Recording in Detroit in 2021 the ruggedly extreme free jazz quartet New Monuments of Don Dietrich (Borbetomagus) on saxophone, Ben Hall on percussion, Camille Dietrich on cello and Tony Gordon on electric bass guitar shred through six collective improvisations, taking time for burning solo moments and electrically-fueled exchanges; scorching!

Live recordings from Instants Chavires in Montreuil, France as the final concert of the Borbetomagus 2009 tour, a blistering 46 minute improvisation celebrating 30 years of this groundbreaking noise jazz trio's work.

Savage noise jazz in a rare 7" from the early 90s by the trio of saxophonists Don Dietrich and Jim Sauter and electric guitarist Donald Miller, two live version of "Coelacanth" recorded a year apart.

The Borbetomagus trio of Jim Sauter (sax), Don Dietrich (reeds) and Donald Miller (guitar) in a 1982 release on their own Agaric label, high volume jazz compiled from concerts in 1979 and 1981.

The first Borbetomagus, an unprecedented release of extreme free/punk improvisation and sound from the trio of Jim Sauter (reeds), Don Dietrich (reeds) and Donald Miller (guitar).

The meeting of the extreme jazz trio Borbetomagus and the electroacoustic trio Voicetrack for an album of radical textures, timbres, colors, and tone fields.

Extreme blasts of improvisation from the dual saxophones of Jim Sauter & Don Dietrich, and guitarist Donald Miller, performing live at Pezner in France, 1998.

Long awaited reissue of this 1998 LP, originally of live performances at ABC No Rio in NYC and now expanded to include live performances at DC Space in Washington, DC.

1991 collaboration between Shaking Ray Levis and Borbetomagus in an exquisite mix of over-amplified and otherwise bewilderingly fierce free improv.

Three performances from London and Glasgow from New York saxophonists Jim Sauter and Don Dietrich, and guitarist Donald Miller, playing through pedals and distortion devices in unique and irascible free improvisations.

Two monster proponents of noise esthetics, representing two continents whose cultures have often been described as incompatible, meet in the celebration of noise.