A site-responsive duo recording from trumpeter Matthew Langford and saxophonist Andrew Weathers, using an emptied pool's reflective acoustics to shape a restrained and textural free improv of breath, resonance, and ambient detail, where sustained tones and environmental sound merge into a focused exploration of space, duration, and the physical limits of performance.

Captured live at London's The Vortex in 2025, violinist Mandhira de Saram, pianist Steve Beresford, and bassist John Edwards engage in detailed free improv that unfolds with the coherence and clarity of spontaneous composition, balancing chamber-like restraint, abstract textural interplay, lyrical precision, and sharply responsive exchanges in intuitively structured collective dialog.

Exploring the volatile meeting point of acoustic percussion and electronics, Jordan Topiel Paul uses amplified snare drum to generate rattling friction, taut rhythmic fragments, and metallic resonance while Bryan Eubanks' modular synthesis answers with unstable pulses and evolving textures, the duo constructing a tense and detailed electroacoustic dialog where rhythm, noise, and timbre continually blur and reform.

"This 4CD set gathers eight essential albums that Clifford Brown recorded as leader for Blue Note and EmArcy between 1953 and 1956. Drawn from his very finest sessions, it offers the definitive portrait of a genius lost at just 25, and ...

"The title of this album was suggested by Satoko Fujii. It's a Japanese word meaning a heart-to-heart conversation between intimate friends (what a lovely thing to have a word for!). She chose it, "because when I play with Myra, I alway...

Recorded live at Crosstown Arts in Memphis in March 2024, this concert brought together Art Edmaiston, Chad Fowler, Ra Kalam Bob Moses, Damon Smith and Clifford "Pee Wee" Jackson for a spiritually charged free jazz session that channels a deep Southern lineage, blending blues-rooted intensity with fearless collective improvisation into a cohesive, dramatic and wholly spontaneous performance.

Steve Beresford on prepared piano, electronics, & objects joins Pierpaolo Martino on double bass & electronics and Mark Sanders on drums for a fiercely interactive trio set of elastic rhythms and textured harmony, balancing grounded resonance with agile percussion and playful disruption, recorded at the 2024 Bari in Jazz Festival in sharply conversational, risk-embracing improvisation.

Previously unreleased recordings from the Albert Ayler Quintet — captured in Copenhagen and Bordeaux during the 1966 Newport in Europe tour and at the Newport Jazz Festival in 1967 — present Ayler with Donald Ayler, Michel Samson, Bill Folwell, and Beaver Harris/Milford Graves in fiercely expressive performances, newly restored and mastered from rediscovered tapes.

Reviving Cecil Taylor's legendary Unit concept, this searing New Unit performance with Okkyung Lee (cello), Tony Oxley (electronics), Harri Sjostrom (soprano and sopranino saxophones), and Jackson Krall (drums) documents the final concert of Taylor's life in a nearly eighty-minute fusion of music and spoken word, recorded live on April 23, 2016, at the Whitney Museum in New York City.

Captured live in Bavaria in February 2025, these six improvisations pair frequent collaborators German wind instrumentalist Udo Schindler and Catalan pianist Jordina Milla in a series of dialogues where timbre, texture, and spontaneous interplay shape an immersive, poetic sound world influenced by Sylvia Plath's Ariel, blurring the line between composition and open improvisation.

An historic document of Chicago's Extraordinary Popular Delusions in their final quintet performance with the late Mars Williams, recorded live in August 2023 at Elastic Arts Foundation, capturing Williams' fiery, life-affirming playing alongside Edward Wilkerson Jr. (tenor sax0, Jim Baker (piano & kesy), Brian Sandstrom (bass), and Steve Hunt (drums) in a two-set suite of fearless improvisation.

The debut of saxophonist Michael Foster, guitarist and banjo player Webb Crawford, and drummer Joey Sullivan, a free trio whose quirky yet technically impressive improvisations shift from sax shouts and overblown tones to frenetic banjo and guitar textures, driven by metallic percussion into a dense but dynamic interplay that combines raw energy with finely detailed, unpredictable explorations.

