Perhaps the darkest and most experimental album from the Flying Luttenbachers, the 4th from the NYC-based version of Weasel Walter on guitars & drums+bagpipe chanter & electronics, Tim Dahl on bass, Katie Battistoni on guitar, Matt Nelson on sax & live electronics and Sam Ospovat on drums, in two extended, terrific collective improvisations.

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.