A first-time collaboration between two American noise/sound artists, Tim Albro and Tyler Keen, using electronics, guitars and other lo- to medium-fi sounds and crackles to create well-paced stories in sound, apparently mysterious travelogues from city to city.

A journey in sound--drone, abrasive noise and subtle ambiance--in a well-paced example of non-idiomatic soundscape from the first meeting of Reed Evan Rosenberg on microphones, pedals, max, and voice, and Ethan Tripp on speakers, microphones, motors, junk.

A self-aware release presenting 3 exercises exploring the relationship between performer and audience, DiSanto & Hoffman recorded and reworked these pieces from live performance, including introductions and explanations, using sound created from common objects and stochastic synthesis.

Balancing detached and decontextualized sound with melodic moments, the New York duo of Kevin Parks and Vanessa Rossetto construct 3 large works of sound, journeys that take the listener in and out of the process with concrete, studio, and inexplicable sound.

Trumpet, synthesizer and microphones from the ea-improv duo of Graham Stephenson and Aaron Zarzutzki, an unusual palette of sounds mutating both instruments with both vengeance and guttural humor, a fascinating display of sound and momentum.

The duo of Anne Guthrie and Richard Kamerman in 5 large canvases of sound using field recordings, domestic recordings, composition, improvisation, processing - unhurried work of great detail and diversity that captivates the attentive listener.

Joe Panzner (Clearing, Polluted) and Greg Stuart (Pisaro) in a building electroacoustic improvisation work, mutating sound into a symphonic work of darkly blissful noise abstraction.