In 2005 Australian pianists Chris Abrahams (The Necks) and Anthony Pateras multi-tracked 4 takes in each octave of the piano, superimposing them over each other to create a kaleidoscopic maelstrom of pianistic energy, layers of piano creating a hypnotic and dizzying set of textures and unexpected sonic intersections.

The 2nd release from Italian composer/performer Alessandro Bosetti and Australian pianist Chris Abrahams (The Necks), a very intimate album of sonic explorations that spans improvised fragments and original renditions of compositions like Steve Lacy's "Esteem" with Bosetti's lyrics.

Formed in Australia the late 1980s by Chris Abrahams, Tony Buck and Lloyd Swanton, the Necks play post-jazz, post-rock, post-everything, slowly morphing improvised music, here in a limited numbered box set presenting 8 of their CDs from the UK Recommended Records label.

The Australian duo of pianist Chris Abrahams (Necks) & Berlin harpist Clare Cooper in a series of 198 short improvisations performed on Yamaha DX7 and the 14th century Guzheng harp, presented with 198 illustrations in an unusual and obsessively rewarding project.

Jason Kahn developed these graphic scores, commissioned by the 2012 now NOW Festival in Australia, to push these specific players into situations outside of their comfort zone, as heard in this double LP which includes copies of the score plus notes and interviews.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

The Necks 16th release layers polyrhythmic material to form seething blocks of sound, in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics.

The trio of Chris Abrahams, Lloyd Swanton & Tony Buck in their first release in 4 years, named for an industrial suburb, a bleak and beautifully building affair in The Necks tradition.

A long, lovely and flowing improvisation from the Necks in a 54 minute live recording recorded in Townsville, Northern Queensland in February, 2007.