A standout in the many collaborations between New York pianist Matthew Shipp and Brazil-born, NY-based tenor saxophonist Ivo Perelman, recording in the studio for eight elegantly lyrical improvisations that invoke both devotional and decisive dialogs, from an introspective "Prayer" to a dissipated "Lustihood", a spellbinding set of fraternal invocations.

Recording in the Merkin Concert Hall on a Steinway Grand Piano, New York pianist Matthew Shipp's seventeen numbered tracks of "The Data" takes listeners through a virtual history of jazz and contemporary improvisation, from beautifully lyrical moments to rapidly complex matrices of expression, balancing his approaches into an absorbing and rewarding album.

If maps serve us well, this studio recording between the trio of New York & Boston masterful collective free improvisers Jerome Deupree on drums, Matthew Shipp on piano and Joe Morris on guitar, references locations by track title in South Hamilton, MA; Nevilles Cross, UK; Yosemite, CA; San Jose, CA; New Hampshire/Maine coast; Buenos Aires.

After shattering the mouthpiece he had used for years, tenor saxophonist Ivo Perelman searched for a replacement, choosing the same mouthpiece used by Paul Desmond, provoking a shift in style to more melodic lines, as heard in this studio album performed with the exemplary quartet of pianist Matthew Shipp, double bassist Mark Helias and drummer Tom Rainey.

The first duo recordings from fellow New York jazz musicians, trombonist Steve Swell and pianist Matthew Shipp, having brushed shoulders together with Whit Dickey, Dom Minasai, Jemeel Moondoc, Allen Lowe &c., they bring a wealth of familiar knowledge and language to their binary concentration, through twelve concise dialogs themed around the dark expanse of space; masterful and intimate.

Originally released in 1992 on the US Quinton Records label, this trio album by New York improvisers, pianist Matthew Shipp (this being his first CD under his own name), bassist William Parker and drummer Whit Dickey, presents the four-part "Circular Temple" composed by Shipp, leveraging the language of jazz in remarkable ways, particularly the 2nd movement, "Monk's Nightmare".

Meeting in the Park West Studios in Brooklyn in 2022, acclaimed Norwegian free jazz multi-reedist Frode Gjerstad, here performing on alto saxophone & Bb clarinet, joins with New York pianist Matthew Shipp to record eight discerning and warmly paced improvised dialogs, each titled through a wide range of topics, including "about music"; "about equality"; "about Conspiracies"; "about peace".

The second album release from the trio of New York improvisers Ivo Perelman on tenor saxophone and Matthew Shipp on piano with DC drummer Jeff Cosgrove, captured live in North Carolina at the Carborro ArtsCenter for an extended, nearly hour-long journey of concentrative interplay, articulate soloing and diverse and authoritative dynamics of fervent and reflective moods.

Adding guitarist Joe Morris to the long-standing collaboration of tenor saxophonist Ivo Perelman and pianist Matthew Shipp directs the New York trio into a fascinatingly unique direction, Morris' often pointillistic style bringing out quick responses and conglomerates of ideas, balanced by hauntingly lyrical and suspended moments; an evokative album of spirited improvisation.

Bringing decades of experience from far-reaching careers as leaders and in collaboration with some of the most luminary improvisers in creative jazz, this first meeting between bassist Mark Helias and pianist Matthew Shipp evokes nine inspired dialogs from two consequentially compatible jazz musicians, beautifully captured in the warmth of the Park West Studios in Brooklyn.

A mix of original compositions and collective improvisations from the NY trio of cornetist Kirk Knuffke, bassist Michael Bisio and pianist Matthew Shipp, in a double album of exemplary creative jazz from three players steeped in both tradition and forward-thinking approaches to improvisation, filled with spectacular playing from enthusiastic to introspective; a superb release.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

The third duo album focusing on the relationship between the bass and piano interplay of New York improvisers Michael Bisio and Matthew Shipp, whose long relationship as collaborators, particularly in the Matthew Shipp Trio and Quartet, afford them a nearly telepathic compatibility in their work together, heard in nine detailed recordings of superb dialog.

