The Squid's Ear
Recently @ Squidco:

Christoph Erb / Jim Baker / Frank Rosaly: ...Don't Buy Him A Parrot... (Hatology)

Saxophonist and bass clarinetist Christoph Erb travels between Europe and Chicago, here in a trio with Chicago mainstays, pianist Jim Baker and drummer Frank Rosaly, for an intense and fierce album of collective improvisation captured live at their second-only encounter on the stage of the Experimental Sound Studio in Chicago in 2014. ... Click to View


Paula Shocron / German Lamonega / Pablo Diaz: Tenzegridad (Hatology)

Hailing from Buenos Aires, Argentina, the trio of Paula Shocron on piano, German Lamonega on double bass, and co-founder of her Nendo Dango Records label, Pablo Diaz on drums, for an exciting album of free jazz with lyrical intent and great technical skills, an unexpected gem from an part of world not well known for free improvisation. ... Click to View


David Stackenas : Bricks (Clean Feed)

An amazing solo CD of free improvisation from guitarit David Stackenaus, showing incredible technique and melodic intent, equally at ease when exploring tonality and melody or abstract noisy textures; compelling and impressive playing! ... Click to View


Tristan Honsinger / Nicolas Calioa / Jesse Zubot: In The Sea (Relative Pitch)

The transatlantic string trio of Amsterdam-based cellist Tristan Honsinger (also on voice) with Montreal free improvisers violinist Joshua Zubot and double bassist Nicolas Caloia in an album of informed improvisation that bring an upbeat approach to authoritative dialog which is bot sharp-witted and irreverent, but never less than engaging. ... Click to View


Christian Lillinger / Tobias Deluis: Dicht (Relative Pitch)

Berlin-based improvisers Christian Lillinger on drums and Tobias Delius on tenor sax and clarinet in an album of powerful rhythms, instant melodies, and quick-witted responses, bridging a generation of experience in dialog and give and take that works well head on and in reserve, a great encounter from two modern and active creative players. ... Click to View


Isabelle Duthoit / Franz Hautzinger: Lily (Relative Pitch)

French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger. ... Click to View


Orphax / Machinefabriek: Weerkaatsing (Moving Furniture)

"Weerkaatsing is the first collaboration by Rutger Zuydervelt (Machinefabriek) and Sietse van Erve (Orphax), both active players in the Dutch experimental electronic music field, in an album of mesmerizing sound and drone work, with one composition from each artist reworking a track from the other's previous work, and one new collaborative piece. ... Click to View


Machinefabriek: Assemblage (Zoharum)

A great collection of short film soundtracks and pieces that appeared on compilation albums and out-of-print CDRs, including the "Nerf" EP, the tracks for the book "Things That A Mutant Needs To Know" by Reinaldo Laddaga, and 3 soundtracks of which two are for a short movie and one for a video installation, alongside tracks from other compilations. ... Click to View


Lambs Gamble: Farewell Body Bags [VINYL] (Discombobulate)

Bizarre, disruptive, aberrant sound from twisted experts in the field Lambs Gamble, comprised of George Cremaschi on bass & electroncis, Fritz Welch on drums, percussion and voice, and Eric Boros (Vialka) on electronics and voice, recording in Switzerland for a fantastic album of intelligent abnormality. ... Click to View


Elton Dean Quintet: Welcomet - Live in Brazil, 1986 (Ogun)

In 1986 saxophonist Elton Dean toured Brazil with his quintet of Harry Beckett on trumpet, Liam Genockey on drums, Marcio Mattos on bass, and Paul Rutherford on trombone, capturing this exemplary band at Radio Culture Sao Paulo, the tapes now transferred by Michael King and mastered by Martin Davidson, presenting the entire concert for the first time. ... Click to View


Jean-Luc Guionnet + Eric La Casa: Reflected Waves [60 pages 21x25 cm + DVD video 1h48mn] (Passage d'encres)

Eric La Casa and Jean Luc Guionnet recorded this conceptual work in Melbourne, Australia, combining different scales of time, space, & attention, with different working strategies to create a gallery installation, and this book & DVD package exploring the acoustic phenomenon of "standing waves" to engage with the physical relationship between sound and space. ... Click to View


Anthony Pateras : Blood Stretched Out (Immediata)

A dramatic work for solo piano, exploring sound phenomena in fast repetitions that generate whirlpools of overtones, "Blood Stretched Out" is the primary track on composer & pianist Anthony Pateras' first solo album in 10 years, paired with "Chronochromatics", recorded live at The Loft in Cologne as part of the Plush Music Festival in 2013. ... Click to View


Jerome Noetinger / Anthony Pateras / Synergy Percussion : Beauty Will Be Amnesiac Or Will Not Be At All (Immediata)

