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Matt Mitchell plays Tim Berne: Forage (Screwgun)

Pianist Matt Mitchell, a member of saxophonist Tim Berne's Snakeoil, releases a solo album of Berne compositions, taking the reedist's typically frenetic material into unexpected territory, revealing dark beauty and intensely introspective aspects to Berne's music. ... Click to View


Ivo Perelman / Karl Berger / Gerald Cleaver: The Art Of The Impov Trio Volume 1 (Leo)

Saxophonist Ivo Perelman is the anchor for the 6 volumes of "The Art of the Improv Trio", here with Karl Berger on piano and Gerald Cleaver on drums in a lyrical album that flows with grace and thoughfulness, from ballad introspection to uptempo excitement, an impressive start to the series. ... Click to View


Ivo Perelman / Mat Maneri / Whit Dickey: The Art Of The Improv Trio Volume 2 (Leo)

The second volume of New York/Brazilian saxophonist Ivo Perelman's 6-part series "The Art of the Improv Trio" is the most unique of the set, with Mat Maneri on viola and Whit Dickey on drums for a series of thirteen shorter and more intricate works of great range and diversity. ... Click to View


Trouble Kaze (Fujii / Agnel / Tamura / Pruvost / Lasserre / Orins): June (Helix Circum-Disc)

Drummer Peter Orins expands the Kaze quartet of trumpeters Natsuki Tamura and Christian Pruvost and pianist Satoko Fujii, with a second drummmer--Didier Lasserre--and a second pianist--Sophie Agnel--for a live recording of a 5-part suite of magnificently epic collective improv. ... Click to View


Nuova Camerata : Chant (Improvising Beings)

Lisbon's Nuova Camerata brings together a mix of improvisers and contemporary classical players--Carlos Zingaro, Joao Camoes, Ulrich Mitzlaff, Miguel Leiria on string with Pedro Carneiro on marimba--for a set of improvisations bridging both disciplines in passionate and unexpected ways. ... Click to View


MarsaFouty (Jean-Luc Foussat / Fred Marty): Concerts (Fou Records)

Synth improviser Jean-Marc Foussat and double bassist Fred Marty join their names and playing together for an absolutely impressive album of exploratory improv, Foussat taking their music into hallucinatory territories while Marty provides both a solid anchors and flights of textural nuance; supberb. ... Click to View


John Cage : Cartridge Music (Edition Wandelweiser Records)

A 2003 recording from The Ensemble Daswirdas performing John Cage's 1960 composition "Cartridge Music", described as: "For amplified small sounds; also amplified piano or cymbal; any number of players and loudspeakers; parts to be prepared from score by performers." ... Click to View


Luigi Nono / Jurg Frey: Works For Violin Duos (Edition Wandelweiser Records)

Two works from two distinctive composers from different periods--Jurg Frey and Luigi Nono--both for two violins, Frey using the two violins in parallel to emphasize their distinction; Nono using powerful gestures of divergence and contrast in a dream-like duo. ... Click to View


Luke Martin: So Softly That It Came, A Wild Dim Chatter, Meaningless (Edition Wandelweiser Records)

Luke Martin began this work with a field recording at Mentryville Park in Southern California, which was transcribed by himself and Amy Golden, Ben Levinson, Davy Sumner, and Ryan Gaston using Martin's system of notating silence, then combined into the final score for this recording. ... Click to View


I Am Three (Eberhard / Neuser / Marien): Mingus Mingus Mingus (Leo)

Saxophonist Silke Eberhard leads her trio with Nikolaus Neuser on trumpet and Christian Marien on drums, through a distillation of well known and lesser known Mingus tunes, restricting each tune to its essence in 3-4 minute renderings focusing on Mingus' compositional strength. ... Click to View


Simon Nabatov: Monk 'N' More (Leo)

Pianist Simon Nabatov plays the music of Thelonious Monk in a live concert from 1995, alternating those recordings with a 2013 concert of solo electroacoustic work, an unusual approach that focuses the melodic aspects of Monk while highlighting his eccentricity and intrepidity ... Click to View


Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher): Raw (Leo)

The Swiss string trio led by violinist Harald Kimmig, with Daniel Studer on bass and Alfred Zimmerlin on cello, is joined by UK saxophonist John Butcher for a set of improvisations that build with a unique percussive vitality and burning intensity. ... Click to View


John Zorn: The Garden Of Earthly Delights (Tzadik)

