Three expansive works from composer and keyboardist/pianist Alex Zethson, developing concepts from themes and motifs developed over more than a decade, recorded over two years with exceptional care as he and his collaborators create subtle and beautifully evocative sonic environments that seamlessly incorporate acoustic, electronic, drone and feedback elements.
Drawing on ideas from the 60s and 70--Ornette Coleman, John and Alice Coltrane, Don Cherry, and Charlie Haden--bassist Vilhelm Bromander assembles an accomplished ensemble of Stockholm improvisers to perform three works of warmth and spiritual power, incorporating jazz, world and contemporary music in a stunning and rich album that exudes a wealth of experience and musical clarity.
Performed with Stockholm musicians including pianist Alexander Zethson, wind player Martin Küchen and trombonist Mats Äleklint, organist Linnéa Talp explores the areas of sound that emulate breathing, push/pull or back & forth motion, in eight beautifully paced recordings led by the organ's rich and microtonal vibrations & timbre and imbued by the contributor's subtle additions.
Swedish contrabass clarinetist Christ Bothen in six extended works, the first and third disks a series of solo works using incredible technique and concentration, the 2nd disc a large work in an ensemble with fellow deep reedists Hans Koch & Per Texas Johansson, double bassist Vilhelm Bromander, pianists Kristine Scholz & Tisha Mukarji, and a spectral narrative from Sofia Jernberg.
In July 1968 trumpeter Don Cherry assembled a group of Swedish musicians--Bernt Rosengren (sax & winds), Tommy Koverhult (saxophone & winds), Leif Wennerström (drums), Torbjörn Hultcrantz (bass), Jacques Thollot (drums) & Kent Carter (bass)--recording their session with the intention of releasing an album that never happened, the tapes now re-discovered 50 years later and finally available!
"Actions For Free Jazz Orchestra" was originally written by Polish composer Krzysztof Penderecki for the New Eternal Rhythm Orchestra, assembled by Don Cherry for the occasion and conducted by composer himself; this new extended reading and conduction of the score from 2018 was originated and directed by Mats Gustafsson, a powerful update and expansion of the original work.