Finding common ground between the acoustic past and the electronic present, the duo of Christoph Schiller on spinet and Eric Ruffing on analogue synthesizer present two extended improvisations of tempered interaction, exploring periods of extended sound, timbre and decay, scrabbling inside playing, restrained electronic whines, and active pointillistic playing.

An extended improvisation between spinet player Christoph Schiller and Boston-based composer/violinist Morgan Evans-Weiler, recorded in Schiller's workshop in Basel during Evans-Weiler's tour of Europe, a slowly moving exploration of pitch, timbre and texture executed with intensive concentration and utterly impressive control.

Christoph Schiller performs on the spinet, often improvising with electronics and objects; here he uses the spinet alone in patiently developing compositions that emphasize the individual tones and harmonics of the instrument played on the keys and inside the instrument.

Christoph Schiller's first solo work for spinet, amplified objects and piano, using a simple but brilliant structure which combines improvised pieces in a unique chain-like pattern of repetition and development.

Five unique pieces from improvisers Birgit Ulher (trumpet, radio, speaker, objects) and Christoph Schiller (spinet, preperations) recorded in Hamburg with no post-production work.

The trio of Michel Doneda, Christoph Schiller and Jonas Kocher performing music of delicate tension and great assurance recorded in the spectacular church at Ligerz, Switzerland.

The unlikely combination of tuba and spinet from Carl Ludwig Hubsch and Christoph Schiller (Millefleurs) taking each instrument beyond their traditional sound through extended technique and style.

The millefleurs vocal ensemble brings 12 vocalists together in varying groups for minimal and unique vocalisation over a taxonomy of floral genres and species.