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Christoph Erb / Jim Baker / Frank Rosaly: ...Don't Buy Him A Parrot... (Hatology)

Saxophonist and bass clarinetist Christoph Erb travels between Europe and Chicago, here in a trio with Chicago mainstays, pianist Jim Baker and drummer Frank Rosaly, for an intense and fierce album of collective improvisation captured live at their second-only encounter on the stage of the Experimental Sound Studio in Chicago in 2014. ... Click to View


Paula Shocron / German Lamonega / Pablo Diaz: Tenzegridad (Hatology)

Hailing from Buenos Aires, Argentina, the trio of Paula Shocron on piano, German Lamonega on double bass, and co-founder of her Nendo Dango Records label, Pablo Diaz on drums, for an exciting album of free jazz with lyrical intent and great technical skills, an unexpected gem from an part of world not well known for free improvisation. ... Click to View


David Stackenas : Bricks (Clean Feed)

An amazing solo CD of free improvisation from guitarit David Stackenaus, showing incredible technique and melodic intent, equally at ease when exploring tonality and melody or abstract noisy textures; compelling and impressive playing! ... Click to View


Tristan Honsinger / Nicolas Calioa / Jesse Zubot: In The Sea (Relative Pitch)

The transatlantic string trio of Amsterdam-based cellist Tristan Honsinger (also on voice) with Montreal free improvisers violinist Joshua Zubot and double bassist Nicolas Caloia in an album of informed improvisation that bring an upbeat approach to authoritative dialog which is bot sharp-witted and irreverent, but never less than engaging. ... Click to View


Christian Lillinger / Tobias Deluis: Dicht (Relative Pitch)

Berlin-based improvisers Christian Lillinger on drums and Tobias Delius on tenor sax and clarinet in an album of powerful rhythms, instant melodies, and quick-witted responses, bridging a generation of experience in dialog and give and take that works well head on and in reserve, a great encounter from two modern and active creative players. ... Click to View


Isabelle Duthoit / Franz Hautzinger: Lily (Relative Pitch)

French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger. ... Click to View


Orphax / Machinefabriek: Weerkaatsing (Moving Furniture)

"Weerkaatsing is the first collaboration by Rutger Zuydervelt (Machinefabriek) and Sietse van Erve (Orphax), both active players in the Dutch experimental electronic music field, in an album of mesmerizing sound and drone work, with one composition from each artist reworking a track from the other's previous work, and one new collaborative piece. ... Click to View


Machinefabriek: Assemblage (Zoharum)

A great collection of short film soundtracks and pieces that appeared on compilation albums and out-of-print CDRs, including the "Nerf" EP, the tracks for the book "Things That A Mutant Needs To Know" by Reinaldo Laddaga, and 3 soundtracks of which two are for a short movie and one for a video installation, alongside tracks from other compilations. ... Click to View


Lambs Gamble: Farewell Body Bags [VINYL] (Discombobulate)

Bizarre, disruptive, aberrant sound from twisted experts in the field Lambs Gamble, comprised of George Cremaschi on bass & electroncis, Fritz Welch on drums, percussion and voice, and Eric Boros (Vialka) on electronics and voice, recording in Switzerland for a fantastic album of intelligent abnormality. ... Click to View


Elton Dean Quintet: Welcomet - Live in Brazil, 1986 (Ogun)

In 1986 saxophonist Elton Dean toured Brazil with his quintet of Harry Beckett on trumpet, Liam Genockey on drums, Marcio Mattos on bass, and Paul Rutherford on trombone, capturing this exemplary band at Radio Culture Sao Paulo, the tapes now transferred by Michael King and mastered by Martin Davidson, presenting the entire concert for the first time. ... Click to View


Jean-Luc Guionnet + Eric La Casa: Reflected Waves [60 pages 21x25 cm + DVD video 1h48mn] (Passage d'encres)

Eric La Casa and Jean Luc Guionnet recorded this conceptual work in Melbourne, Australia, combining different scales of time, space, & attention, with different working strategies to create a gallery installation, and this book & DVD package exploring the acoustic phenomenon of "standing waves" to engage with the physical relationship between sound and space. ... Click to View


Anthony Pateras : Blood Stretched Out (Immediata)

