Red Trio drummer Gabriel Ferrandini joins alto saxophonist Ilia Belorukov for a three-part freely improvised set captured live at Masterskaya Anikushina, in St. Petersberg, Russia, the former workspace of architect Mikhail Anikushin, a large space that creates a unique resonance that the two improvisers take advantage of through insistent yet discerningly constrained dialog.
The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.
Recorded in two studios — Saint-Petersburg, Russia and Zurich, Switzerland — capturing 5 encounters between experimental improvisers Ilia Belorukov performing on modular synthesizer, and Jason Kahn, who steps away from his electronics and drums in favor of stark vocalizing, each providing perfectly caustic responses to the other's intense and determined tactics.
Saint Petersburg alto saxophonist Ilia Belorukov and Lisbon drummer Gabriel Ferrandini in a studio album uniting two continents through exploratory free improvisation of exemplary skill and intense concentrative discourse, bringing Belorukov's creative approach to the instrument in close conversation with Ferrandini's powerful technique and clever interventions.
Music for the movie "The Red Soul" by Jessica Gorter, a chilling and fascinating look at the legacy of Josef Stalin, from an electroacoustic trio of Rutger Zuydervelt (Machinefabriek) editing and processing the playing of saxophonist Ilia Belorukov and percussionist Rene Aquarius, a dark and muted set of 14 emotional tracks that reflect a dark history.
Creative Sources regulars Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar join the long-running duo of alto saxophonist Ilia Belorukov and electronics artist and Mikroton label-leader Kurt Liedwart to record these two lowercase electroacoustic improvisations, transmuting acoustic and electronic sound in both stark and subdued ways.
Live recordings from the Dom Cultural Center in Moscow by the trio of Norbert Moslang on cracked everyday-electronics, Ilia Belorukov on sax, electronics & laptop, and Kurt Liedwart on analog synthesizer, electronics, ppooll, superb ea-improv balancing reserve and cracked power.