Recording in the studio in Derry, North Ireland in 2015, the trio of saxophonist Paul Dunmall on tenor with Alan Niblock on bass and Mark Sanders on drums present 5 exemplary jazz improvisations, Dunmall slowly building his solos with incredible displays of dexterity, but also with beautiful lyrical smears and expressions, as the bass and drums flurry around him; profound.

Live recordings at Hexagon Theatre in Birmingham in 2018 from the UK free improvising quartet of Paul Dunmall on tenor saxophone, John O'Gallagher on alto saxophone, John Edwards on bass, and Mark Sanders on drums, the two saxophonists bringing distinct approaches together as they weave and parry over the powerhouse rhythm duo of Edwards and Sanders.

Long-time collaborators, saxophonist Paul Dunmall and guitar Philip Gibbs are joined by Neil Metcalfe on flute and Ashley-John Long on bass for a concert at the Victoria Rooms, in Bristol, England in 2017, six collective improvisation of spectacular technique and inventive playing, often at very fast tempos, but always resolving to an inner calm and beauty.

With packaging embellished by 5 images of Paul Dunmall's wood engravings, this album catches the saxophonist on soprano, alto and tenor in the company of saxophonist Frank Paul Schubert on soprano and alto, with Sebastiano Dessanay on bass and Jim Bashford on drums, performing live at Lamp Tavern, in Birmingham for an album of intertwining reeds and solid rhythmic support.

Recording at Jazz at the Fringe in Bristol in 2017, saxophonist Paul Dunmall shows his Coltrane influence in three extended improvisation with the trio of long-time collaborator Tony Orrell on drums and percussion, and bassist and trumpeter Percy Pursglove, in a concert that presents masterful playing, impressive creative asides, and insightful soloing.

An album of improvised electronics from frequent collaborators Paul Dunmall on a Yamaha WX11 electronic wind instrument, and Philip Gibbs performing on electric guitar, in 9-parts exploring the unusual tonalities in both expansive and highly technical approaches.

Live recordings from the trio of Paul Dunmall on soprano and tenor sax, Philip Gibbs on guitar, and Ashley John Young on double bass, performing at Cardiff University School of Music Concert Hall in 2016, a great example of concentrative, complex and lively interplay.

The 7th CD for the sophisticated Circuit electroacoustic improvising ensemble, whose personnel shifts with each release; here Paul Dunmall plays sax, flute, and wind controller, alongside Phillip Gibbs on electric guitar and Trevor Taylor on acoustic & electric percussion.

Blending free and compositional players, saxophonist Paul Dunmall leads the quintet of Neil Metcalfe on flute, Hanna Marshall on cello, Alison Blunt on violin and Phillip Gibbs on guitar for a refined and sprightly set of extended improvisations recorded at Birmingham Conservatory.

The collaboration of UK saxophonist Paul Dunmall and American ex-pat drummer Tony Bianco has at least a 15 year history, heard in these telepathic duos of free improvisation recorded at Delbury Hall, Shropshire in 2014 for 3 extended works of breathtaking playing.

Recorded for his 60th birthday celebrations, this all star recording includes Mike Fletcher (sax, bagpipes), Percy Pursglove (trumpet), Mike Hurley (piano/organ), Chris Mapp (bass) and Mark Sanders (drums) plus special quests Simon hall (bass trombone) and Bethan Jones (bass drum).

Paul Dunmall performs on soprano sax along with clarinets and contra bassoon, in a give and take album with flutist Neil Metcalf and guitarist Philip Gibbs, a trio that allows space and a free melodic approach to guide their intelligent discourse.

A trio of frequent collaborators--Paul Dunmall on flute, soprano sax & bass clarinet, Philip Gibbs on guitar and Paul Rogers on bass--performing live at the Victoria Rooms in Briston, 2013 for four extended melodic, interactive and far-ranging free improvisations.

The UK trio of Paul Dunmall on saxophone, Paul Rogers on bass and Mark Sanders on drum, performing live at the Lamp Tavern in Birmingham, 2013, for three extended free improvisations of masterful playing.