The debut from the international Lava Quartet — Almut Kühne (voice), Jordina Milla (piano), Gonçalo Almeida (bass), and Wieland Möller (percussion) — capturing the ensemble's dynamic interplay and fearless improvisation across two European venues, blending extended techniques, expressive freedom, and unconventional sonic textures in a deeply creative and spontaneous journey.

Recording to 4 track cassette, this unusual and experimental Boston-area trio of active sound artists--Stella Silbert, Arkm Foam and Neil 'Cloaca' Young--improvise over abstract territory using turntables, a no-input mixer, objects, an open reel tape machine, contact mics, and cassette players, emerging with equally tongue-in-cheek and serious aural interactions.

On the last day of the 2021 Spontaneous Music Festival at the Dragon Club in Poznań, Poland, the trio of Berlin trombonist Matthias Muller was joined by younger generation Polish guitarist Pawel Doskocz on prepared electric guitar and fellow Berlin drummer and electroacoustic improviser Emilio Gordoa for these two extended sonic adventures recorded in near-darkness.

A heartfelt tribute to Los Angeles and its resilient creative community, guitarist Karl Evangelista leads a stellar quintet with Bobby Bradford on cornet and William Roper on tuba, blending both lyrical and eclectic improvisation, deep-rooted West Coast traditions, and a spirit of resistance into an evocative and deeply personal album that honors place, legacy, and the power of collective expression.

A stunning second album from Swedish bassist and composer Vilhelm Bromander's Unfolding Orchestra, expanding on his acclaimed debut with richly textured, spiritually resonant compositions inspired by political urgency and environmental reflection, featuring a 13-piece ensemble delivering lush orchestrations, patient development, and profound, hopeful expression.

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Taking ironic inspiration from Stockhausen�s conceptual extremes, cellist Tyler J. Borden and guitarist Steve Flato fuse cello, microtonal guitar, modular synth, Gizmotron, and electronics in an absurdist yet introspective performance score, immersively weaving subtle textures and just-intonation harmonies shaped by physical and psychological excesses around food and discomfort.

Recorded at Monhegan Community Church on a remote Maine island, this environmental work by Evan Lindorff-Ellery captures the interplay between improvised percussive textures and the resonant acoustics of the space, using frame drum, piano, acoustic guitar, bells, and found objects to leverage the church's natural reverb, while ambient sounds filter through its windows.

An electrifying fusion of diverse musical traditions, this evening-length composition showcases the dynamic interplay of guitarists Karl Evangelista and David James, bassist Lisa Mezzacappa, vibraphonist Mark Clifford, percussionist Robert Lopez, drummer Jon Arkin, and Val Esway, seamlessly blending composed structures with spontaneous improvisation to capture the ensemble's innovative spirit.

Two extended performances from Los Angeles and Colorado Springs by the West Coast ensemble of Andrew Weathers (tenor saxophone, mixer), Angel Lin (percussion), Ethan Marks (trumpet), and Mar Perez (trombone), freely improvising with resonance and experimental techniques to craft immersive soundscapes that blur the line between instrumental performance and environmental noise.

An engaging meeting recorded in the studio in New York in 1991, bringing together vocalist Ellen Christi, saxophonist & bass clarinetist Carlo Actis Dato, trombonist Masahiko Kono, bassist Enrico Fazio, drummer Fiorenzo Sordini, and text artist Michael Vecchio, blending adventurous contemporary jazz, spontaneous composition, and spoken word in a strikingly dynamic and generally lyrical session.

London clarinetist Tom Jackson, active in both free improvisation and contemporary classical music, meets with cellist Tyler J. Borden, who concentrates on the extremes of his instrument through unusual and extended techniques, interpret one of London's "lost rivers"--Parr's Ditch--in three extended, interpretative improvisations of powerful impressions.

