...

A powerful 1972 duo performance from alto saxophonist Mike Osborne and pianist Stan Tracey, and the 2nd release on Cadillac Records, recorded live at Surrey Hall and unfolding as a nearly 47-minute continuous improvisation, blending OsborneÕs fierce, vocal intensity with TraceyÕs harmonically adventurous, percussive drive in a richly inventive and compelling exchange.

"Gorgeous Nothings' is an album of three pieces composed by Cetilia, a US-based composer and cellist who won the ARTZenter's Emerging Composer Completion Grant in September 2024. The album contains Cetilia's solo piece for cello and voi...

"The first thing that comes to mind when thinking of Full Sun is the joy that a group of creative musicians can bring to the world. Especially in our times, when compassion and unity are much needed. Tuning the antennas, expressing a pe...

"Scattered notes stretch time, their repetitions evoking the infinite iridescence of dawn--a ritual as inevitable as it is unpredictable. Melaine Dalibert's Musique pour le lever du jour, composed over two years and completed in 2017, w...

A vibrant 2014 large-ensemble performance recorded live in Nijmegen and Moers, with Fred Frith leading an extraordinary lineup including Marie Abe, Kasey Knudsen, Aaron Novik, Lisa Mezzacappa, Ava Mendoza, William Winant, Dominique Leone, Wobbly, Kaethe Hofstetter, and Jordan Glenn in dynamic, genre-blurring interpretations of his Gravity-era compositions.

"Learning, Sophie Agnel's first solo LP, feels like the dark, physical inversion of her excellent Song which came out on Relative Pitch. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a bra...

Reimagining and transforming Ahmed Abdul-Malik's Jazz Sahara in their first studio session, the [Ahmed] quartet of Pat Thomas, Joel Grip, Antonin Gerbal, and Seymour Wright ignite four compact, single-take explorations that fuse percussive intensity, kaleidoscopic group interplay, and a fearless reshaping of tradition into dizzying, future-leaning improvisation.

Capturing their first UK appearance since 2016, the duo of Toshiji Mikawa and Fumio Kosakai unleash two blistering sets of "hard noise" at Cafe Oto, forging scorched-earth tape loops, feedback vortices, and pedal-chain eruptions into a ferocious, fire-music-level onslaught that channels pure chaos into a gripping, cathartic sonic upheaval.

Duo music from Robert Evans and Laurie Scott Baker for crwth, tambura, lyre, fiddle, double and electric bass and metal percussion, four slowly evolving pieces rooted in the harmonic series and Pythagorean tuning, weaving airy but focused textures of resonant strings and shimmering overtones into quietly luminous, immersive soundscapes.