Chicago tenor saxophonist Gerrit Hatcher, known for his duos with Anton Hatwich and with Julian Kirshner, the improvising trio Devouring the Guilt with Eli Namay & Bill Harris and a trio with Mars Williams & Lia Kohl, is heard here in three extended solo improvisations, with strong tone riffing on grooves, exuding warm melodies, and running demanding technical passages on his horn.
A live concert of collective free improvisation captured at Elastic Arts in Chicago in 2018 between Rob Magill on tenor & soprano saxophones, Gerrit Hatcher on tenor saxophone, Charlie Kirchen on bass, and Julian Kirshner on drums, an energetic and diverse concert in three conversations that allow for great discourse and extended soloing; numbered edition of 150 copies.
Chicago-based tenor saxophonist, improviser, and composer Gerrit Hatcher (Devouring the Guilt, duos with Anton Hatwich, duos with Julian Kirshner) in a solo album of seven succinct statements, diverse expressions from scrabbling determination to pensive reflection, all informed by masterful skills that add nuance and intrigue to each track.
The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation.
Chicago saxophonist and Kettle Hole label leader Gerrit Hatcher joins with West Coast saxophonists Rob Magill (Weird Cry Records, Dreamcolour) and Japanese saxophonist based in Los Angeles Patrick Shiroishi, for five collective free improvisations of informed saxophone interaction; three approaches to the horn that complement and contrast in fascinating ways.
The first album as a bandleader from Chicago tenor saxophonist Gerrit Hatcher in a full quintet of well-known Chicago improvisers -- cornetist Ben LaMar Gay, tenor saxophonist Keefe Jackson, bassist Katie Ernst, and drummer Julian Kirshner -- in an album that would fit well in the ESP/Ayler free-jazz mode, tipped off by a cover of Charles Tyler's "Man Alone".
Chicago saxophonist Gerrit Hatcher sees his solo saxophone performances as a format that can be both charismatic and alienating in to the listener, as he uses extreme technique and powerful streams of emotional playing in a set of improvisations: "Salt Dome" parts 1-3, and "Cooking Fuel", each wrought with frailty and bluster; impressive work.