Anthony Pateras was commissioned to compose this work by Synergy Percussion for their 40th birthday in 2014, performed with a six piece ensemble including electronic artist Jerome Noetinger, using the same instrumentation as Xenakis' "Pleiades" of more than 100 orchestral percussion instruments, including Xenakis' 17-pitch microtonal metallophones. ... Click to View


Eric La Casa : Paris Quotidien [CD+60 page booklet of photos & text] (Swarming)

Eric La Casa documents his home environment in Paris through audio investigation and field recordings, creating 3 large works that reveal the properties, singularities, banalities and features of his audio environment in perspective to his status as a citizen of the city, presented in a gatefold CD package with a color 60-page booklet of photos and text. ... Click to View


Electric Bird Noise: The Spider / The Christ Child / The Crow (Silber)

Guitarist Brian McKenzie is known best for his dramatic rock persona, where his multi-instrumental approach to song-writing shows great skill; on this album, McKenzie gets down to the guitar itself, with loops, effects and electronics creating a cohesive set of 9 pieces that maintain an edgy, discordant approach to enthralling sound. ... Click to View


Ezio Piermattei : Tre Madri Ludopatiche [CASSETTE] (Discombobulate)

Using an eclectic set of audio tools, objects, voice and electronics, Ezio Piermantel creates a bizarre sound world of concrete and inexplicable sound that fascinates the listener in a strange non-narrative that still manages to tell a story in sound and noise; truly unique. ... Click to View


Flamingo Creatures: Fisch Versucht Das Sprechenlernen (Discombobulate)

Ten tracks of unusual electroacoustic experiments from the duo of Ronnie Oliveras and Ruth Maria Adam, using sound boxes and a variety of instruments to create a psychedelic yet embraceable set of recordings that leave the listener scratching their head but still grounded by tangible music, albeit in the strangest of settings. ... Click to View


Mike Majkowski : Days and Other Days [VINYL] (Astral Spirits)

Following double bassist Mike Majkowski's previous Astral Spirts cassette "Neighbouring Objects", this vinyl release is Majkowski's 7th solo album, here using analog synthesizer, percussion, piano, vibraphone, samples, and field recordings to create an amazing sonic universe through sound, tone, timbre, deep cogitation and mutant interjections. ... Click to View


Christian Wolfarth : Spuren [VINYL] (Hiddenbell Records)

The two parts of "Spuren" from Swiss percussionist Christian Wolfarth cover each side in an album of concentrative timbre and strategy, evoking continuous sounds that are diverted into unexpected avenues, drawing the listener into trance-like states with rich resonance, tone, and malleable rhythms, then surprising with unforseen audio twists. ... Click to View


Peter Zumthor Conradin : Grunschall [VINYL] (Hiddenbell Records)

Percussionist Peter Conradin Zumthor presents a stunning debut solo album, capturing one of the truly independent voices in the Swiss musical landscape in a 7-part contiguous work recorded at Radio Studio 1 in Zurich with a great feeling for form, distances and dynamics, as an incredibly focused, virtuosic, creative and deeply felt story is told. ... Click to View


Joe McPhee / Damon Smith / Alvin Fielder: Six Situations (Not Two)

Frequent collaborators, West Coast double bassist Damon Smith and AACM charter member Alvin Fielder on drums travel north to join free improv saxophone legend Joe McPhee at Roulette in New York City in 2016, recording this excellent example of informed free improvisation. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Miguel Mira / Nuno Torres / Eduardo Chagas / Antonio Chaparreiro / Rodrigo Pinheiro / Carlos Santos / Jose Oliveira : Jadis La Pluie Etait Bleue (Creative Sources)

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways. ... Click to View


Various: 910 Noise Presents (910 Noise)

A compilation of sound artists within the 910 area code, the North Carolina coastal region including Wilmington, NC, the home of Squidco, with artists including Carl Kruger (Caucasians, Baby Daddy), Grant Stewart as subterrene, Ryan Lewis in Food World and Baby Daddy, Phil Zampino (CHANGES TO blind), Jason Ward, August Traeger, and Authorless. ... Click to View


Christiane Bopp / Jean-Luc Petit: L'eorce Et La Salive (Fou Records)

A uniquely voiced dialog between two skilled improvisers -- Christiane Bopp on trombone and Jean-Luc Petit on bass clarinet & soprano sax -- bringing experience and technique to improvisations that push their instruments into extreme territory yielding fantastic and original language while keeps their listeners on the edge of their seats. ... Click to View


Irene Kepl: SololoS (Fou Records)