Bringing together masterful players Paul Dunmall (sax), Hilary Jeffery (trombone), Alexander Von Schlippenbach (piano), Paul Schuber (sax), Mike Majkowski (bass), and Yorgos Dimitriadis (drums) for a studio release of incredibly well-balanced and insightful improvisation.

Saxophonist & flutist Paul Dunmall continues his Atmospheres series with these 3 varied improvisations performed with Philip Gibbs on electroacoustic guitar and Trevor Taylor on acoustic and electronic percussion.

Frequent collaborators Paul Dunmall (sax) and Mark Sanders (drums) form a rare union with a pianist, Pat Thomas, for 5 excellent and intense free improvisations showcasing the talents of all 3 players.

Paul Dunmall concentrates on wind instruments - flute, clarinet & bassoon - in these dreamlike duos with guitarist Philip Gibbs, beautiful and passionate music from the heart.

A new quartet recording at The Lamp Tavern in Birmingham, 2011, interactive free jazz from saxophonist Paul Dunmall, trumpeter Sam Wooster, drummer Mark Sanders, and bassist Chris Mapp.

Two leading UK improvisers - Paul Dunmall and Mark Sanders - perform on bagpipe and drums, a rare combination taking both players into unexpected and exceptional improvisational territory.

Saxophonist Paul Dunmall's trio recorded this playful and impressive studio album in 2001 with drummer Steven Davis and bassist Dave Kane, Dunmall also adding border bagpipes on certain pieces.

The 2nd release from Paul Dunmall's Realisation Trio with bassist Nick Jurd and drummer Jim Bashford, recording original Dunmall compositions at Victoria Rooms Bristol in 2011.

The great, late UK drummer Tony Levin is paid tribute in an album of lovely, unique and oft eccentric compositions performed by a (drumless) trio of peers: saxophonist Paul Dunmall, guitarist Phil Gibbs, and bassist Paul Rogers.

Brian Irvine's large work performed with the BBC Concert Orchestra was written and dedicated to Paul Dunmall and inspired by the film work of David Lynch, a 4-part musical landscape using 3 groups of players, 2 conductors and Dunmall himself.

Quartet recordings from the Victoria Room in Bristol, 2010, from the remarkable grouping of Paul Dunmall on tenor sax, Phil Gibbs on guitar, Paul Rogers on 7-string bass, and Mark Sanders on drums.

The British improvising trio of tenor saxophonist Paul Dunmall, 7-string bassist Paul Rogers and drummer Tony Bianco performing two long and serpentine improvisations at Delbury Hall, Shropshire in 2010.

Long time associates since their Mujician days, saxophonist Paul Dunmall, bassist Paul Rogers and drummer Tony Levin are recorded live in Austria for two extended and deeply joyful improvisations.

The quartet of Paul Dunmall on soprano sax and bass clarinet; Philip Gibbs on guitar; Neil Metcalf on flute; and Paul Rogers on 7-string bass; a unique orchestration with impressive improvisational results.

Live recording from Oxford Improv Club in 2010 opposite Red Square with Paul Dunmall on saxophones, Phil Gibbs on electric guitar and electronics, Nik Stevens on double bass and Trevor Taylor electronic percussion.

Saxophonist Paul Dunmall steps out again with long standing compatriot guitarist Philip Gibbs and Miles Levin, the son of Mujician drummer Tony Levin, for two extended and awe-inspiring improvisations.

The trio of saxophonist Paul Dunmall, drummer Mark Sanders, and guitarist Barry Edwards performing live at the University of West England in the fall of 2007.

An incredible display of virtuosity and free jazz melodicism led by saxophonist Paul Dunmall, with dual guitars from Barry Edwards and Philip Gibbs, and Mark Sanders' propulsive drumming.

PAL format DVD that documents the history of one of free improvisation's greatest saxophonists, Paul Dunmall, with music clips, interviews, &c.

Saxophonist & bagpipe player Dunmall's amazing Sun Quartet with Tony Malaby, Mark Helias and Kevin Norton performing live in NYC the day after Dunmall's Vision 2008 Fest show.

The title "Crossing" was penned by the group as a metaphor for the way in which their individual experience and musics meet and interact, fueled by a common love of improvisation.