and a sound performer. He has studied literature and philosophy and he is currently doing his PhD in art. He is fascinated by creativity as a pragmatic approach of the ineffable and he has released seven solo CDs: Entités (Oral), Joseph Carey Merrick (Oral), Mon animal est possible (Alien8 Recordings), L'amitié ou les rumeurs insoutenables du désir (Squint Fucker Press), kasi naigo (Squint Fucker Press), Une mâchoire et deux trous (Namskéio Records), Image/négation (Alien8 Recordings). He also plays in quite a few bands, including Et Sans, K.A.N.T.N.A.G.A.N.O., Klaxon Gueule, Pink Saliva, Mineminemine, Shalabi Effect and Undo. As a composer he has worked for interactive/mixed-media company kondition pluriel, as well as composing for artists such as Marie Brassard, Karine Denault, Lynda Gaudreau, Line Nault, Jérémie Niel, Maryse Poulin and Mariko Tanabe."

-ActuelleCD (http://www.actuellecd.com/en/bio/stonge_al/)
10/2/2024

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"Isaiah Ceccarelli. Born Chetwynd, British Columbia, Canada, 1978. Residence: Montréal, Québec. Composer, Performer (drum set, percussion).

Isaiah Ceccarelli is a drummer, improviser, and composer based in Montréal. His music has been qualified as "one of the most original approaches to come through our offices in recent times" (Marc Chénard, La Scena Musicale) and he has been described as possessing "a writing style with rare personality in this musical context" (Thierry Lepin, Jazzman Magazine). He participates in numerous creative music projects with Michel F Côté, Pierre-Yves Martel, Lori Freedman, Jean Derome, Bernard Falaise, Joshua Zubot and Philippe Lauzier, amongst others. He plays with Félix Stüssi and Ray Anderson, as well as with the Acadian singer Marie-Jo Thério. Proud ambassador of a new generation of creative musicians in Québec, his collaborations have led him on tour in Europe, North America, Asia and Australia. Isaiah has composed music for two of his own albums, Bréviaire d'épuisements and Lieux-dits (both on the Ambiances Magnétiques label), and for ensembles and musicians such as Quatuor Bozzini, Ensemble Allogène, the violist Jennifer Thiessen, and Ensemble Kô. He sings with the Schola Saint-Grégoire (Gregorian chant).

A seasoned musician and composer, Isaiah Ceccarelli is, in the words of Charles Collard from La Scena Musicale, "a jewel in the crown of the Montréal scene and his presence is felt on several fronts at the same time."

-ActuelleCD (http://www.actuellecd.com/en/bio/ceccarelli_is/)
10/2/2024

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"Danielle Palardy Roger. Born Laval, Québec, 1949. Residence: Montréal, Québec. Composer, Performer (drum set, electronic percussion, voice).

Percussionist, composer and improviser Danielle Palardy Roger is for the most part self-taught. Active on the Montréal "musique actuelle" scene since 1980, she co-founded the groups Justine, Wondeur Brass and Les Poules. She also founded Ensemble SuperMusique, a shape-shifting ensemble solely devoted to the performance of new music works and improvisation.

As a percussionist and improviser, her style is unique: she structures rhythm out of time, communicating a strong, complex narrative by accumulating and layering diverse gestures. She toured Canada, Europe and the United States on several occasions and appeared at several prestigious international events and festivals. In the course of her unique and resolutely independent career, she has worked and shared the stage with Alexei Borisov, DB Boyko, Christopher Butterfield, Nicolas Caloia, Paul Cram, Chantal Dumas, Christine Duncan, Lori Freedman, Fred Frith, Joëlle Léandre, Torsten Mueller, Zeena Parkins, Tenko, the VivaVoce choir, and the Quasar saxophone quartet, among others and in addition to her close collaborators from the Ambiances Magnétiques crowd - Derome, Hétu, Labrosse, Tanguay and Tétreault.

Roger's research concerns the integration of improvisation to contemporary music. In that regard, she has worked with composer Marie Pelletier and composed music for the Ensemble Contemporain de Montréal and for Ensemble SuperMusique - the latter a shape shifting ensemble entirely dedicated to improvised music and "musique actuelle." She wrote a Harbour Symphony in 2001 (La grande entente), commissioned by the Musée Pointe-à-Callière in Montréal. Danielle Palardy Roger has made several albums for the Ambiances Magnétiques label, including Tricotage (2000) with French bassist Joëlle Léandre, Bruiducœur, prière des infidèles, an oratorio performed live in Montréal, in June of 2004, Phénix (2008) with the trio Les Poules, and Pas de deux (2008) with British guitarist Fred Frith.

Roger is a versatile artist whose projects have consistently brought her back to text, song and declamation. She has penned a large number of songs for Wondeur Brass and Justine, but also composed a musical tale (L'oreille enflée, 1990), a musical theatre (Candide sur une toupie, 1994) and, most importantly, the solo performance Le voyage en Aphasie Mineure (1998) and the oratorio Bruiducœur, prières des infidèles (2004), two works where an exploding language represents the intense realm of communication, the core of the artist's concerns.