A dramatic work for solo piano, exploring sound phenomena in fast repetitions that generate whirlpools of overtones, "Blood Stretched Out" is the primary track on composer & pianist Anthony Pateras' first solo album in 10 years, paired with "Chronochromatics", recorded live at The Loft in Cologne as part of the Plush Music Festival in 2013. ... Click to View


Jerome Noetinger / Anthony Pateras / Synergy Percussion : Beauty Will Be Amnesiac Or Will Not Be At All (Immediata)

Anthony Pateras was commissioned to compose this work by Synergy Percussion for their 40th birthday in 2014, performed with a six piece ensemble including electronic artist Jerome Noetinger, using the same instrumentation as Xenakis' "Pleiades" of more than 100 orchestral percussion instruments, including Xenakis' 17-pitch microtonal metallophones. ... Click to View


Eric La Casa : Paris Quotidien [CD+60 page booklet of photos & text] (Swarming)

Eric La Casa documents his home environment in Paris through audio investigation and field recordings, creating 3 large works that reveal the properties, singularities, banalities and features of his audio environment in perspective to his status as a citizen of the city, presented in a gatefold CD package with a color 60-page booklet of photos and text. ... Click to View


Electric Bird Noise: The Spider / The Christ Child / The Crow (Silber)

Guitarist Brian McKenzie is known best for his dramatic rock persona, where his multi-instrumental approach to song-writing shows great skill; on this album, McKenzie gets down to the guitar itself, with loops, effects and electronics creating a cohesive set of 9 pieces that maintain an edgy, discordant approach to enthralling sound. ... Click to View


Ezio Piermattei : Tre Madri Ludopatiche [CASSETTE] (Discombobulate)

Using an eclectic set of audio tools, objects, voice and electronics, Ezio Piermantel creates a bizarre sound world of concrete and inexplicable sound that fascinates the listener in a strange non-narrative that still manages to tell a story in sound and noise; truly unique. ... Click to View


Flamingo Creatures: Fisch Versucht Das Sprechenlernen (Discombobulate)

Ten tracks of unusual electroacoustic experiments from the duo of Ronnie Oliveras and Ruth Maria Adam, using sound boxes and a variety of instruments to create a psychedelic yet embraceable set of recordings that leave the listener scratching their head but still grounded by tangible music, albeit in the strangest of settings. ... Click to View


Mike Majkowski : Days and Other Days [VINYL] (Astral Spirits)

Following double bassist Mike Majkowski's previous Astral Spirts cassette "Neighbouring Objects", this vinyl release is Majkowski's 7th solo album, here using analog synthesizer, percussion, piano, vibraphone, samples, and field recordings to create an amazing sonic universe through sound, tone, timbre, deep cogitation and mutant interjections. ... Click to View


Christian Wolfarth : Spuren [VINYL] (Hiddenbell Records)

The two parts of "Spuren" from Swiss percussionist Christian Wolfarth cover each side in an album of concentrative timbre and strategy, evoking continuous sounds that are diverted into unexpected avenues, drawing the listener into trance-like states with rich resonance, tone, and malleable rhythms, then surprising with unforseen audio twists. ... Click to View


Peter Zumthor Conradin : Grunschall [VINYL] (Hiddenbell Records)

Percussionist Peter Conradin Zumthor presents a stunning debut solo album, capturing one of the truly independent voices in the Swiss musical landscape in a 7-part contiguous work recorded at Radio Studio 1 in Zurich with a great feeling for form, distances and dynamics, as an incredibly focused, virtuosic, creative and deeply felt story is told. ... Click to View


Joe McPhee / Damon Smith / Alvin Fielder: Six Situations (Not Two)

Frequent collaborators, West Coast double bassist Damon Smith and AACM charter member Alvin Fielder on drums travel north to join free improv saxophone legend Joe McPhee at Roulette in New York City in 2016, recording this excellent example of informed free improvisation. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Miguel Mira / Nuno Torres / Eduardo Chagas / Antonio Chaparreiro / Rodrigo Pinheiro / Carlos Santos / Jose Oliveira : Jadis La Pluie Etait Bleue (Creative Sources)

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways. ... Click to View


Various: 910 Noise Presents (910 Noise)