An unusually contemplative solo record from New York pianist Matthew Shipp, belying the intricately subtle density of his inventive approach to solo piano improvisation, with an innate lyricism through unusual motive and direction; perhaps one of the most succinct and concise albums Shipp has released, and a beautiful reflection of his creative intentions.

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".

Meeting in France in 2017 for the Festival Météo de Mulhouse, Evan Parker alternating between soprano and tenor saxophones and Matthew Shipp on acoustic piano, present an epic extended improvisation that naturally evolves through several sections, followed by a brief post-script, each musician attentively focused as they support the clarity of each other's playing.

Matthew Shipp (piano), John Butcher (saxophones) and Thomas Lehn (electronics) in a studio album recorded in France in 2017, a uniquely voiced collective trio of transformative improvisation, Lehn's additions and modifications blending perfectly with Shipp's solid foundations and Butcher's advanced technical expression, for an engrossing and expressive set of recordings.

A meeting in the studio of long-time friends and collaborators, pianist Matthew Shipp and Daniel Carter performing on alto, tenor & soprano saxes, clarinet & trumpet, having played together in many groupings this is only their first duo recording, in a thoughtful set of free improvisations with an innate lyricism and beautiful sense of pacing; masterful and evolved.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

"Efflorescence", to reach an optimum stage of development or blossom, as heard through four studio-recorded CDs, expanding on the warm and enduring duo of saxophonist Ivo Perelman and pianist Matthew Shipp in beautifully flowing, succinct improvisations with a lyrical inclination, allowing for exploration through the sophisticated support each brings; beautiful.

Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".

Recording two days after their concert in British Columbia, BC at Alternator Centre for Contemporary Art's Skin And Bones Music Series, the trio of pianist Matthew Shipp, guitarist Gordon Grdina and bassist Mark Helias captured these collective improvisations at Afterlife Studios in Vancouver BC, titling their album after their well-received concert.

Two extended examples of free improvisation from UK stalwarts, tenor saxophonist Paul Dunmall, bassist John Edwards, and drummer Mark Sanders, joined by New York pianist Matthew Shipp, all captured live at Cafe Oto in 2010; set one is an unflagging example of energetic collective improv, set two more introspective yet vital and demanding; a superb concert!

While working with Matthew Shipp on an Ivo Perelman album, drummer Whit Dickey and pianist Shipp agreed to record an album of their own and enlisted violist Mat Maneri to record this album of deep space-themed improvisations, collective music of heavy propulsion that bursts from impassioned exchange to convoluted clusters of sound.

After "Exta", where saxophonist John Butcher and electronics artist Thomas Lehn met with pianist John Tilbury, the duo now meet with New York pianist Matthew Shipp for a distinct improvisational entanglement of Butcher's dense streams, Lehn's rich sound floor, and Shipp's thick repetitions.

The 2nd LP from Polish multi-wind & reedist Mat Walerian, his 2nd with NY pianist Matthew Shipp, and the 2nd recorded within the live Okuden Concert Series, adding drummer Hamid Drake for an excellent album of free improvisation that flows beautifully from track to track.

Named after Jean Genet's infamous novel, New York pianist Matthew Shipp's quartet Declared Enemy with Sabir Mateen on tenor sax & clarinet, William Parker on double bass, and Gerald Cleaver on drums, return for a second outstanding album of dynamic and masterful jazz.

Pianist Shipp's long-standing trio with bassist Michael Bisio and drummer Whit Dickey, complex and inspired compositions that makes modern creative approaches to jazz beautifully accessible and essential.

Percussionist Scott Davidson, whose music is informed by jazz, classical Indian and Middle Eastern music, teamed up with pianist Matthew Shipp, bassist Michael Bisio, drummer Whit Dickey and reedist Lloyd Shorter for this album of world encompassing and rhythmic jazz.

Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.

Celebrated pianist Matthew Shipp joins Irish guitarist Mark O'Leary to explore the many fields of improvisation each follows, from meditative to intense discourse.

The duo of Downtown NY-ers poet Steve Dalachinsky and pianist Matthew Shipp improvising over 22 of Dalachinsky's sharply worded poems of "everyday" observation.