In juxtaposition to her music career, Danielle Palardy Roger is also general manager and artistic director of Productions SuperMusique (PSM) and is a member of the Ambiances Magnétiques label; in addition to being involved in the field of concert music she is president of the Groupe Le Vivier, which is dedicated to the founding of a place of creation, production and presentation of new music in Montréal."

-ActuelleCD (http://www.actuellecd.com/en/bio/roger_da/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lisa Miller's compositions have been premiered by de Bijloke ensemble (Ghent, Belgium) the Tetzepi Bigtet (Amsterdam), mmm... (Tokyo), the Quatuor Bozzini (for the National Film Board of Canada with director Marv Newland, Montreal), Vancouver New Music, Standing Wave, Turning Point Ensemble, The Vancouver Chinese Instrumental Music Society (Vancouver), and the Berkeley Symphony Orchestra,The Left Coast Ensemble and Earplay (San Francisco). Miller has directed workshops (for the Now Orchestra and the Vancouver International Jazz Festival) and produced concerts and multi media installations (Vancouver New Music, Costal Jazz and Blues Society, Circus Maximus, Western Front Society). New commissions will be premiered in 2013 by Pianorquestra (Brazil), Rachel Kiyo Iwaasa (piano) and François Houle and Jane Hayes (clarinet and piano, Vancouver).

Lisa Miller has performed with international artists Audrey Chen, Nicole Mitchell, Butch Morris, John Zorn, Ig Henneman, Wilbert de Joode, Anne La Berge, Michael Moore, Jean Yves Evrard,Jaochim Badenhorst, Eyvind Kang and Jessika Kenney, and in Vancouver with Dylan van der Schyff, Peggy Lee, Jesse Zubot, François Houle, Ron Samworth, the NOW Orchestra, Orquestra Futura and ion zoo. Her CDs, The lisa miller octet; Sleep Furiously, Q, waterwall and The lisa miller trio; open have received rave international reviews."

-Canadian Music Centre Composer Showcase (https://www.musiccentre.ca/node/37896/biography)
10/2/2024

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Track Listing:



1. En Arrivant Par Le Nuage De Oort 12:51

2. Preoccupant, C'est Preoccupant 15:24

3. Water Carrier 12:34

Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Jean Derome
Hetu, Joane
Large Ensembles
Musique Actuelle
Canadian Composition & Improvisation
Graphic Scores

Search for other titles on the label:
Ambiances Magnetiques.