Composer John Zorn's Simulacrum ensemble of Trevor Dunn (bass), John Medeski (keyboards), Kenny Grohowski (drums), Matt Hollenberg (guitar), and Sara Serpa (voice) in their 6th album of heavy improv, celebrating the 500th anniversary of the passing of painter Hieronymus Bosch. ... Click to View


Jack Wright / Roughhousing: You Haven't Heard This Yet (Spring Garden Music)

The trio of Jack Wright on sax, Evan Lipson on double bass, and Zachary Darrup on guitar and objects, from a long history of camaraderie have developed a rough-neck style of interacting, here in long recording, released with 7 solo sax recordings from Wright. ... Click to View


Harris Eisenstadt : Recent Developments (Songlines)

NY Composer and percussionist Harris Eisenstadt furthers his exploration into long-form composition and unusual instrumentation in his 20th release as a bandleader, with a spectacular improv ensemble including Nate Wooley, Jeb Bishop, Han Roberts, Anna Webber, &c. &c. ... Click to View


Jean-Marc Foussat / Sylvain Guerineau / Joe McPhee: Quod (Fou Records)

Experimental improvisation from three masterful players --Joe McPhee on soprano sax, Sylvain Guerineau on tenor saxophone, and Jean-Marc Foussat on synthesizer and voice--recording in France in 2010 for two extended works of concentrated and diverse dialog. ... Click to View


Derek Bailey / Joelle Leandre / George Lewis / Evan Parker : 28 Rue Dunois Juillet 1982 (Fou Records)

A superb encounter from France in 1928 between four masters in a fertile and creative period: Derek Bailey (guitar), Joelle Leandre (double bass), George Lewis (trombone), and Evan Parker (saxophone), each bringing incredible experience to their enduring collective music. ... Click to View


Cecile & Jean-Luc Cappozzo: Soul Eyes (Fou Records)

A delicate album of melodic free playing from trumpeter Jean-Luc Cappozzo and his partner Cecile Cappozzon piano, covering the work of Charles Mingus ("Pithecantropus Erectus", "Goodbye Porkpie Hat") and Mal Waldron ("No More Tears," "The Seagulls of Kristiansund"). ... Click to View


Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff): Elements [VINYL] (Cien Fuegos)

In 1971 the quartet of Peter Brotzmann on tenor sax, Fred Van Hove on piano, Han Bennink on drums, and Albert Mangelsdorff on trombone took the stage at The Free Music Market in Berlin to perform this aggressive and informed album of prime European Free Improvisation. ... Click to View


Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff): Couscouss de la Mauresque [VINYL] (Cien Fuegos)

The early 70s trio of tenor saxophonist Peter Brotzmann with Fred Van Hove on piano, Han Bennink on drums is joined by trombonist Albert Mangelsdorff for a live recording at Free Music Market, in Berlin for two extended and fiery improvisations of incredible skill and drive. ... Click to View


Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff): The End [VINYL] (Cien Fuegos)

The final portion of the live recording at Free Music Market, in Berlin in 1970 from the trio of tenor saxophonist Peter Brotzmann with Fred Van Hove on piano, Han Bennink on drums, and joined by trombonist Albert Mangelsdorff for three extended and fiery improvisations ... Click to View


DEK Trio (Ken Vandermark / Elisabeth Harnik / Didi Kern): Burning Below Zero (Trost Records)

One of Chicago reedist Ken Vandermark's regular trios while in Austria, DEK is named for the letters of the 1st name of Vandermark, drummer Didi Kern and pianist Elisabeth Harnik, drawing inspiration from free improv, free rock, & cross-media projects of each member. ... Click to View


Johannes Bauer / Peter Brotzmann: Blue City (Live At Blue City Osaka / Japan 16. October 1997) (Trost Records)

Powerful and diverse duo recordings between trombonist Johannes Bauer and Peter Brotzmann on tenor & alto saxophone, Tarogato, & clarinet, recorded in Osaka, Japan in 1997, released as a tribute to Bauer, who passed away in 2016, part of Brotzmann's archive of unreleased material. ... Click to View


Michel Banabila : Sound Years [VINYL] (Tapu Record)

A captivating compilation from electronic composer Michel Banabila recorded between 2005-2016, a combination of studio, live and theatre recordings remixed into two continuous tracks of sound, with collaborations including Oene Van Geel and Rutger Zuydervelt (Machinefabriek). ... Click to View


Liederkreis (Judith Berkson): Liederkreis [VINYL] (B. Walter Recordings)

NYC vocalist, composer and keyboardist Judith Berkson in the debut album for her one-woman band Liederkreis (translating to "song-cycle", a reference to Schumann), taking a sharp turn from previous work through experimental synth, voice and effects in unique and often aberrant ways. ... Click to View