Heard in our catalog on albums from Improvising Beings and Another Timbre, here we have a stunning solo album of improvised violin from Viennese violinist Irene Kepl, showing a great range of style and technique while keeping the music playful and interesting, invoking a quote from Trisha Brown: "Dancing on the edge is the only place to be." ... Click to View


Maria Capurso Luisa / Jean-Marc Foussat: En Respirant (Fou Records)

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful. ... Click to View


Christof Kurzmann / Mats Gustafsson: Falling And Five Other Failings [VINYL] (Trost Records)

Two versatile and innovative improvisers, Mats Gustafsson on saxophones and Christof Kurzmann on electronics and voice, extracted improvisations recorded in the studio to create the 7 parts of this rich, pulse-based and intensely understated work about Falling and Failing. ... Click to View


Johan Berthling / Martin Kuchen / Steve Noble: Threnody, At The Gates [VINYL] (Trost Records)

Urgent and inspired free jazz from the Swedish/UK trio of Martin Kuchen on tenor and soprano sax, flute and retardophone, Johan Berthling on double bass, and Steve Noble on drums and percussion, recording a series of "Gate" improvisations, anguished laments of power and pulchritude. ... Click to View


Peter Brotzmann / Heather Leigh: Sex Tape (Trost Records)

The second album between European Free Jazz legend Peter Brotzmann and US-born, Scottish residing pedal steel guitarist Heather Leigh, performing live at Music Unlimited Festival, in Wels, Austria in 2016 for a biting yet intimate set between the two, both players on fire as they weave long sinuous lines in an emotional and often brutal orgy of sound. ... Click to View


Ned Rothenberg / Hamid Drake: Full Circle - Live in Lodz (Foundation Listen)

Two legendary improvisers, Downtown New York multi-reedist and shakuhachi player Ned Rothenberg met Chicago drummer Hamid Drake at Ciagoty I Tesknoty, in Lodz, Poland in 2016 to record this effusive, extraordinary live concert of improvised music, demonstrating both enormous instrumental skill while imparting wonderfully upbeat energy; outstanding! ... Click to View


Email:



The Squid's Ear
Squidco Sales

Op-Ed (Opinions and Editorials)


  Internet Radio, MusicWorks, Blossom Toes & Rational Diet!  
   review by Phil Zampino
  2007-07-29

Before talking about new releases, I'd like to mention that Internet Radio, while granted a reprieve recently, still urgently needs your moral and vocal support, and probably a call to your Senator. If you haven't been following the issue, on July 13, 2007 the D.C. Circuit Court of Appeals refused to stop the increase in mandatory royalties issued against Internet radio stations, an increase that amounts to three times the current rate.

Don't get me wrong, it's important that musicians are paid by anyone making money from their music. But the issue here is far more complicated, aggravated by the very nature of computers: for the first time the Copyright Royalty Board can require broadcasters to tell them how many listeners they have. Broadcast radio and satellite radio don't have this requirement, and in fact broadcast radio couldn't provide it if they wanted to. So broadcast radio and satellite radio don't have to pay based on the number of listeners they have; internet radio stations will, if Copyright Royalty Board has their way. This is an unreasonable requirement that can only shut down the majority of internet radio, which at last count has 70 million listeners every month.

A more reasonable idea is to base royalties around the broadcaster's revenue, so that not-for-profit stations can broadcast to as many listeners as are interested without breaking the bank and forcing them to shutdown. Satellite Radio pays royalties in this way, while AM, FM and other land-based radio stations pay no royalties, just a yearly fee.

When you think about that payment structure it's overwhelmingly ironic that the stations most profit oriented, the Clear Channels and their like, pay no royalties. Meanwhile the little guys and the new businesses get squashed. For listeners of obscure music this couldn't be a bigger issue, as we've all benefited greatly from the underdog radio stations playing music that would never get onto the big profit-oriented stations. Don't stand by - Eff.org has a lot of information to help you voice your opinion.



MusicWorks: #98 Summer 2007
Musicworks magazine is a Canadian quarterly music magazine that, since 1978, has covered the more serious end of improv and avant-garde music, often drawing from the music community for it's writers. In this month alone Tim Brady, John Luther Adams, and John Oswald have written for the magazine. The scope of the subjects covered is broad but consistent, introducing the reader to interesting artists, many of whom are concerned with innovative applications of theory and concept.

Currently we're selling the magazine only version of the magazine, and we've also sold the CD version a few times. Magazine sales don't really benefit our business, but we sell them to promote and preserve the printeed arts, the few magazine writing about these kinds of music, of which there is far too little.



