Her 5th solo viola album finds NY improviser & composer Jessica Pavone extending her exploration of music based on the pitches of the open strings, accentuating the natural sympathetic resonances of the instrument and expanded through the use of electronic effects to create a virtual duo, on one track performing on a Ken Butler hand-crafted hybrid instrument, the Sword Viola.

With a septet of women improvisers and contemporary performers, composer and violinist Jessica Pavone's long-form collective improv compositions are titled after innovations made by women throughout history to circumvent obstructions to their freedoms, revealed through string and bassoon orchestration that balances harmony, dissonance, drone and disruptive experimentation.

With a septet of women improvisers and contemporary performers, composer and violinist Jessica Pavone's long-form collective improv compositions are titled after innovations made by women throughout history to circumvent obstructions to their freedoms, revealed through string and bassoon orchestration that balances harmony, dissonance, drone and disruptive experimentation.

Borrowing from traditional music notation, Jessica Pavone's compositions for her string ensemble with Aimée Niemann and Abby Swidler alternates between metered and time-based scores allowing the performers freedom to move between long tone sounds and clusters at the performer's chosen rate, responding to each other while creating a "collaboratively sewn musical fabric".

Self-describing their approach to improvisation as a "free-range sonic stew", the trio of Jessica Pavone on viola & electronics, Lukas Koenig (MOPCUT) on drums and Matt Mottel (Talibam!) on keytar & guitar, find common ground in extended conversations, both through rapid and weaving interactions and in expansive evolutions of sweeping sonic inspiration.

Extending her interest in new forms for the solo viola, augmented by effects and voice, New York composer and improviser Jessica Pavone's fourth solo album of composed viola pieces is the result of years of concentrated long tone practice and an interest in repetition, song form and sympathetic vibration, a uniquely, sometimes quirky, and compelling album.

Four distinct pieces for solo viola and effects from NY composer/improviser Jessica Pavone, each piece using electronic elements to blur wave motions interacting with minimalist motifs, merging folk elements with avant elements, using extended bowing techniques to blend unlikely matches of acoustics and electronics in unconventional and appealing performance.

Beautiful string work and lovely and unusual vocals from the duo of Mary Halvorson & Jessica Pavone, music of "stark clarity and introspection."