The debut album of NY composer & pianist Matt Mitchell's long-running trio with bassist Chris Tordiniand and drummer Dan Weiss, an adventurous and accomplished group that brings an optimistic buoyancy to Mitchell's complex compositions, exploring multiple asynchronous cycles using polyrhythm and polymeter through multiple lines that the players have freedom to choose and improvise around.

AALY Trio, named as a reference to Albert Ayler, is Mats Gustafsson (winds), Kjell Nordeson (bass), and Peter Janson (drums), who began their journey in Sweden in the 1980s, drawing significant influence from Chicago's creative scene in the 90s, and reuniting now with the same incendiary energy and deep rapport, captured in 11 composed and collective works.

Drawing inspiration from rediscovered 1998 Ornette Coleman rehearsal tapes and the spirit of Dewey Redman, tenor saxophonist and composer Ohad Talmor opens a new artistic cycle with his core trio of Chris Tordini and Eric McPherson plus a remarkable array of guests, creating kaleidoscopic variations that merge composed forms, liberated improvisation, and subtly deployed electronics.

Featuring distinctively voiced collective free improvisation, this transatlantic quartet recording on the West Coast brings together legendary musicians Frode Gjerstad on alto saxophone and clarinet, and Bobby Bradford on cornet, alongside contemporary classical and improvising tuba virtuoso William Roper and drummer Alex Cline, delivering five dynamic improvisations with remarkable direction.

Legendary AMM drummer/percussionist and Matchless label leader Eddie Prévost meets with Earshots co-label leader and improvising synthesist Daniel Kordik for five remarkable dialogs, both using a full range of creative techniques that complement through alternating percussive and sonic approaches to their instruments, taking listeners into unforseen territories.

Expanding the enduring free improvising trio of Netherlands tenor saxophonist and clarinetist Luc Houtkamp, British pianist and player of electronics and objects Steve Beresford, and German drummer and percussionist Martin Blume, with Italian trombonist Sebi Tramontana for this exceptional concert captured live in 2023 at LOFT, in Cologne, Germany.

Recorded at Przeswit in Warsaw, Poland, Voiceact brings together Polish vocalists Anna Gadt, Natalia Kordiak, Marta Grzywacz, and Gosia Zagajewska in an avant exploration of the art of the voice, blending ancient music, contemporary classics, and folk influences across eleven improvised pieces that showcase a captivating range of vocal styles and possibilities.

London clarinetist Tom Jackson, active in both free improvisation and contemporary classical music, meets with cellist Tyler J. Borden, who concentrates on the extremes of his instrument through unusual and extended techniques, interpret one of London's "lost rivers"--Parr's Ditch--in three extended, interpretative improvisations of powerful impressions.

Inspired by the memoir from Swedish poet Tomas Tranströmer, this first album from the ORD quintet uses text from Tranströmer and original work from pianist & composer Karin Johansson and vocalist Jenny Willén, with trombonist Niclas Rhyd, reedist Gunnel Samuelsson and bassist Hasse Westling, in an exquisite set of introspective songs that bridge composed and improvised forms.

Inspired by the memoir from Swedish poet Tomas Tranströmer, this first album from the ORD quintet uses text from Tranströmer and original work from pianist & composer Karin Johansson and vocalist Jenny Willén, with trombonist Niclas Rhyd, reedist Gunnel Samuelsson and bassist Hasse Westling, in an exquisite set of introspective songs that bridge composed and improvised forms.

Punctuated with a Prelude, Interlude and Epilogue, the core Unknown Shores trio of Portuguese improvisers, bass clarinetist João Pedro Viegas, pianist Silvia Corde and double bassist Adriano Orru, are joined by guests Carlos Zingaro on violin and Helena Espvall on cello for a 10-part work of spontaneous composition, a conceptual collection of exquisite chamber jazz.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

Four free players from the assertive history of French free jazz--Jean Querlier on alto saxophone & soprano oboe, Jouk Minor on baritone & sopranino saxophones, Rachid Houari (the original drummer for Gong) on drums and Joseph Traindl on trombone--are heard in this exceptional and determined set performing two compositions by Jouk Minor at the 1st Massy Independent Festival in 1975.

