A truly unique improvisational setting between three Norwegian artists--inspired tap dancer JanneEraker, fiddle player and vocalist Vegar Vardal and double bassist Roger Arntzen--finding an exuberant excitement through the percussion of body movement, strange and slippery vocalizations and two emphatic strings; virtually indescribable and absolutely enthralling.
A truly fascinating and seamless hybrid of improvised and composed music, alongside an exploration of feedback and "its acoustic double, a harmonic noise", from the merging of two projects--LAMIEE and Dròlo Ensemble--plus Italian poli-instrumentalists Nicholas Remondino and Andrea Giordano (OTONN), yielding wonderfully complex and enveloping sound worlds.
The Norwegian trio Ballrog, which started as the duo of Klaus Ellerhusen-Holm on clarinet and Roger Arntzen on double bass, then expanded with guitarist Ivar Grydeland, who is replaced by guitarist David Stackenäus, a perfect choice for the lyrical chamber approach of intertwining lines and fluid melodic statement, with a sense of "free chamber americana"; beautiful.
Self-described as Scandinavian jazz rock noir, the Chrome Hill quartet of Asbjorn Lerheim on baritone guitar, Roger Arntzen on double bass, Torstein Lofthus on drums & vibraphone, and Atle Nymo on tenor saxophone, present a dramatic album of contrasts inspired by cinematic and musical moods, merging elements of folk, Delta blues and cowboy rock into their darkly cool sound.
The Norwegian quartet formerly known as "Damp" with baritone guitarist Asbjorn Lerheim, tenor saxophonist Atle Nymo, drummer Torstein Lofthus, and double bassist Roger Arntzen, blend expressive forms of jazz with blues and rock in an expansive and rich set of tunes that both pay homage and look to new and inclusive formations of emotional and effusive music.
The Ballrog duo of multi-reedist Klaus Ellerhusen Holm and double bassist Roger Arntzen is expanded with pedal steel guitarist Ivar Grydeland as they explore jazz influenced at the intersection of Jimmy Giufree and Eric Dolphy with Morton Feldman-esque non-linear structures.