A compilation of sound artists within the 910 area code, the North Carolina coastal region including Wilmington, NC, the home of Squidco, with artists including Carl Kruger (Caucasians, Baby Daddy), Grant Stewart as subterrene, Ryan Lewis in Food World and Baby Daddy, Phil Zampino (CHANGES TO blind), Jason Ward, August Traeger, and Authorless. ... Click to View


Christiane Bopp / Jean-Luc Petit: L'eorce Et La Salive (Fou Records)

A uniquely voiced dialog between two skilled improvisers -- Christiane Bopp on trombone and Jean-Luc Petit on bass clarinet & soprano sax -- bringing experience and technique to improvisations that push their instruments into extreme territory yielding fantastic and original language while keeps their listeners on the edge of their seats. ... Click to View


Irene Kepl: SololoS (Fou Records)

Heard in our catalog on albums from Improvising Beings and Another Timbre, here we have a stunning solo album of improvised violin from Viennese violinist Irene Kepl, showing a great range of style and technique while keeping the music playful and interesting, invoking a quote from Trisha Brown: "Dancing on the edge is the only place to be." ... Click to View


Maria Capurso Luisa / Jean-Marc Foussat: En Respirant (Fou Records)

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful. ... Click to View


Christof Kurzmann / Mats Gustafsson: Falling And Five Other Failings [VINYL] (Trost Records)

Two versatile and innovative improvisers, Mats Gustafsson on saxophones and Christof Kurzmann on electronics and voice, extracted improvisations recorded in the studio to create the 7 parts of this rich, pulse-based and intensely understated work about Falling and Failing. ... Click to View


Johan Berthling / Martin Kuchen / Steve Noble: Threnody, At The Gates [VINYL] (Trost Records)

Urgent and inspired free jazz from the Swedish/UK trio of Martin Kuchen on tenor and soprano sax, flute and retardophone, Johan Berthling on double bass, and Steve Noble on drums and percussion, recording a series of "Gate" improvisations, anguished laments of power and pulchritude. ... Click to View


Peter Brotzmann / Heather Leigh: Sex Tape (Trost Records)

The second album between European Free Jazz legend Peter Brotzmann and US-born, Scottish residing pedal steel guitarist Heather Leigh, performing live at Music Unlimited Festival, in Wels, Austria in 2016 for a biting yet intimate set between the two, both players on fire as they weave long sinuous lines in an emotional and often brutal orgy of sound. ... Click to View


Ned Rothenberg / Hamid Drake: Full Circle - Live in Lodz (Foundation Listen)

Two legendary improvisers, Downtown New York multi-reedist and shakuhachi player Ned Rothenberg met Chicago drummer Hamid Drake at Ciagoty I Tesknoty, in Lodz, Poland in 2016 to record this effusive, extraordinary live concert of improvised music, demonstrating both enormous instrumental skill while imparting wonderfully upbeat energy; outstanding! ... Click to View


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Op-Ed (Opinions and Editorials)


  Knit One, Pearl Zero  

It's difficult to count how many times we've said goodbye to the Knitting Factory: when they left their Houston Street hole for tony Tribeca, when John Zorn broke all ties with the club and label, when they were threatened with bankruptcy. No doubt there's someone out there who maintains it was all over when they first got a liquor license.

But when Michael Dorf, whose financial dealings and commitment to the music have often been questioned, announced that the club had been sold earlier this year, it seemed undeniably the end of an era.

Big ups to Village Voice writer Ted Hendrickson, then, who got KnitMedia President Jared Hoffman to put his mouth where his money is. "The problem was that the cutting-edge genres that made the Knitting Factory what it was in the early years continued to be a focus," Hendrickson is quoted as saying in the May 7-13, 2003 issue. "And the cutting edge always changes. Selling tickets is not a measure of how well you're doing. It's whether the people who buy the tickets come in the door and drink."

It's not a new modus operandi for the Knit. Another musician, who has been playing at the Knit since the Houston Street days, reports that records of bar receipts have long been kept with artists' names. Musicians who bring in the drinkers got the most bookings. It's disheartening, but it's business.

Regardless of the reasons, changes in booking policies have been plainly apparent at the Knit. And while it's not entirely a rock club (a recent night featured Tim Berne's Big Satan in the Old Office and Gary Lucas playing in the larger, remodeled Tap Bar), the artists who were featured on the old Live at the Knitting Factory cds aren't likely to be found on Leonard Street often, if at all.

