A concert recording from 1977 in Calgary, CA captured during Eugene Chadbourne's time in Canada prior to his move to NYC, from the guitar trio of Duck Baker, Randy Hutton & Eugene Chadbourne, performing on acoustic guitars, using a variety of approaches to improvising in trio, duo and solo configurations, with original work, an Ornette Coleman mashup, and a piece by Charlie Haden.

LAST is part of a series by Caroline Kraabel (LIO, Remote Viewers) mixing live improvisation with pre-recorded material provided by Robert Wyatt for this purpose, performed live at Cafe OTO in two versions: first where the 15-piece ensemble has not yet heard the Wyatt interventions, and second where they were familiar with and use his voice to structure what they play.

Legendary pianist Veryan Weston set out across England in 2014 in search of tracker-action organs, which he tested for suitability for a planned trio album, where possible recording himself on the instrument, as heard in these seven recordings of unusual and impressive improvisations.

Fingerstyle guitarist Duck Baker was influenced by Eric Dolphy, Ornette Coleman and Cecil Taylor, recording these solo original improvisations plus 2 Ornette Coleman pieces from '77-'83 in London, Torino & Calgary, plus 2 duos with guitar madman Eugene Chadbourne.

The second volume of Steve Lacy's solo soprano saxophone concerts, starting off with the three short versions of Billy Strayhorn tunes which opened his first solo concert at Avignon in 1972.

For her second solo album, Charlotte Hug concentrates on solo viola without any electronics in a series of pieces inspired by a then-recent visit to London, showing her strong musical personality and original extended techniques in a solo recital unlike any other.

The 1977 Derby concert performance by the SME quartet with John Stevens (percussion, cornet, voice), Nigel Coombes (violin), Colin Wood (cello) & Roger Smith (guitar), with a tribute to Anton Webern, plus concert recordings as a trio.

Concert and studio recordings of peace music organised by John Stevens for himself and Trevor Watts with numerous workshop musicians and audience people on saxophones, percussion and voices mostly contributing a flexible drone.

An excellent collection of solo acoustic guitar improvisations by Roger Smith that were digitally recorded at home in London during January, 2002.

Cellist Lee organized this trio with Evans on trumpets and Beresford on piano for a mini-tour; this CD showcases music from concerts in NY and Philadelphia.

Paul Dunmall (bagpipes, sax) and Stevie Wishart (hurdy-gurdy) play as a duo to start this Brussels concert, followed by a flustering duo with Dunmall on sax and Paul Lytton on percussion, and ending with a group performance by the unlikely trio.