Rotozaza (Hein / Mahall / Melbye / Lillinger): Zero (Leo)

The Berlin quartet of bass clarinetist Rudi Mahall, Nicola L. Hein on guitar, Adam Pultz Melbye on bass and Christian Lillinger on drums, using traditional and extended techniques in spontaneous compositions that blend free jazz and sound improvisation in truly unique ways. ... Click to View


Ruins: Burning Stone [REISSUE] (Magaibutsu Limited)

Tatsuya Yoshida's insanely complex and exhilarating rock project Ruins started around 1986, and bassist Ryuichi Masuda (also a member of Koenji Hyakkei) has been with him since the early days; this CD reissues the 1992 Shimmy Disc album, originally an LP, here with the CD bonus tracks. ... Click to View


Kazuhisa Uchihashi / Richard Scott: Awesome Entities (Doubtmusic)

Japanese guitarist and daxophone player Kazuhisa Uchihashi joins forces with Berlin-based composer and free improvising analogue modular synthesizer player Richard Scott for an album of unique orchestration, the daxophone "humanizing" the playing with unusual voicing. ... Click to View


Henry Cow: Vol. 1: Beginnings (Recommended Records)

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow. ... Click to View


Henry Cow: Vol. 2: 1974-5 (Recommended Records)

Part of the Henry Cow boxset, now available for individual purchase, compiled from live recordings, radio transcription, or early recordings, remastered and presented to give a complete look at the history of Henry Cow. ... Click to View


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Op-Ed (Opinions and Editorials)


  Internet Radio, MusicWorks, Blossom Toes & Rational Diet!  
   review by Phil Zampino
  2007-07-29

Before talking about new releases, I'd like to mention that Internet Radio, while granted a reprieve recently, still urgently needs your moral and vocal support, and probably a call to your Senator. If you haven't been following the issue, on July 13, 2007 the D.C. Circuit Court of Appeals refused to stop the increase in mandatory royalties issued against Internet radio stations, an increase that amounts to three times the current rate.

Don't get me wrong, it's important that musicians are paid by anyone making money from their music. But the issue here is far more complicated, aggravated by the very nature of computers: for the first time the Copyright Royalty Board can require broadcasters to tell them how many listeners they have. Broadcast radio and satellite radio don't have this requirement, and in fact broadcast radio couldn't provide it if they wanted to. So broadcast radio and satellite radio don't have to pay based on the number of listeners they have; internet radio stations will, if Copyright Royalty Board has their way. This is an unreasonable requirement that can only shut down the majority of internet radio, which at last count has 70 million listeners every month.

A more reasonable idea is to base royalties around the broadcaster's revenue, so that not-for-profit stations can broadcast to as many listeners as are interested without breaking the bank and forcing them to shutdown. Satellite Radio pays royalties in this way, while AM, FM and other land-based radio stations pay no royalties, just a yearly fee.

When you think about that payment structure it's overwhelmingly ironic that the stations most profit oriented, the Clear Channels and their like, pay no royalties. Meanwhile the little guys and the new businesses get squashed. For listeners of obscure music this couldn't be a bigger issue, as we've all benefited greatly from the underdog radio stations playing music that would never get onto the big profit-oriented stations. Don't stand by - Eff.org has a lot of information to help you voice your opinion.



MusicWorks: #98 Summer 2007
Musicworks magazine is a Canadian quarterly music magazine that, since 1978, has covered the more serious end of improv and avant-garde music, often drawing from the music community for it's writers. In this month alone Tim Brady, John Luther Adams, and John Oswald have written for the magazine. The scope of the subjects covered is broad but consistent, introducing the reader to interesting artists, many of whom are concerned with innovative applications of theory and concept.

Currently we're selling the magazine only version of the magazine, and we've also sold the CD version a few times. Magazine sales don't really benefit our business, but we sell them to promote and preserve the printeed arts, the few magazine writing about these kinds of music, of which there is far too little.



Rational Diet: Rational Diet
(AltrOck Productions)
Hailing from Belarus, which is wedged between Russia and the Ukraine, Rational Diet create RIO-oriented chamber rock and improvised rock with a strange sense of humor that reflects their East-European roots. They quote their influences as Shostakovich, Stravinsky, Webern, Ives, Henry Cow, Art Bears, Universe Zero, Present, Debile Menthol - an interesting set of comparisons that gives an idea of the complexity of the music, but not of the odd combination of styles from dark and demanding rock to avant-humour and other inexplicable approaches. It's an intense and rewarding album for those interested in complex compositional and experimental rock.