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undoundone
(Ambiances Magnetiques)
Since 1997 the duo of Montreal sonic experimenters Christof Migone and Alexandre St-Onge, both members of Klaxon Gueule, have performed under the name "Undo", here declaring themselves "undone", presenting nine tracks of of live & studio recordings from 1997-2013 of often bizarre yet ever innovative cracked electronics, acoustics, voice, and inexplicable sound; weird and wonderful!
Hetu, Joane / Ensemble SuperMusique
Monnomest
(Ambiances Jazz)
A fascinating work dedicated to improvising cellist Remy Belanger de Beauport written by Montreal composer Joane Hétu and performed by the large Ensemble SuperMusique with Jean Derome, Lori Freedman, Scott Thomson, Diane Labrosse, Danielle Palardy Roger, Pierre Tanguay, &c., commissioned and performed for the Ensemble's 40th anniversary and expanded for this studio edition.
Derome, Jean
La Chaleur De La Pensee
(Ambiances Magnetiques)
Concepts of community, dialog, sharing and transmission, or "recontre", are the linking ideas between these four works commissioned of Montreal composer and wind player Jean Derome, developed for four Quebec ensembles, these pieces combine contemporary and improvisational forms, the scores shaped by constraints from the combinatorial mathematics of Marin Mersenne.
Beche ta motte (Falasie / Cote / Gaudet-Asselin)
Sont des Racines
(Tour de Bras)
The title referring to roots alongside the subtitled comment "agricultural improvisations" in this 2022 free improv recording from the Bêche ta motte (dig your mound) trio of Quebec luminaries Bernard Falaise on guitar, Michel F Cote on percussion & synths and Thomas Gaudet-Asselin on double & electric bass, in twelve succinct experimental improvisations of unusual rhythmic and sonic natures.
Cutler, Chris
Compositions And Collaborations 1972-2022: In A Box [10 CD / DVD / BOOKLET BOX SET]
(Recommended Records)
An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials.
Trio Derome Guilbeault Tanguay
Si tu partais
(Ambiances Magnetiques)
The long-standing Montreal trio of saxophonist Jean Derome, here on alto & baritone sax, flute and voice, bassist Norman Guilbeault and drummer Pierre Tanguay, frequent collaborators through a vast set of creative improv/Actuelle projects, continue their research into the history of jazz with compositions including those from Ornette Coleman, Duke Ellington, Eric Dolphy, &c.
Falaise, Bernard
G(o) sol(o)
(Ambiances Magnetiques)
Quebecois guitarist Bernard Falaise of Miriodor, Klaxon Gueule, Papa Boa and Les Projectionnistes fame, continues his solo series with the fifth note of the scale, "Sol (G)", reflected in a series of eight inventive guitar improvisations using timbral effects and looping structures to expand his virtual ensemble as does in his live performances.
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif [VINYL]
(Tour de Bras / Ramble)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif
(Tour de Bras / Circum-Disc)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Clark, Katelyn / Isaiah Ceccarelli
Landmarks
(Another Timbre)
Eight powerful and often cinematic pieces for organ and percussion, jointly composed and performed by long-time collaborators, Montreal composers and improvisers Katelyn Clark and Isaiah Ceccarelli, these 8 compositions developed around improvisations on the historic instruments continuo & portative organs, with percussion including a 40" bass drum, bell plates, and almglocken.
Zwerver / Janssen / Lumley
What's Up
(Henk Zwerver)
A set of trio improvisations on acoustic strings and drums from the Dutch trio of Henk Zwerver on acoustic guitar, Wim Janssen on drums and Aaron Lumley on double bass, performing live at Zaal 100, in Amsterdam in 2021 as the trio expand their sound through superb technique, their music balanced between energetic scurries and introspective contemplation.
Hetu, Joane
Tags
(Ambiances Magnetiques)
Four compositions written between 2000-2019 from Joane Hétu: a duo between bassist Nicolas Caloia & bass clarinetist/vocalist Lori Freedman; a work with Hétu & Jean Derome plus the Quaturo Bozzini string and Quasar saxophone quartets; a composition for 20 electric guitars; and one movement from "Préoccupant, c'est Préoccupant performed by Ensemble Supermusique.
Derome, Jean
Solo Souffles
(Ambiances Magnetiques)
The remarkably creative flutist & saxophonist Jean Derome often incorporates unusual instruments into his improvisations and compositions, including bird calls, harps, kalimbas, sirens, flower plastic wrappings, bells, &c &c.... on this album Derome focuses on those unique instruments and noise makers through 23 surprising pieces illustrating his incredible collection.
Monicker (Scott Thomson / Arthur Bull / Roger Turner)
Libr'aerie
(Bug Incision Records)
The second release from the trio of legendary London improvising drummer Roger Turner, Montreal trombonist Scott Thomson and guitarist Arthur Bull, aka Moniker, after their 2018 Ambiances Magnetiques album "Spine", in three improvisations about "Books", quick witted active improvisation with a carefree and bright approach to exceptionally detailed interaction.
Roger, Danielle Palardy
Cannibale
(Ambiances Magnetiques)
Composer/percussionist Danielle Palardy Roger's musical satire about capitalism, performed with some of Montreal's finest improvisers using conventional & unconventional instruments and voice, captured live at the Gesu Amphitheater, in Montreal in 2018: Michel F Cote, Andre Duchesne, Joane Hetu, Elizabeth Lima, Isaiah Ceccarelli, Alexander St-Onge, and Ida Toniato.
Roger, Danielle Palardy
Le Caillou 1998-2013
(Ambiances Magnetiques)
Written in 1998, Danielle Palardy Roger's game piece composition was performed at the first Ensemble SuperMusique concert, here in 7 versions recorded at various locations in bands including Joelle Leandre, Joane Hetu, Guido Del Fabbro, Jean Derome, &c. &c.
Nous Percons Les Oreilles (Derome / Hetu)
Un ideal
(Ambiances Magnetiques)
Joane Hetu and Jean Derome formed Nous percons les oreilles 20 years ago, merging their expansive musical interests in idiosyncratic improvisation and orchestration using saxophones & wind instruments, objects, voice, melodica, and piano, here in their 4th astonishing album.
Joker (Joane Hetu)
Ou Est-il Donc Ce Reve?
(Ambiances Magnetiques)
Joker brings together 12 vocalists, many core members of the Ambiances Magnetiques/Musique Actuelle collective including Joane Hetu, Jean Derome, Diane Labrosse, Michel F Cote, Lori Freedman, &c, performing unusual works of voice and narration composed by Joane Hetu.
Hetu, Joane
La Femme Territoire ou 21 Fragments D'humus
(Ambiances Magnetiques)
An amazing journey in sound and voice from saxophonist/vocalist Joane Hetu with five singers/narrators/musicians/noise-makers and layered field recordings, a remarkable and sophisticated work about sex, loss, death, art, & politics.
Hetu, Joane
Filature
(Ambiances Magnetiques)
A musical theatre in 3 acts using texts, songs, free improvisation and compositional textures, "an evocation of the fusion between opposite forces-tight and flexible, male and female".
Ensemble SuperMusique
Jeux De Pistes
(Ambiances Magnetiques)
Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.



The Squid's Ear Magazine

The Squid's Ear Magazine

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