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Mezei, Szilard Quartet: Jaguar - Flower
Mezei, Szilard Quartet:
Jaguar - Flower

(FMR -- USA )


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Revisiting previous works in new arrangements, particularly the title track "Jaguar" originally recorded as a septet in 2005 and here with violin Szilárd Mezei's current quartet orchestrated for violin, vibes, double bass and drums; or the large work "Hep 35", part of a decades-long series of compositions employing unison melodies that open facilitate extended improvisation.

Mezei, Szilard Tul A Tiszan Innen Ensemble: Turizmus [2 CDs]
Mezei, Szilard Tul A Tiszan Innen Ensemble:
Turizmus [2 CDs]

(FMR -- UK )


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Szilard Mezei's Tiszan Innen Ensemble is a chamber jazz ensemble of rare sophistication and talent, 11 musicians performing Mezei's compositions and arrangements based on Hungarian folk songs, in active and lyrical pieces with wonderful interplay between sections and individual players, and excellent moment of lively and passionate soloing.

Mezei, Szilard Trio & Gergely Ittzes: Stormy Silence / Viharos Csend
Mezei, Szilard Trio & Gergely Ittzes:
Stormy Silence / Viharos Csend

(FMR -- UK )


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The Serbian trio led by violist Szilard Mezei with Istvan Csik on drums and Ervin Malina on double bass are joined by Hungarian flutist Gergely Ittzes performing on piccolo, alto and bass flutes, as Mezei's as Mezei's chamber-oriented free jazz trio reflects on the words of poet Szegedi-Szabo Bela.

Mezei, Szilard Septet: Veres Pancel
Mezei, Szilard Septet:
Veres Pancel

(FMR -- UK )


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Vojvodinian composer and violist Szilard Mezei formed this septet in 2005, his 3rd chamber group with a distinctly free jazz voice, citing influences Gyorgy Szabados, Anthony Braxton, Bela Bartok, Witold Lutoslawsky, Gyoryg Ligeti, Jimmy Giuffre, Steve Lacy, Mal Waldron, to which we would add Eric Dolphy, here in their second FMR album capturing a live concert in Serbia, 2018.

Mezei, Szilard Septet: Hajnali APN
Mezei, Szilard Septet:
Hajnali APN

(FMR -- UK )


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Serbian violinist and composer Szilard Mezei's septet in a recording for KCNS Novi Sad from 2015, three tracks of contemporarily orchestrated free improvisation performing three extended Mezei compositions, sophisticated works with effortlessly elaborate structures affording his septet opportunity in group interplay and well-developed soloing, a great achievement.



The Squid's Ear Magazine

The Squid's Ear Magazine

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