One of New York School minimalist composer Morton Feldman's later works, this extended composition spread across two CDs invokes waves of beautifully suspended, weaving strings from four violinists and cello, performed by the UK Apartment House ensemble violinists Mira Benjamin, Chihiro Ono, Amalia Young & Bridget Carey and cellist Anton Lukoszevieze.
Written for and performed by the UK ensemble Apartment House, composer & performer Magnus Granberg's latest work reduces his working size from the larger Skogen ensemble to this sextet, opening new possibilities for composed structures that incorporate improvisation, in a work structured around components from Schubert's Abendbilder and So in Love by Cole Porter.
Six sound-oriented compositions for acoustic ensemble performed by the UK ensemble Apartment House, beautifully reflective and rich works, the first six pieces being text scores for open instrumentation, along with Peace/Tree, a seven movement work for violin, cello and piano that specifies pitches while leaving room for interpretation and improvisation.
Splitting the album between two ensembles, UK composer Eden Lonsdale's beautifully languid compositions are performed first by Apartment House, and then by the young Rothko Collective, the four pieces showing Lonsdale's development of writing for harmony, timbre and resonance into works focused on the passing of time and the integration of prominent melodic elements.
With titles taken from different kinds of water nymphs in Greek mythology, composer Mark Iddon's four-part work is a hauntingly beautiful set of compositions of seeming siren calls and rich percussion, realized by an octet configuration of the UK ensemble Apartment House, with two pianists (Philip Thomas and Mark Knoop), three strings, clarinet, flute and percussion.
Collecting five chamber works from prolific London-based composer Tim Parkinson, written between 1998 and 2017 and performed by the Apartment House ensemble: one piece for solo violin performed by Mira Benjamin, two duos for violin & piano (by Benjamin & Siwan Rhys), a quintet for winds and strings and a septet, both featuring flute and bass clarinet.
Eight chamber works of interestingly structured and exquisitely restrained character, composed between 2016 and 2021 by UK composer Georgia Rodgers, performed by the Apartment House ensemble in configurations of acoustic duos, trios & quartets, one solo piece for piano & electronics, one solo work for electronics and the title piece in 3 parts by a quintet.
A 4-disc box-set with a 44-page booklet of extensive notes, presenting John Cage's Number Pieces which he wrote in the last five years of his life, adapted for mid-size ensembles and performed by the London-based ensemble Apartment House, compositions 'Five' to 'Fourteen' along with alternative versions of three of the pieces; significant and essential.
The UK ensemble Apartment House commissioned this work from composer & experimenter Jim O'Rourke based on their performance of other O'Rourke works, here interpreting a new graphic score designed like a sonic mobile, creating a minimal yet episodic piece of flexible interpretation as the performers whistle, hum and quietly sing in combination with bowed harmonics.
The 4th album on Another Timbre from a series of pieces by composer Antoine Beuger, each acknowledging a cultural or intellectual figure, here titled for philosopher, musicologist, educator and one-time member of the French Resistance, Vladimir Jankélévitch, represented by Beuger in a large dramatic work performed by the Apartment House sextet.
The UK Apartment House ensemble perform four chamber works or lyrical ballads of slowly meandering melody, referenced as slow dances, by Toronto composer Martin Arnold: "Lutra" for solo cello & humming; "Stain Ballad" for a sextet of strings, piano, reed organ & percussion; "Trousers" for violin & cello; and "Slip" for cello, violin, bass clarinet & piano.
Five fascinating works by the Belgian composer Maya Verlaak, realized by Apartment House and soloists Sarah Saviet & Mark Knoop, experimental compositions including a work of personal reflection based on "Alouette"; a conceptual game piece; a composition layering pre-recorded segments of "Greensleaves"; and two interactive acoustic & computer pieces.
Morton Feldman's final composition, originally premiered in 1987, here performed by pianist Mark Knoop, violinist Aisha Orazbayeva, violist Bridget Carey, and cellist Anton Lukoszevieze, recording a year after their successful performance at London's Cafe Oto, maintaining focus and concentration on this large, unhurried work of micro-variations.