Blossom Toes: We Are Ever So Clean
(Sunbeam Records)
Blossom Toes put out two albums between 1967 and 1969 that are advanced examples of heavy psych rock; in fact the band's problem live was that the complex orchestration and use of studio trickery couldn't well be recreated live. Brian Godding and Brian Belshaw were the core of the band, having met as apprentices at the Hilger and Watts scientific instrument factory in Islington. The band was initially an R&B outfit named The Ingoes. The band took off when Yardbirds' manager Giorgio Gomelsky got involved, bringing them to Paris to develop a cult following, in the hopes of recording on his new Marmalade label, a subsidiary of Polydor. The strategy worked, and on return to England Blossom Toes was able to record the 15 track inventive masterpieces that makes up we are ever so clean. It's a clever record that embraces pop music and plays with it with quirky wit and melodic adventure. It's quite an achievement, one that lasted through two albums, with Godding moving on to a career in the 80's that included work with Robery Wyatt, Julie Driscoll, Keith Tippett, Magma and Mike Westbrook.

This is we are ever so clean's first official reissue, timed to coincide with its 40th anniversary, and was produced with the band's full involvement. It also includes ten bonus tracks taken from non-LP singles, demos, out-takes and live performances; a full-color 12-page booklet with rare photographs and band history, and an introduction from Brian Godding. A classic.


Blossom Toes: If Only For A Moment
(Sunbeam Records)
Blossom Toe's second and final studio album followed 1967's we are ever so clean's by two years. If Only For A Moment shows the band settled down into more complex song forms, and working with other artists including Julie Driscoll or US folk singer Shawn Philips. Produced with the band's full involvement, this first CD reissue includes seven bonus tracks taken from non-LP singles, demos, out-takes and live performances; a full-color 12-page booklet with rare photographs and band history, and an introduction from Brian Godding.





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Previous Blog & Editorial Articles:
Internet Radio, MusicWorks, Blossom Toes & Rational Diet!
Creative Sources & psi - June 2007 Releases
In Brief: Sleepytime Gorilla Museum, Kato Hideki, People Like Us
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The Squid's Ear presents
reviews about releases
sold at Squidco.com
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Recent Selections @ Squidco:


Trouble Kaze (
Fujii /
Agnel /
Tamura /
Pruvost /
Lasserre /
Orins):
June
(Helix Circum-Disc)



MarsaFouty (
Jean-Luc Foussat /
Fred Marty):
Concerts
(Fou Records)



Matt Mitchell plays Tim Berne:
Forage
(Screwgun)



I Am Three (
Eberhard /
Neuser /
Marien):
Mingus Mingus Mingus
(Leo)



Simon Nabatov:
Monk 'N' More
(Leo)



Derek Bailey /
Joelle Leandre /
George Lewis /
Evan Parker :
28 Rue Dunois
Juillet 1982
(Fou Records)



Brotzmann /
Van Hove /
Bennink (
w/ Albert Mangelsdorff):
The End
[VINYL]
(Cien Fuegos)



Michel Banabila :
Sound Years
[VINYL]
(Tapu Record)



Harris Eisenstadt :
Recent Developments
(Songlines)



Johannes Bauer /
Peter Brotzmann:
Blue City (
Live At
Blue City Osaka /
Japan 16.
October 1997)
(Trost Records)



Will Guthrie:
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[VINYL]
(Black Truffle)



Bucher /
Tan /
Countryman:
Acceptance - Resistance
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Ruins:
Burning Stone
[REISSUE]
(Magaibutsu Limited)



Brotzmann /
Van Hove /
Bennink (
w/ Albert Mangelsdorff):
Couscouss de
la Mauresque
[VINYL]
(Cien Fuegos)



Brotzmann /
Van Hove /
Bennink (
w/ Albert Mangelsdorff):
Elements
[VINYL]
(Cien Fuegos)



Neukollner (
Denzler /
von Schlippenbach /
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Johansson):
Sektion 3-7
[2 CDs]
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Jean-Marc Foussat :
L'oiseau
(Fou Records)



Michael Pisaro (
w/ Didier Aschour /
Stephane Garin):
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a Fold of
the Fog
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Jean-Marc Foussat :
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[VINYL]
(Fou Records)



Sylvain Guerineau /
Kent Carter /
Itaru Oki /
Makoto Sato:
D'Une Rive A L'Autre
(Improvising Beings)







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