Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.

A beautiful rendering of French composer Eric Satie's 1918 masterwork "Socrate", originally for four sopranos and chamber orchestra, here stripped to its essence as a duo with Olalla Aleman on soprano and Guy Vandromme on piano, maintaining Satie's characterist reserve and refinement in the 3 parts: "portrait of socrates"; "banks of the ilissus"; and "death of socrates".

John Cage wrote his "Number Pieces" in the last years of his life, using his time bracket technique of short fragments allowing the performer flexibility in interpretation; each piece is titled for the number of performers and its ordinal position in the series, and most pieces are dedicated to a musician; here pianist Guy Vandromme performs three of the "One", or solo, series.