Through preparations, computers, contact microphones, gongs, feedback and other tools, Swiss pianist, composer & improviser Judith Wegmann's work transform the sound of the piano into an otherworldly instrument, set against more traditional acoustic pieces of a reflective nature, together creating a conceptual set of ten pieces in a uniquely flexible approach.

Surrounding the realization of Karlheinz Stockhausen's ground-breaking work of electronic music and acoustic improvisation, Kontakte, performed by Judith Wegmann (piano) Jens Ruland (percussion) & Robert Torche (electronics), are Antoine Chessex's exploratory score Geschichte der Gewalt, applying improvisation to frequency and form, and the improvised prelude from all three: Spiegelungen.

Featuring two pianists--Judith Wegmann and Marlies Debacker--and two percussionists--Lukas Briner and Nicolas Wolf (a duo who play concerts in the dark under the name of Night Shadow Noise)--in collective improvisations of two pianists or as a quartet of duel pianists and drummers, for seven exciting and sophisticated recordings of instant composition.

Through preparations, computers, contact microphones, gongs, feedback and other tools, Swiss pianist, composer & improviser Judith Wegmann's work transform the sound of the piano into an otherworldly instrument, set against more traditional acoustic pieces of a reflective nature, together creating a conceptual set of ten pieces in a uniquely flexible approach.