Drawing inspiration from the same set of Cy Twombly drawings as her previous release, For The Love Of Fire And Water, and with nearly the same ensemble — Myra Melford on piano, Mary Halvorson on guitar, Ingrid Laubrock on tenor saxophones, Tomeka Reid on cello and here Lesley Mok on drums — Melford presents five brightly original and sophisticated compositions.

Recorded in Brooklyn by Jordan Dykstra performing on viola, electronics, percussion & programming, this is the second release in his subharmonic series "Seeing the Forest in a Tree", exploring one conceptual idea with four radically different realizations through arrangements contrasting the acoustic sources of viola & bells with prepared speakers and sine-tones.

The original score composed by Brooklyn violist and multi-instrumental Jordan Dykstra for the documentary movie Globes directed by Nina de Vroome, exploring the relationship between bees and humans through their history and affect on the global economy and our cultures, realized in a diverse set of contemporary musical forms from orchestral to electronica.

A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

Exploring diverse landscapes and moments of extreme behavior changes through a single acoustic viola, composed and performed by Jordan Dykstra, in four pieces that vary his approach to the instrument through overlapping tones, drones, extended techniques and rolling cycles, performed in California at the California Institute of the Arts and at the Cathedral of Saint Vibiana.

To celebrate drummer/percussionist Eddie Prévost's 80th birthday, Café Oto hosted four concerts once a week in June, 2022, each a differing configuration from Prévost's history; this third concert presents combinations of improvisers from Prévost's weekly workshop series through diverse groupings from trio to septet.

Price Reduction: Clifford Allen frames the work of pianist Matthew Shipp and his collaborators through his work on the RogueArt label of 25 albums and a book with poet Steve Dalachinsky, providing insight and context into Shipp's music through photographs, essays and interviews with William Parker, Rob Brown, Whit Dickey, Joe Morris, Yuko Otomo, Michel Dorbon, and Jim Clouse.

The third album from the genre-merging quintet The End of of Sofia Jernberg (vocals), Kjetil Moster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Borge Fjordheim (drums), an experimental song-based project influenced by avant rock, jazz and soundscape in seven nuanced pieces.

Referencing the traditional dance of Salento named for the tarantula, this Italian 9-piece improvising ensemble spent several days developing the unique orchestration, melodies and themes of these eight pieces, recorded after the OSIMU festival held in Taviano, using an acousmatic recording device to optimize the details of their insightful and often biting conversations.

On the last day of the 2021 Spontaneous Music Festival at the Dragon Club in Poznań, Poland, the trio of Berlin trombonist Matthias Muller was joined by younger generation Polish guitarist Pawel Doskocz on prepared electric guitar and fellow Berlin drummer and electroacoustic improviser Emilio Gordoa for these two extended sonic adventures recorded in near-darkness.

A 2022 recording at Evil Clown Headquarters, in Waltham, MA of the duo offshoot of the Leap of Faith Orchestra--David Peck on reeds & flutes, and Glynis Lomon on cello, aquasonic & voice--with guests, trumpeter Vance Provey, saxophonist Michael Caglianone, modular synth player Eric Woods and Albey on bass, with Joel Simches performing real-time signal processing.

Two powerfully intense 1969 free jazz recordings by American ex-patriots, saxophonist Arthur Jones and cornetist Clifford Thornton, recorded days apart in the same studio and released on BYG Records, Jones this reissue's connection with his own trio, and joining Thornton for four uniquely configured sessions that include Archie Shepp, Grachan Moncur III, Dave Burrell, and Sunny Murray.