Revisiting previous works in new arrangements, particularly the title track "Jaguar" originally recorded as a septet in 2005 and here with violin Szilárd Mezei's current quartet orchestrated for violin, vibes, double bass and drums; or the large work "Hep 35", part of a decades-long series of compositions employing unison melodies that open facilitate extended improvisation.

In September of 2002, Szilard Mezei performed a series of 5 consecutive, unaccompanied solo concerts in Hungary improvising on viola, this album presenting two of these captivating and magnificent performances, balancing impressive technique with his ability to captivate through stunning passages of exquisite lyricism and thematic development, an incredible achievement.

Originally working together in avant percussionist Evelyn Glennie's improvisation Core-tet Project, Serbian violist and composer Szilard Mezei comes together again with his quartet of Bogdan Rankovic on reeds, Ervin Malia on double bass and Ivan Burka on vibraphone to present this 2022 meticulous chamber improvisation concert at Gradska Koncertna Dvorana / City Concert Hall.

Four recordings of chamber-oriented improvisation by Serbian violinist Szilárd Mezei in a trio with bassist Zoltán Csányi, a frequent collaborator of Mezei, and Catalonian percussionist Vasco Trilla, performing in 2021 at KC Lab in Novi Sad, at RCA Magyarkanizsa in Serbia, at Samo Pivo in Subotica, Serbia and at Korzó Zeneház in Szeged, Hungary.

A collection of four concerts, each presented on a single CD, from the chamber-oriented and technically superb trio of Tim Trevor-Briscoe on alto saxophone & clarinet, Szilard Mezei on viola and Nicola Guazzaloca on piano, captured at at Korzo Zenehaz in Hungary; Cultural Centre of Vojvodina in Novi Sad Serbi; Regional Creative Atelier in Serbia; and Harom Hollo in Budapest.

Four double basses and a tuba, recorded in an arc to elucidate the sound of each instrumentalist, in Serbian improviser and composer Szilárd Mezei's deep-rooted Tubass Quintet, Mezei taking one of the double bass roles in place of his typical viola & violin work, as his compositions bring the deep instruments into both foundational and melodic territory.

Improvised duos between Serbian violist Szilard Mezei and Hungarian cellist Albert Markos, for more than 15 years, with two previous albums recorded (Korom (Creative Sources, 2008), and "Der" (Bandcamp, 2016), this third album presents 5 interconnected works of subtle and impressive technique as the two string players trade approaches in a fascinating conversation.

Vojvodinian composer and violist Szilard Mezei formed this septet in 2005, his 3rd chamber group with a distinctly free jazz voice, citing influences Gyorgy Szabados, Anthony Braxton, Bela Bartok, Witold Lutoslawsky, Gyoryg Ligeti, Jimmy Giuffre, Steve Lacy, Mal Waldron, to which we would add Eric Dolphy, here in their second FMR album capturing a live concert in Serbia, 2018.

Serbian violinist and composer Szilard Mezei's septet in a recording for KCNS Novi Sad from 2015, three tracks of contemporarily orchestrated free improvisation performing three extended Mezei compositions, sophisticated works with effortlessly elaborate structures affording his septet opportunity in group interplay and well-developed soloing, a great achievement.

An amazing example of extremely detailed collective free improvisation from the trio of Szilard Mezei on viola, Tim Trevor-Briscoe on alto & tenor saxophone, soprano clarinet, and bass clarinet, and Nicola Guazzaloca on piano, Mezei's strings adding a rapid-scatter of expressive playing, as the trio pitches forward and lays back for lyrical moments; astonishing!

An exciting album crossing free improvisation with chamber approaches and extended techniques from Serbian violist Szilard Mezei performing in a trio with pianist Marina Dzukljev and drummer/percussionist Vasco Trilla, recording in Novi Sad, Serbia in 2017.

Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.

Avant improvisation from violist Szilard Mezei's vocal ensemble, a 10 piece orchestra with two vocalists, performing live at CNESA, Serbia; complex and fascinating music with a mix of unusual and traditional orchestration.

Serbian string player and band leader Szilard Mezei in an impressive solo performance of three works - Heat; Snow; and Chrom - performed on viola and double bass.

Solo viola and double bass compositions from Voivodina Hungarian composer, violinist, viola player, and double bass player Szilárd Mezei.

Free ranging and captivating improvisations between Hungarian violist Szilard Mezei and cellist Albert Markos, a remarkable duo of the string's potential.