The second of a five-volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from David Stackenas, Jessica Ackerley, Jorge Espinal, Usui Yasuhiro, Scott Fields, Sebastian Sequoiah.Grayson, Sam Shalabi, Shinobu Nemoto and Nyctalllz.

Guitarist and composer Scott Fields presents the 3rd installment of his Beckett Trilogy, based on the writings of Irish novelist and poet Samuel Barclay Beckett (1906-1989), whose ironic black comedies Fields characterizes musically in instrumental compositions performed by his quartet with cellist Scott Roller, drummer Domnik Mahnig, and saxophonist Matthias Schubert.

The beautiful and introspective duo of guitarist Scott Fields and Jeffrey Lependorf, a certified master of the shakuhachi, performing new works for guitar and shakuhachi that combine written and improvised material, lovely and intelligent music.

Recorded in 1996 and first released by Music and Arts, this is perhaps Scott Fields' most important recording session to date: intricate compositions and superior interplay with his Chicago peers of Hamid Drake, Marilyn Crispell, and Hans Sturm.

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

Frequent collaborators Fields and Schubert on electric guitar and tenor saxophone performing innovative and virtuosic material in ways that sound much larger than a duo setting would imply.

Originally released in 1995 on Field's own Geode label, these compositions for choreographer Li Chiao-Ping use complex rhythms and tonalities in a serial pitch "system of circles".

The 3rd Clean Feed Guitar Series brings Elliott Sharp and Scott Fields together for a mixture or conventional notation, graphic notation, and structures for improvisation.

Extended harmolodic free-jazz following the classic models of Ornette Coleman and Eric Dolphy using odd time signatures, beats, and quirky turn-arounds.