Rational Diet: Rational Diet
(AltrOck Productions)
Hailing from Belarus, which is wedged between Russia and the Ukraine, Rational Diet create RIO-oriented chamber rock and improvised rock with a strange sense of humor that reflects their East-European roots. They quote their influences as Shostakovich, Stravinsky, Webern, Ives, Henry Cow, Art Bears, Universe Zero, Present, Debile Menthol - an interesting set of comparisons that gives an idea of the complexity of the music, but not of the odd combination of styles from dark and demanding rock to avant-humour and other inexplicable approaches. It's an intense and rewarding album for those interested in complex compositional and experimental rock.



Blossom Toes: We Are Ever So Clean
(Sunbeam Records)
Blossom Toes put out two albums between 1967 and 1969 that are advanced examples of heavy psych rock; in fact the band's problem live was that the complex orchestration and use of studio trickery couldn't well be recreated live. Brian Godding and Brian Belshaw were the core of the band, having met as apprentices at the Hilger and Watts scientific instrument factory in Islington. The band was initially an R&B outfit named The Ingoes. The band took off when Yardbirds' manager Giorgio Gomelsky got involved, bringing them to Paris to develop a cult following, in the hopes of recording on his new Marmalade label, a subsidiary of Polydor. The strategy worked, and on return to England Blossom Toes was able to record the 15 track inventive masterpieces that makes up we are ever so clean. It's a clever record that embraces pop music and plays with it with quirky wit and melodic adventure. It's quite an achievement, one that lasted through two albums, with Godding moving on to a career in the 80's that included work with Robery Wyatt, Julie Driscoll, Keith Tippett, Magma and Mike Westbrook.

This is we are ever so clean's first official reissue, timed to coincide with its 40th anniversary, and was produced with the band's full involvement. It also includes ten bonus tracks taken from non-LP singles, demos, out-takes and live performances; a full-color 12-page booklet with rare photographs and band history, and an introduction from Brian Godding. A classic.


Blossom Toes: If Only For A Moment
(Sunbeam Records)
Blossom Toe's second and final studio album followed 1967's we are ever so clean's by two years. If Only For A Moment shows the band settled down into more complex song forms, and working with other artists including Julie Driscoll or US folk singer Shawn Philips. Produced with the band's full involvement, this first CD reissue includes seven bonus tracks taken from non-LP singles, demos, out-takes and live performances; a full-color 12-page booklet with rare photographs and band history, and an introduction from Brian Godding.





Comments and Feedback:



The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Christof Kurzmann /
Mats Gustafsson:
Falling And
Five Other
Failings
[VINYL]
(Trost Records)



Korekyojinn Acoustic:
Kaleidoscope
(Magaibutsu Limited)



Ned Rothenberg /
Hamid Drake:
Full Circle -
Live in Lodz
(Foundation Listen)



Rene Lussier /
Robert Marcel Lepage /
Quatuor Bozzini:
Chants et danses
...with strings
(Vol. III)
(Tour de Bras)



Tin
(Dominic Lash /
Axel Dorner /
Roger Turner):
Uncanny Valley
(Confront)



Trevor Watts /
Stephen Grew Duo:
All There Is
(Discus)



Isaiah Ceccarelli :
Bow
(Another Timbre)



Matthew Shipp:
Invisible Touch
At Taktlos
Zurich
(Hatology)



Albert Ayler Quartet:
Copenhagen
Live 1964
(Hatology)



Angles 9:
Disappeared Behind
the Sun
[VINYL]
(Clean Feed)



Rova /
Bruckmann & Kaiser:
Saxophone Special
(Clean Feed)



Honest John
(Moe /
Johannesen /
Hoyer /
Nylander /
Holm):
International
Breakthrough
(Clean Feed)



Mat Maneri /
Evan Parker /
Lucian Ban:
Sounding Tears
(Clean Feed)



Joshua Abrams
Natural Information
Society:
Simultonality
[VINYL]
(Eremite)



JR3
(Olaf Rupp /
Rudi Mahall /
Jan Roder):
Happy Jazz
(Relative Pitch)



Rob Burke /
George Lewis /
Paul Grabowsky /
Mark Helias:
Shift
(FMR)



Francois Carrier /
Michel Lambert /
Rafal Mazur:
Oneness
(FMR)



Pedra Contida :
Amethyst
(FMR)



International Nothing, The:
The Power
Of Negative
Thinking
(Monotype)



Nate Wooley:
The Complete
Syllables Music
[4 CD Box Set]
(Pleasure of the Text Records)







Squidco
Click here to
advertise with
The Squid's Ear






The Squid's Ear pays its writers.
Interested in becoming a reviewer?




The Squid's Ear is the companion magazine to the online music shop Squidco !


  Copyright © 2016 Squidco. All rights reserved. Trademarks. (12688)