Which is only a sign of changing times, not the end of time itself, unless you're reading the New York Press, the neoconservative free weekly response to the Voice. In an article headlined "Too Many Solos: New York Jazz - purists vs. tourists." Tim Marchman opined ridiculous about jazz players, venues and audiences in New York City, seeming to believe that the only viable place left for jazz musicians to turn is Wynton Marsalis' Jazz at Lincoln Center, and (rightly) criticizing the program's booking policies. "What does it mean for audiences when a quarter of the spots in the most influential jazz series are held for people who started recording in the 1950s, and another half are held for [tributes to] the dead?"

Setting aside potential debates about what performers are deserving, and what "jazz" is anyway, we still take exception with Mr. Marchman's depiction of a typical night out on the town.

"Go into any club where jazz is played and you'll likely find yourself surrounded by people who are nostalgic for something they've never known," Marchman writes. "They applaud after every solo, and how a group reacts to such a crowd tells a lot about them. Some get discouraged and lock themselves into head-solos-head, letting even the drummer take his chorus every song of every set; some batter out purposefully clattering notes, sneering that no one notices; some do what they wish and just play, somewhat deadened. None of them, no matter what they do, can much affect their situation. They've been turned into living museum exhibitions, like the women who churn butter in preservationist towns in central Pennsylvania."

Marchman doesn't refer to any venues other than Lincoln Center in the piece, but we feel certain he didn't ask anyone we know where to go to hear some live jazz. While we won't deny that things could be better - things could always be better, for working musicians - we do have some suggestions for Marchman, and will even extend an invitation for a night on the town.

It's hard to guess where he might have been looking if he missed the Jazz Gallery, the Jazz Standard and Up Over Jazz Cafe. But while we're out, we'd certainly also swing by Tonic, which celebrates its fifth anniversary this summer. The Brecht Forum has been running it's monthly Neues Kabarett series for going on five years as well, and CBGBs Lounge on Sunday nights continues to be the best deal in town. The Village Vanguard, Sweet Rhythm and Makor all have their nights.Issue Project Room is a new East Village gallery that started a promising music series with performances by Anthony Coleman and Marc Ribot. Location One, Pen and Brush and Three Jewels Cafe are also spaces that serve functions other than being a performance venue, but host adventurous jazz and improvised music.

And who knows? Maybe there'll even be something going on at the Knit.



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Recent Selections @ Squidco:


Christof Kurzmann /
Mats Gustafsson:
Falling And
Five Other
Failings
[VINYL]
(Trost Records)



Korekyojinn Acoustic:
Kaleidoscope
(Magaibutsu Limited)



Ned Rothenberg /
Hamid Drake:
Full Circle -
Live in Lodz
(Foundation Listen)



Rene Lussier /
Robert Marcel Lepage /
Quatuor Bozzini:
Chants et danses
...with strings
(Vol. III)
(Tour de Bras)



Tin
(Dominic Lash /
Axel Dorner /
Roger Turner):
Uncanny Valley
(Confront)



Trevor Watts /
Stephen Grew Duo:
All There Is
(Discus)



Isaiah Ceccarelli :
Bow
(Another Timbre)



Matthew Shipp:
Invisible Touch
At Taktlos
Zurich
(Hatology)



Albert Ayler Quartet:
Copenhagen
Live 1964
(Hatology)



Angles 9:
Disappeared Behind
the Sun
[VINYL]
(Clean Feed)



Rova /
Bruckmann & Kaiser:
Saxophone Special
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Honest John
(Moe /
Johannesen /
Hoyer /
Nylander /
Holm):
International
Breakthrough
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Mat Maneri /
Evan Parker /
Lucian Ban:
Sounding Tears
(Clean Feed)



Joshua Abrams
Natural Information
Society:
Simultonality
[VINYL]
(Eremite)



JR3
(Olaf Rupp /
Rudi Mahall /
Jan Roder):
Happy Jazz
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Rob Burke /
George Lewis /
Paul Grabowsky /
Mark Helias:
Shift
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Francois Carrier /
Michel Lambert /
Rafal Mazur:
Oneness
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Pedra Contida :
Amethyst
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International Nothing, The:
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Nate Wooley:
The Complete
Syllables Music
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